4.641 final exam
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85 terms
Terms | Definitions |
|---|---|
 The Vow of Louis XIII | Ingres; 1824 |
| Jupiter and Thetis | Ingres; 1811 |
| Grand Odalisque | Ingres; 1814 |
| Paolina Borghese as Venus Victorious | Canova; 1804-08 |
| White Slave | Lecomte de Nouy; 1888 |
| Women of Algiers | Delacroix; 1834 |
| Snake Charmer | Gerome; 1870 |
| Street in meknes | Delacroix; 1834 |
| Liberty Leading the People | Delacroix; 1830 |
| Gargantua | Daumier; 1831 |
| The Magot of China | Daumier; 1834 |
| Rue Transnonain | Daumier; 1834 |
| Don't Touch It! | Daumier; 1834 |
| Hagar in the Wilderness | Corot; 1835 |
| Ville d'Avray | Corot; 1825 |
| Forest at Fontainebleau at Bas Breau | Rousseau; 1836-67 |
| Under the Birches | Rousseau; 1842-43 |
| Group of Oaks | Rousseau; 1852 |
| The Uprising | Daumier; 1849 |
| Laundress on the Auai d'Anjou | Daumier; 1860 |
| After Dinner at Ornans | Courbet; 1848-49 |
| The Stone Breakers | Courbet; 1849-50 |
| The Peasants of Flagey Returning from the Fair | Courbet; 1850 |
| Burial at Ornans | Courbet; 1849-50 |
| Fading Away | Robinson; 1858 |
| Head of John the Baptist | Rejlander; 1860 |
| The Bathers | Courbet; 1853 |
| The Meeting | Courbet; 1854 |
| Christ in the House of his Parents | Millais; 1850 |
| Ecce Ancilla Domini | Rossetti; 1849-50 |
| Death of Ophelia | Millais; 1852 |
| John Ruskin | Millais; 1853-54 |
| The Awakening Conscience | Hunt; 1853-54 |
| The Light of the World | Hunt; 1851-53 |
| Burial of the March Dead | Menzel; 1848 |
| The Balcony Room | Menzel; 1845 |
| Berlin-Potsdam Railway | Menzel; 1847 |
| Iron Rolling Mill | Menzel; 1872-75 |
| Ploughing in the Nivernais | Bonheur; 1849 |
| The Horse Fair | Bonheur; 1853-55 |
| Concert in the Tuileries | Manet; 1862 |
| Young Women on the Bank of the Seine | Courbet; 1856 |
| The Street Singer | Manet; 1862 |
| The Old Musician | Manet; 1862 |
| Young Woman Reclining in Spanish Costume | Manet; 1862 |
| Mlle. Victorine in the Costume of an Espada | Manet; 1862 |
| Luncheon on the Grass (earlier) | Manet; 1863 |
| Pearl and the Wave | Baudry; 1863 |
| Birth of Venus (1) | Cabanel; 1863 |
| Birth of Venus (2) | Bouguereau; 1879 |
| Olympia | Manet; 1863 |
| Boulevard des Capucines | Monet; 1872-73 |
| Luncheon on the Grass | Monet; 1865-66 |
| Women in the Garden | Monet; 1866-67 |
| The Frog Pond | Monet; 1869 |
| Impression: Sunrise | Monet; 1872 |
| Pont de l'Europe | Monet; 1877 |
| Etretat, Manneporte | Monet; 1886 |
| Grainstack (Snow Effect) | Monet; 1891 |
| Grainstack (Sunset) | Monet; 1891 |
| Pont de l'Europe (on the bridge) | Caillebotte; 1876 |
| Place de la Concorde | Degas; 1875 |
| In a Cafe | Degas; 1876 |
| Prima Ballerina | Degas; 1876-77 |
| Dressed Ballet Dancer | Degas; 1881 |
| The Waitress | Manet; 1878-79 |
| Bar at the Folies Bergere | Manet; 1882 |
| The Cradle | Morisot; 1872 |
| Summer's Day | Morisot; 1879 |
| The Tea | Cassatt; 1880 |
| In the Loge | Cassatt; 1878 |
| The Loge | Renoir; 1874 |
| Mother's Kiss | Cassatt; 1890-91 |
| Japonnerie | Monet; 1876 |
| Nocturne in Blue and Gold | Whistler; 1872-75 |
| Nocturne in Black and Gold | Whistler; 1875 |
| Self-Portrait as a Bonze | Van Gogh; 1888 |
| The Night Cafe | Van Gogh; 1888 |
| Starry Night | Van Gogh; 1889 |
| Vision After the Sermon | Gauguin; 1888 |
| The Scream | Munch; 1893 |
| Women of Tahiti | Gauguin; 1891 |
| Fatata te miti | Gauguin 1892 |
| Manao Tupapau (Spirit of the Dead Watching) | Gauguin; 1892 |
| Where Do We Come From? What Are We? Where are we Going? | Gauguin; 1897-98 |
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