Art History 261 Chapter 23
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20 terms
Terms | Definitions |
|---|---|
 Matthias GrünewaldIsenheim Altarpiece (Germany) |  |
| Albrecht Dürer The Great Piece of Turf (Germany) |  |
| Albrecht Dürer The Fall of Man (Adam and Eve) (Germany) |  |
| Albrecht Dürer Knight, Death, and the Devil (Germany) |  |
| Lucas Cranach the Elder Allegory of Law and Grace (Germany) |  |
| Albrecht Altdorfer Battle of Issus (Germany) |  |
| Hans Holbein the Younger The French Ambassadors (Germany) |  |
| Jean Clouet Francis I (France) |  |
| Anonymous Château de Chambord (France) |  |
| Pierre Lescot Square court of the Louvre (France) |  |
| Hieronymus Bosch Garden of Earthly Delights (The Netherlands) |  |
| Caterina van Hemessen Self-portrait (The Netherlands) |  |
| Levina Teerlinc Elizabeth I as a Princess (The Netherlands) |  |
| Pieter Bruegel the Elder Hunters in the snow (The Netherlands) |  |
| Anonymous Portal, Colegio de San Gregorio (Spain) |  |
| Juan de Herrera The Escorial (Spain) |  |
| El Greco The Burial of Count Orgaz (Spain) |  |
| Retable | Spanish for altarpiece |
| Plateresque | From the Spanish word palatero, silversmith. Spanish architectural style derived from Gothic, Italian Renaissance and Islamic examples characterized by intricate, delicate, detailed carving |
| Adamite | One of the sect of visionaries, who, professing to imitate the state of Adam, discarded the use of dress in their assemblies. Bosch possibly practices as an Adamite |
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