MUSC 145 Exam 1
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137 terms
Terms | Definitions |
|---|---|
Charlie Patton | Delta Blues |
Lestor Young | tenor Sax played with Basierepesated the same note and was a model improviser |
Jerry Mulligan | barry sax |
Don Cheaton | trumpet |
Colman Hawkins | tenor sax |
stop time | section stops except the solo |
Roy Eldridge | ![]() trumpet player |
Bin Webster | tenor sax |
Joe Williams | ![]() Jazz singer |
Classic Blues Structure | 12 barAAB I IV I V I |
Song form structure | AABA32 bars to a chorus (4 beats per bar) |
Ragtime Structure | AABBACCDD(additive structure) |
Duple meter | can be "divided" in two" bar structure |
coda | concluding section of somg |
3 big areas w/improvisation | chordsblues song form scales(modes) |
ragtime | not improvisationcomes from march structure and is forerunner to jazz each letter(strain) 16 bars unlike song form |
Jelly Roll Morton's Band | Red Hot Peppers |
Sidney Biche | Soprano Sax |
Armstrong's Band | Hot 5(7) |
Fatz Waller | 1st house organ in Jazz |
Marie Lou Williams | first jazz musician(piano) to play with a symphony orchestra |
Art Tatum | Called Boogie-great improviser |
call-and-response | an alternating dialogue between individuals or groups |
decrescendo | gradually softer |
chord | harmonic unit composed of three to seven pitches, each spaced a third apart from the next one |
measure or bar | the regular grouping of beats in a given meter (16 beats adds up to four measures) |
syncopation | the accentuation of rhythms that ordinarily go unaccented |
pitch | the "highness" or "lowness" of a sound sometimes called a note |
swing | the propulsive rhythmic intensity in a jazz performance defined, in part, by accented upbeats and an alternating eighth note |
melody | a linear succession of pitches that we hear as a coherent unit |
scale | collection of pitches from which musicians draw to create melodies |
octave | the interval of an eighth |
harmony | simultaneous sounding of two or more pitches |
key | central pitch |
modulation | process of changing from one key another |
mode | minor/major harmonic quality |
consonance | state of harmonic rest |
dissonance | a state of harmonic tension |
tone color or timbre | distiguishing element of instruments |
instrumentation | instruments chosen for a given performance |
Hebie Jebies | first recording of skat |
Paul Whiteman | ![]() viola player mixed jazz and clasical together(symphonic jazz) |
Gershwin | ![]() wrote rhapsody blues |
Austen High Gang | began to see Chicago style and less improv |
Vickies Spaldecca | coronet player |
Cotton Club | segregated club that had a night radio broadcast |
Stride | Left hand technique |
Willie the Lion Smith | stride player |
James P Johnson | "father of stride" "Harlem Strict"wrote head arrangements Swing Carolina Shout and Charleston piano roll |
Jimmie Nancy | Most influential person in Boogie |
Luxe Louis | boogie |
Joe Tourene | shout singer |
Latin Jazz | combines harmonic language of bebop and Latin Rhythms |
Son music | Mixes African and Spanish Music |
Juan Tizol | trombone player from Puerto Rico that wrote Ellinton |
Bauza | thought to be the founder of Latin Jazzplayed clarinet, trumpet, sac and was arranger and composer music director for the Afro-Cubans band wrote "Tanga" first Latin jazz tune |
Machito | ![]() singer whose group Afro-Cubans were fisrt succesful Latin Jazz Band |
rhythmic section of Latin jazz band | Tumbadoras(Congas), Timbales, Maracas, Bongos, Guiro, Claves, cowbells, piano, bass |
Modal Jazz | based on one chord seen in Bauza's Tanga |
Gillespie | wrote Afro-Cuban piece Manteca w/Pozofused w/Bauza founder of Bebop |
Stan Kenton | band leader that began mixing Jazz w/ Latin music beginning in 1947His 1966 recording of "Latin Fire" is excellent |
Cal Tjader | one of must successful West-Coast Latin Jazz musicians. (Drums, later vibes) |
Fusion of Latin Jazz | Cuban Music and New Orl. music and cuban with early ragtime(influenced by Joplin |
Alberto Socarras | first Jazz flute solo recorded |
Clide | important in Latin Jazz |
Chano Pozo | Cuban percussionist and first percussionist to record w/Jazz band |
Brass band | included coronet, trombode, tube(not only brass) and also wind(clarinet) and drums and behind was 2nd line of Dance (Mardi Gras)trumpet as tune repetitive structure every beat equal to a flat four |
Frontline of Brass Band | primary instrument was the coronetclarinet playing extras(embellishment baseline was the trombone |
Buddie Bolden | best known musician in New Orleanscoronet player had a string and wind group Replaced by Fred Kepler |
Jazz in Chicago | swinglarger groups prominence of saxophone interest in trumpet and bango use of susaphone(String base)\ solo improv faster tempo |
Ma Rainy | mother of blues |
Mamie Smith | first lady of blues(first record made by a African American singer which was Crazy Blues |
Bessie Smith | Empress of the bluesbiggest name in blues recording and movies |
First Jazz Record | One Step and Livery Stable Blues |
Ervin Mills | music contractor |
Buber Miley | Ellington's Growling trumpeter |
Tricky Sam Nanton | Trombone player in Ellington's band who used special mutes and used growling technique |
Hot Swing | Not typical song form(AABA)Popular with ellington improvisation featuring soloists and head arrangements for listening |
Sweet Swing | for dancing and social functions(riffs) |
Ellington as a composer | -played with tambors and ranges-wrote for players -extended harmony -non traditional instrument -messed with modes(major and minor) and clashing pitches |
Joe King Oliver | coronet player, cornet player, used mutes, Louis Armstrong's mentor, formed theCreole Jazz Band (N.O style) |
Lil' Hardin | Creole Jazz Band's pianist; married Armstrong, composer as well |
Clarence Williams | soprano sax (N.O style) |
Sidney Biche | clarinet and soprano sax...shot somebody |
Jelly Roll Morton | piano, singer and dancer(Ragtime style w/blues feel)first player to write tunes on paper "invented jazz" |
rhondo form | ABACA |
Fletcher Henderson | Big Band Swing/Chicago Style?block voicing(melody on top),use of riffs, contrast of reed and brass divided sections up |
Kansas City Swing | good improv-blues structure lots of choruses -riffs |
Count Basie | was an Kansas City jazz pianist, organist, bandleader(Kansas City 6), and composer. -comping-doing the minimum -riffs Roso ballroom |
Kansas City Six | Count Basie's recording unit |
Freddie Green | rhythm guitar(replaced banjo) player |
Buc Clayton | trumpet player who wrote out head arrangements for Count Basie.(songform) |
Herschel Evans | Tenor saxoponist played old style with Lester Young |
Head | tune at the beginning |
sweet | INDIVIDUAL collection of tunes with a subject |
Shiwasaree | used to describe complex art work |
Pentatonic scale | scale with five notes (traditional chinese scale) |
diduadoo | involved circular breathing and was a wood instrument |
Benny Goodman | clarinet played jazz and classical"king of swing" for a while |
Arnie Shaw | new king of jazz and was a clarinet |
Krupa | drummer in "China Boys" |
Ray noble | piano and successful english band leader |
Glen Miller | trombone player in Ray Noble's band. Sweet band leader |
Claude Thornhill | Piano Player |
Charlie Barnet | tenor sax played a tune written by Ray |
I Got rhythym | rhythm "chord" changes from Gershwin's piece |
Mississippi Fred McDowell | Soon One Mornin |
J.Rushing | Brussels Blues |
Billie Holiday | Fine and Mellow |
Joe Williams | Goin to Chicago |
Ernie Andrews | She's Gotta Go |
Joe Williams | Sawmill Blues |
Wynonie Harris | Good Rockin' Tonight |
Goodman | Body and Soul |
Jimmy Rushing | Some of these days |
bunk Johnson | Didnt He Ramble |
Bessie Smith | Back Water Blues |
Oliver | Chimes |
Clarence Williams | WIld Cat Blues |
Morton | Wolverine Blues |
James P Johnson | You've got to be Modernistic |
Fats Waller | After You're Gone |
Luxe Lewis | Honky Tonk Train |
Big Joe Turner | Rebecca |
Marie Lou Williams | Roll 'Em |
Henderson | Sugar Foot Stomp |
Henderson | Hotter than Ell |
Jimmy Lunceford | For Dancers Only |
Moten | Moten Swing |
Basie | Jumpin' at the Woodside |
Basie | Corner PocketApril in Paris |
Young | D.b. BluesI've Found a New Baby Drum Boogie |
Goodman | King Porter StompSing, Sing, Sing Rose Room |
Miller | In the mood |
Krupa | Drum Boogie |
Krupa/Eldridge | After you're Gone |
christian | i found a new baby |
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