CH. 14 PRINCIPALS OF HAIR DESIGN COSMO BOOK
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Created by:
daeducator on April 3, 2012
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45 terms
Terms | Definitions |
|---|---|
 Inspiration for design can come from almost anywhere, at any time. | TRUE |
| An example of the use of single lines is the one-length hairstyle. | TRUE |
| Texture creates the shape, design, and movement of a hairstyle. | FALSE: Lines create the shape, design, and movement of a hairstyle. |
| Wavy hair does not reflect much light and can be coarse to the touch. | FALSE: Curly hair and extremely curly hair do not reflect much light and can be coarse to the touch. |
| Chemical wave pattern changes are considered temporary. | FALSE: Chemical wave pattern changes are considered permanent, lasting until the new growth is long enough to alter the design. |
| To measure symmetry, you should divide the face into four equal parts. | TRUE |
| Wavy, medium hair offers the most versatility in styling. | TRUE |
| Zigzag partings are used to create the illusion of width or height in a hairstyle. | FALSE: Diagonal back partings are used to create the illusion of width or height in a hairstyle. |
| What are the five art principles important for hair design? | proportion, balance, rhythm, emphasis, harmony |
| The element of hair design that defines form and space is: | line |
| Lines a constant distance apart in the same direction that are used to create width in a hair design are: | horizontal lines |
| The type of line used to make a hairstyle appear longer and narrower is a(n): | vertical line |
| Which type of lines will soften a design or create a wave | curved lines |
| Horizontal and vertical lines that meet at a 90-degree angle are called: | contrasting lines |
| Curved lines that are used to blend and soften horizontal or vertical lines are: | transitional lines |
| Form or mass may also be called: | volume |
| The part of the overall design that the client will respond to first is the: | silhouette |
| . The area surrounding the mass or general outline of a hairstyle is: | space |
| The wave pattern used to accentuate the face and narrow a round head shape should be: | smooth |
| the element used to define _____ and tie design elements together is: | texture and line |
| You can draw a line in a hairstyle in the direction you want the eye to travel by using: | a lighter color |
| What can create a bold and dramatic accent to a design? | a single line of color |
| The comparative relationship between objects relative to their size is known as: | proportion |
| Establishing equal or appropriate proportions to create symmetry in a design is called: | balance |
| When both sides of a hairstyle are the same distance from the center, the same length, and have the same volume when viewed from the front, it is known to have: | symmetrical balance |
| The fast or slow pattern that creates movement in a hairstyle is called: | rhythm |
| The principle of design which holds all the elements of design together is known as: | harmony |
| The two defining characteristics of hair type are: | wave patterns and hair texture |
| A client's facial shape is determined by the position and prominence of the | facial bones |
| The face shape which is considered to be ideal and is one and a half times longer than its width across the brow is the: | oval face |
| The styling choice for a client with a round facial type would be a style that has: | volume on top and closeness or no volume at sides |
| To offset or round out the square facial type, choose a style that has: | volume around areas between the temples and jaw and adds width around ears |
| The outline of the face, head, and figure seen in a side view is the | profile |
| The profile that is considered to be ideal is the: | straight profile |
| Lighter highlights may be used at the temples to create the illusion of: | width |
| A curved part is used for a high forehead or: | receding hairline |
| Positioned between horizontal and vertical lines, often used to emphasize or minimize facial features | Diagonal lines |
| Lines moving in a circular or semi-circular direction, used to soften a design | Curved lines |
| Lines with a definite forward or backward movement | Directional lines |
| Which element of hair design refers to wave patterns? | design texture |
| Established when an imaginary line is drawn through the center of the face and the two resulting halves of a hairstyle have an equal visual weight, but are positioned unevenly | Asymmetrical balance |
| Also known as focus, in a design is what draws the eye first, before it travels to the rest of the design | Emphasis |
| Face with a receding forehead and chin | Convex profile |
| Face with a prominent forehead and chin, with other features receded inward | Concave profile |
| The triangular section that begins at the apex, or high point of the head, and ends at the front corners | Fringe area |
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