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Ave Maria Virgo Serena - composer Josquin Ave Maria Virgo Serena - date c. 1440 - 1521 Ave Maria Virgo Serena - genre/#of voices 4 voice sacred motet Ave Maria Virgo Serena - info Adapted from a Gregorian chant, imitative polyphony at beginning and some throughout, varies texture by varying number of individuals singing at once, stretto - imitation in very close succession Ave Maria Virgo Serena - how to recognize Begins with imitations of "Ave maria" As Vesta Was From Latmos Hill - composer Weelkes As Vesta Was From Latmos Hill - date 1601 As Vesta Was From Latmos Hill - genre/#of voices Madrigal, 6 voices As Vesta Was From Latmos Hill - info Simple rhythms - rhythms feel natural for text, feels more modern than Josquin and Palestrina, music portrays the text - ascending, descending, two by two, etc. As Vesta Was From Latmos Hill - how to recognize Begins with the title being sung Kemp's Jig - composer Anonymous Kemp's Jig - date 16th century Kemp's Jig - genre/#of voices Jig: recorder, lute, viola de gamba Kemp's Jig - info AAB form, A and B have the same ending cadence, Homophonic, fast duple meter, increased ornamentation Kemp's Jig - how to recognize Beginning sounds a bit like yankee doodle Daphne - composer Anonymous Daphne - date 16th century Daphne - genre Elizabethan dance, Galliard Daphne - info Form - aabbcc, mainly homophonic, meter is clear, distinct ends to phrases, feels like triple meter, ornamentation on repeats, instrumental - violin family ensemble Daphne - how to recognize Begins with guitar-ish thing and a flute. Is in triple-y meter, unlike Kemp's jig Missa Papae Marcelli - Gloria - composer Palestrina Missa Papae Marcelli - Gloria - date 1557 Missa Papae Marcelli - Gloria - genre/#of voices 6 vocal parts, sacred, part of mass Missa Papae Marcelli - Gloria - info Intended to convince pope that there was still a place in the church for composers of complex polyphonic music, repetition of text, set standard of what music sounds like in church, more homophony than polyphony until end, clear text Missa Papae Marcelli - Gloria - how to recognize Begins with one man singing "Gloria in excelsis deo" Missa Papae Marcelli - Kyrie - composer Josquin Missa Papae Marcelli - Kyrie - date c. 1510 Missa Papae Marcelli - Kyrie - genre/#of voices 4 part mass, based on a Gregorian hymn Missa Papae Marcelli - Kyrie - info Designed for Corpus Christi mass, Phrygian mode, Begins with monophonic kyrie followed by imitative polyphony Missa Papae Marcelli - Kyrie - how to recognize Begins with imitated kyrie Ave Maris Stella - composer Dufay Ave Maris Stella - date c. 1400-1475 Ave Maris Stella - genre Hymn/ sacred motet Ave Maris Stella - info Homophonic setting of a Gregorian chant with embellished melody, short tune is sung through many stanzas followed by an Amen, addressed to the Virgin Mary, Dorian mode, shows new Renaissance attitudes, alternates between original chant and embellished version Ave Maris Stella - how to recognize Begins with monophonic female voices saying an "s" word Dame, De Qui Toute Ma Joie Vient - composer Machaut Dame, De Qui Toute Ma Joie Vient - date c. 1300-1377 Dame, De Qui Toute Ma Joie Vient - genre/#of voices Chanson - 4 voices Dame, De Qui Toute Ma Joie Vient - info secular polyphony, non-imitative polyphony, long melismas on many syllables, each stanza is in a, a`, b form. focus is on lively and complex melodies not text Dame, De Qui Toute Ma Joie Vient - how to recognize Begins with title being sung La Dousa Votz - composer Ventadorn La Dousa Votz - date c. 1130 - 1200 La Dousa Votz - genre secular motet La Dousa Votz - info Strophic form (AAA), each stanza is aa`b, Mixolydian mode, legato and often stepwise melody, feels like duple meter, homophonic, joys and sorrows of love, simple rhythms, moderate tempo. La Dousa Votz - how to recognize Begins with guitar-like instrument reminiscent of bluegrass, followed by bongo-like instrument, then a single voice, then a flue-like instrument Diffusa Est Gratia - composer Pérotin Diffusa Est Gratia - date c. 1200 Diffusa Est Gratia - genre/#of voices Organum, 2 voices over a low drone Diffusa Est Gratia - info Chant for the mass, begins in gregorian style, features long melismas, for Notre Dame Cathedral, chant sections are monophonic, organum section is polyphonic Diffusa Est Gratia - how to recognize Begins with "Alleluia" sung by several men several times with long melismas Columba Aspexit - composer Hildegard of Bingen Columba Aspexit - date c. 1100-1200 Columba Aspexit - genre Plainchant sequence Columba Aspexit - info Composed in honor of St. Maximinus, sequence: series of short tunes sung twice (AA`BB`CC`), soloist sings A, choir sings A`, etc., Mixolydian mode, range is wider than was typical, low drone, sung by women, monophonic+drone Columba Aspexit - how to recognize Begins with title being sung by women, monophonic In Paradisum - composer Anonymous In Paradisum - date c. 900 or before In Paradisum - genre Gregorian chant In Paradisum - info Part of liturgy for the dead, mixolydian mode, features melismas and syllabic singing, monophonic In Paradisum - how to recognize Begins with title being sung by men in unison