Mrs. Sit's Drawing B Review 2012
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40 terms
Italian | English |
|---|---|
 Brunelleschi | Italian architect, inventor of linear perspective |
| Giotto | Father of Renaissance painting |
| Massacio | First to demonstrate true linear perspective by painting The Trinity |
| Durer | Pioneered multiple vanishing point perspective |
| Leonardo da Vinci | Established atmospheric perspective; studied optics |
| Michelangelo | Larger than life figures; painted the ceiling of the Sistine Chapel |
| Raphael | Final master of the high Renaissance, 1520's |
| Anamorphic | Stretched or distorted image |
| Renaissance | The rebirth of art, science and literature in Europe |
| Linear perspective | Where converging lines meet at a vanishing point; creates a feeling of vast space |
| Vanishing point | The place on the horizon at which things seem to disappear |
| Italy | The birthplace of the Renaissance during the 1440's |
| Mantegna | Stark & severe points of view in his paintings, especially in Lamentation of the Dead Christ |
| Reductive printmaking | Printing from a depressed surface; subtracting from the plate before printing another color |
| Brayer | Small roller to apply ink |
| Burnishing | Smoothing the paper on the plate with a tool |
| Plate | The surface image that is inked for printing |
| Edition | Series of prints from the same plate |
| Carving | Creating an image by taking away from the surface of the material (subtractive method) |
| To pull a print | Removing the print starting at the corner |
| Linoleum | A floor covering material used for printmaking |
| Ukiyo-e | Japanese woodblock printing; translation: "pictures of the floating world" |
| Hiroshige & Hokusai | Famous Japanese printmakers |
| Six aspects of Japanese prints | Stylized, dynamic compositions using unusual viewpoints, flat & bright colors and expressive lines |
| Printmaking | The art of creating multiples of images from a treated surface |
| Elements of Art | The basic building blocks of every artwork |
| Principles of Design | The tools for arranging the Elements of Art to achieve an effective work of art |
| Surrealism | A 20th century art form that appears real, yet dream-like or irrational |
| Stop motion animation | objects are photographed frame-by-frame & altered slightly between each frame |
| Persistence of vision | split second images stored by the brain - creates an illusion of continuous motion when sequences of different images are viewed at speed |
| Frame (video) | a single image/picture within a sequence of images that is part of an animation/movie |
| Storyboard | a series of sketches showing plot, action, characters, and setting of a movie; made before filming begins |
| Tim Burton | writer, director, and concept artist; known for his stop motion animated films |
| Concept artist | an individual who generates a visual design for an item, character, or area that does not yet exist |
| Armature | rigid, often wire, framework or skeleton for sculpture |
| Film set | the scenery and props as arranged for shooting a film |
| Scene | set of actions or dialogue that take place in one location and at one time in a movie or story |
| Collage | An artistic composition of materials and objects pasted over a surface, often with unifying lines and color. |
| Composition | The plan/placement/arrangement of the elements of art in artwork |
| Aesthetics | Identifying the artwork's beauty/taste/function |
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