Titian to Picasso Style
About this set
Created by:
janiemartin Plus on March 22, 2012
Subjects:
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120 terms
Terms | Definitions |
|---|---|
 Cezanne | fruits |
| Cezanne | unproportional depictions |
| Cezanne | orange/green pallet when he painted outdoor scenes |
| Cezanne | portraits at different angles (chubby, bearded, lots of hats) |
| Cezanne | only still-life artist on test |
| Munch | theatrical print maker |
| Munch | Madonna series of prints |
| Munch | Colors blended and then scraped away |
| Bernini | floating busts |
| Bernini | extremely detailed sculptures |
| Rodin | Gates of Hell |
| Durer | engravings often have his symbol on the bottom (D w/ a pi-like sign on top) |
| Delacroix | animal subjects, but blotchy, not scary |
| Rubens or Delacroix | paintings with animal subjects must be by |
| Rubens | very dense paintings with dull colors |
| Rubens | nude women= muscular |
| Rubens | comic-book violence |
| El Greco | lots of scumble |
| El Greco | elongated limbs |
| El Greco | intense faces |
| El Greco | detailed portraits |
| Titian | Poker face, not very revealing |
| Titian | Light scumble strokes makes it look a little fuzzy |
| Titian | Fuzzy beard and hair effects |
| Titian | Complex colors |
| Durer | Facial features that jet out |
| Durer | Eyes that bug out |
| Durer | Kinda like van Eyck |
| Durer | Intellectual intensity |
| Durer | Only engraver on test |
| Durer | Extremely exact prints |
| Durer | Tons of detail in prints |
| Bruegel | Peasanty clothes |
| Bruegel | Perspective = closer at lower left corner and further at upper right corner |
| Bruegel | Good aerial perspective |
| Bruegel | Bosh-like |
| Caravaggio | Tan colors |
| Caravaggio | Dramatic lighting effects |
| Caravaggio | Mannerism: less important characters in middle, important ones on sides |
| Caravaggio | Bare feet |
| Caravaggio | Little boys |
| Caravaggio | painted biblical scenes in modern contexts |
| Bernini | Extremely detailed sculptures |
| Bernini | light-looking sculptures |
| Bernini | marble sculptures |
| Vermeer | Painted the inside of his house |
| Vermeer | Lots of grid-like tile floors |
| Vermeer | Includes drapery to relieve rigid grid systems |
| Vermeer | Paintings are a little cramped |
| Vermeer | Light normally comes from left |
| Vermeer | Trademark = inclusion of foreground, center, and background |
| Apollonian | Vermeer: Apollonian or Dionysian? |
| Rembrandt | Priests/Rabbis |
| Rembrandt | Gold/red/orange colors |
| Rembrandt | Buildup of scumble (on sleeve, for example) |
| Rembrandt | Medallions |
| Rembrandt | Richness of character, depth of personality |
| Rembrandt | Frequently puts one eye in shadow |
| Rembrandt | Lots of self-portraits (fat nose, long curly hair, lots of hats) |
| Rembrandt | Most of his etchings are religious |
| Neoclassic | Parallel picture-plane |
| Neoclassic | Crayon-box effects |
| Neoclassic | Still, frozen image |
| Neoclassic | Noble subject nobly treated |
| Neoclassic | Historical research |
| Rococo | Lifestyle of aristocracy 18th century before the French revolution |
| Rococo | Very dressy/fussy |
| Rococo | Pastel colors |
| Rococo | cute |
| Rococo | fuzzy trees |
| Rococo | Rendez-vous pictures, esp in gardens |
| Ingres | Classic architecture in background |
| Ingres | 19th century fashion (high-button coats/collars, sideburns, empire-waist dresses) |
| Ingres | Tubular fingers |
| Ingres | Faces unshaped/unshaded till the edges |
| Ingres | Clean-cut, crisp |
| rubens | violent, scary |
| Reubens | frightening paintings with animal subjects |
| Rubens | Darwinian |
| Rubens | Nature = wild and woolly |
| Delacroix | foreign fashion and allusions (clothing, hookas) |
| Delacroix | long curves |
| Goya | Dark earth tones |
| Goya | Prints of atrocities and the cost of war |
| Turner | "Painted with a sponge and a mop" |
| Turner | Dragged paint across canvas |
| Turner | perspective unclear, only given away by specific objects |
| Turner | Strongly romantic |
| Monet | haystacks |
| Monet | cathedrals |
| Monet | lilypads |
| Monet | never painted lines |
| Monet | optical mixing |
| Manet | Muscles |
| Manet | Very posed, dramatic scenes |
| Degas | washer women/laundresses |
| Degas | café scenes |
| Degas | bathers |
| Degas | hat shops |
| Degas | ballet dancers |
| Degas | Lines: Floors, tables, planes |
| Rodin | Partially-revealed marble figures |
| Rodin | Messy, textured bronzes |
| Van Gogh | Pressure strokes (look like icing) |
| Van Gogh | Bright colors |
| Van Gogh | Busy backgrounds |
| Van Gogh | Pairs |
| Van Gogh | Paranoia |
| Van Gogh | Turbulency |
| Van Gogh | Self-portraits (red hair) |
| Van Gogh | Never painted people |
| Picasso | Blue period |
| Picasso | paper collages |
| Picasso | large eyes |
| Picasso | sentimental paintings, subject/theme normally about man and woman |
| Picasso | older women with younger men |
| Picasso | tribal masks |
| Picasso | cubism |
| Picasso | Acrobats |
| Picasso | very piecey sculptures |
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