ARH 156 midterm

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lucye  on February 19, 2012

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ARH 156 midterm

Saint Mark
Donatello
Early Italian Renaissance
Florence, Italy
1411-1413
marble
1/61

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Saint Mark Donatello
Early Italian Renaissance
Florence, Italy
1411-1413
marble
David (1) Donatello
Early Italian Renaissance
1440-1460
bronze
Isaac and His Sons Ghiberti
Early Italian Renaissance
detail from the east doors of the baptistery (Gates of Paradise), Florence
1425-1452
gilded bronze
The Tribute Money Masaccio
Early Italian Renaissance
Brancacci Chapel, Santa Maria del Carmine, Florence
1424-1427
fresco
Christ Delivering the Keys to the Kingdom to Saint Peter Perugino
Early Italian Renaissance
Sistine Chapel, Vatican, Rome
1481-1483
fresco
Birth of the Virgin Ghirlandaio
Early Italian Renaissance
Capella Maggiore, Santa Maria Novella, Florence
1485-1490
fresco
Giovanna Tournabuoni Ghirlandaio
Early Italian Renaissance
1488
oil and tempera
Birth of Venus Botticelli
Early Italian Renaissance
1484-1486
tempera
Damned Cast into Hell Signorelli
Early Italian Renaissance
San Brizio Chapel, Orvieto Cathedral
1499-1504
fresco
Enthroned Madonna and Saints Adored by Federico da Montefeltro Piero Della Francesca
Early Italian Renaissance
1472-1474
oil
Battle of the Ten Nudes Pollaiuolo
Early Italian Renaissance
1465
engraving
dome of Florence Cathedral Brunelleschi
Early Italian Renaissance
1425-1436
Pazzi Chapel Brunelleschi
Early Italian Renaissance
Santa Croce, Florence
designed 1432, begun 1442
Sant'Andrea Alberti
Early Italian Renaissance
Mantua
designed 1470, begun 1472
mimesis representation or imitation of the real world in art
chiaroscuro the treatment and use of light and dark, especially the gradations of light that produce the effect of modeling
trompe l'oeil french: 'fools the eye.' a form of illusionistic painting that aims to deceive viewers into believing that they are seeing real objects rather than a representation of those objects
facade the face of a building; especially the principal front that looks onto a street or open space
arcade a series of arches supported by piers or columns
colossal order an architectural design in which the columns or pilasters are two or more stories tall
coffered barrel vault a deep arch or series of arches connected with sunken panels in the ceiling to reduce weight and add an ornamental element
Madonna of the Rocks Leonardo da Vinci
Italian High Renaissance
San Francesco Grande, Milan
begun 1483
oil on wood
Madonna and Saint Anne with Christ and the Infant Saint John the Baptist Leonardo da Vinci
Italian High Renaissance
1505-1507
cartoon: charcoal with white chalk on brown paper
Pieta Michelangelo
Italian High Renaissance
Saint Peter's, Rome
1498-1500
marble
Madonna in the Meadow Raphael
Italian High Renaissance
1505-1506
oil on wood
Last Supper Leonardo da Vinci
Italian High Renaissance
Santa Maria delle Grazia, Milan
1495-1498
oil and tempera on plaster
Last Supper (2) Tintoretto
Italian High Renaissance
1594
oil on canvas
Philosophy (School of Athens) Raphael
Italian High Renaissance
Stanza della Segnatura, Vatican Palace, Rome
1509-1511
fresco
ceiling of the Sistine Chapel Michelangelo
Italian High Renaissance
Vatican City, Rome
1508-1512
fresco
Last Judgment Michelangelo
Italian High Renaissance
altar wall of Sistine Chapel, Vatican City, Rome
1536-1541
fresco
Bound Slave Michelangelo
Italian High Renaissance
Tomb of Pope Julius II, Rome
1514-1516
marble
David (2) Michelangelo
Italian High Renaissance
from Piazza della Signoria, Florence
1501-1504
marble
Entombment of Christ Pontormo
Mannerism
Capponi Chapel, Saint Felicita, Florence
1525-1528
oil on wood
Madonna with the Long Neck Parmiginino
Mannerism
Bairdi Chapel, Santa Maria dei Servi, Bologna
1535-1540
oil on wood
San Zaccharia Altarpiece Giovanni Bellini
Venetian Art
1505
oil on wood transferred to canvas
Pastoral Symphony Giorgione and/or Titian
Venetian Art
1509-1510
oil on canvas
Meeting of Bacchus and Ariadne Titian
Venetian Art
Camerino d'Alabastro, Palazzo Ducale, Ferrara, Italy
1522-1523
oil on canvas
Venus of Urbino Titian
Venetian Art
1538
oil on canvas
Assumption of the Virgin Titian
Venetian Art
interior of Santa Maria Gloriosa dei Frari, Venice
1516-1518
oil on wood
Triumph of Venice Veronese
Venetian Art
ceiling of the Hall of the Grand Council, Doge's Palace, Venice
1585
oil on canvas
Tempietto Bramante
Venetian Art
San Pietro in Montorio, Rome
1502
Villa Rotonda Palladio
Venetian Art
Vicenzo, Italy
1550-1570
facade of Il Gesu Giacomo della Porta
Venetian Art
Rome, Italy
1575-1584
Fall of Man (Adam and Eve) Albrecht Durer
16th Century Northern European
1504
engraving
Isenheim Altarpiece Matthias Grunewald
16th Century Northern European
Chapel of Hospital of Saint Anthony
1510-1515
oil on wood
Battle of Issus Altforfer
16th Century Northern European
1529
oil on wood
The French Ambassadors Hans Holbein the Younger
16th Century Northern European
1533
oil and tempera on wood
Hunters in the Snow Pieter Breughel the Elder
16th Century Northern European
1565-1566
oil
Burial of Saint Orgaz El Greco
16th Century Northern European
1586
Conversion of St Paul Caravaggio
Italian Baroque
Cerasi Chapel, Saint Maria del Popolo, Rome
1601
oil on wood
Calling of Saint Matthew Caravaggio
Italian Baroque
Contarelli Chapel, Saint Luigi dei Francesi, Rome
1597-1601
oil on canvas
Entombment Caravaggio
Italian Baroque
Chapel of Pietro Vittrice, Saint Maria in Vallicella, Rome
1603
oil on canvas
Judith Slaying Holofernes Artemisisa Gentilleschi
Italian Baroque
1614-1620
oil on canvas
David (3) Gianlorenzo Bernini
Italian Baroque
1623
marble
Ecstasy of Saint Teresa Gianlorenzo Bernini
Italian Baroque
Cornaro Chapel, Saint Maria della Vittoria, Rome
1645
marble
Water Carrier of Seville Velasquez
Italian Baroque
1619
Las Meninas (Maids of Honor) Velasquez
Italian Baroque
1656
Allegory of the Art of Painting Vermeer
Dutch Baroque
1670-1675
oil on canvas
Consequences of War Rubens
Dutch Baroque
1638-1639
oil on canvas
Still Life with Flowers, Goblet, Dried Fruit and Pretzels Clara Peeters
Dutch Baroque
1611
oil
Supper Party Von Honthorst
Dutch Baroque
1620
oil

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