Art History Exam 1
About this set
Created by:
Beardface21 on September 8, 2012
Subjects:
Description:
Art pics and notes
Classes:
Art history Renaissance to modern
Log in to favorite or report as inappropriate.
Order by
39 terms
Terms | Definitions |
|---|---|
| February. Tres Riches Heures c1410's Limbourg Brothers patron- Duke of Flanders materials- color and ink on parchment technique- ? style-gothic,hight herizon line,anecdotal detail subject matter -people relaxing by the fire in winter, people working in background historical context-In the Book of Hours original context-private prayer book iconography- half houses =gothic time period-North Renaissance |  Fig 12-2 |
| Merode Altarpiece c1430's Workshop Of The Master of Flemalle patron- n/a materials- oil on wood technique -n/a style-triptych subject matter - Shows flimish home with Holy Sprites around normal people historical context-flanders paintins ross original context -private chapple iconography-lilis=purty,candel=gods presents time period-North Renaissance | Fig 12-3 |
| -Ghent Altarpiece Annunciation with Donors -Jan Van Eyck patron- Duke of Burgundy materials- oil on wood technique -n/a style --Polytic Many Panels subject matter - angle with mary historical context - n/a original context -chappel iconography-lily purty time period-North Renaissance-flanders | Fig 12-4 Closed |
| Adoration of the Mystic Lamb c1430's Jan Van Eyck patron- Duke of Burgundy materials- oil on wood technique -controled light to make sun work style -Polytic Many Panels subject matter - Holy spirits around normal people historical context-n/a original context-chapple iconography --large people=important time period- North Renaissance-Flanders | Fig 12-4 Open |
| -Double Portrait-1430's Jan Van Eyck patron- Giovanni Amolfini materials- oil on wood technique - very detailed,mirror style - secular? very deatiled subject matter - man and wife, married, prego historical context-n/a original context - personal use iconography dog fertal, mirror=god time period- North Renaissance-Flanders | Fig 12-1 |
| Deposition Roger Van der Wedan c1430's patron- Guild materials- oil on wood technique- long body=drama style -Very Emotonal, Cpmpressed space=compressed drama subject matter - jesus bring brought down form cross historical context- popular to paint original context - alter peice iconography - rich colths time period- North Renaissance-Flanders | Fig 12-5 |
| -A Goldsmith in his Workshop c1440's Petrus Christus patron- n/a materials- oil on oak technique- very deatiled, shoing off style-secular subject matter - coule getting ring made historical context- Mixed with religious tones original context -n/a iconography- belt=marrage time period- North Renaissance-Flanders | Fig 12-6 |
| Portinari Altarpiece c 1470's Hugo van der Goes patron- Florentine family materials- oil on wood technique- large and small fig style- n/a subject matter - people surrounding new born jesus historical context - critzied by michelanglo original context - chaple iconography majolica wine bottle,red dlower blood, white purty, purple jesus ancesters time period- North Renaissance-Flanders | Fig 12-7 |
| -Temptation of Saint Anthony c1480 1490 Martin Schongauer patron- none materials- canvus technique - -Ingraving style- line detailed subject matter - saint anthony being tempted by evil historical context - early ingraving original context - home use iconography- no expression on face, time period- North Renaissance-Flanders | Fig 12-10 |
| -Dome of Florence Cathedral C1420's 1430's Filippo Brunelleschi patron- n/a materials- gray stone,sand stone technique - each layer reinfored each other, self supported style-classical-gothic subject matter - catheral historical context - less costly, original context - Florence iconography -none time period- Early Renaissance in Italy | Fig 12-12 |
| -Palazzo Medici-Riccardi c1446 -Attributed to Michelozzo di Bartolomeo patron- Medius materials- Stone technique- Rough to smooth wall style- Classical subject matter n/a historical context- n/a original context- Home iconography- Made to look high, roof hangs over time period- Early Renaissance in italy | Fig 12-16 |
| Sacrifice of issaac C1401-2 Fillppo Bruneschi patron- Wool mercherent guild materials- Bronze technique-casting style- Classical subject matter - Issac being sacrificed historical context- compotition for door original context- baptistery of Florace cathedral iconography-? time period- Early Renaissance in italy | Fig 12-13 |
| Sacrifice of issaac C1401-2 Lorenzo Ghibert patron- Wool mercherent guild materials- Bronze technique-casting style- Classical subject matter - issac being sacrificed historical context- compotion for door original context-baptistery of florace cathedral iconography-? time period- Early Renaissance in italy | Fig 12-14 |
| David c1446-1460 Donatello patron- Medici materials- Bronze technique-cast style -classical male nude subject matter - David killing galith historical context- original context-medici courtyard iconography- hat sward=hero time period- Early Renaissance in italy | Fig 12-18 |
| Jacob and Esau c1435 Lorenzo Ghiberti patron- Wool manufatyres guild materials- bronze technique-casting style- one point perspective subject matter- birth of jacob and esau historical context- Florance commision of another door original context-baptistery iconography-none time period- Early Renaissance in italy | Fig 12-20 |
| Trinity with the Virgin, St John the Evangelist and Donors c1425-1428 Masaccio patron- n/a materials- fresco technique-plaster and paint style-linear perspective,Paramental subject matter- jesus on the cross historical context-n/a original context-chapel iconography-Dove=holy sprit time period-Early Renaissance in italy | Fig 12-23 |
| The Expulsion of Adam and Eve from Paradise c1427 Masaccio patron- n/a materials- plaster paint technique-fresco style-volumetric solidity subject matter - expulsion of adam and eve from paradise historical context none original context-Brancacci chapel iconography-naked=bad time period-Early Renaissance in italy | Fig 12-24 |
| The Tribute Money c1427 Masaccio patron- none materials- plaster paint technique fresco style- linier and atmospheric perspective,giornate subject matter - life ofjesus historical context none original context Brancacci chappel iconography- none time period-Early Renaissance in italy | Fig-12-25 |
| Annunciation c1438-1445 Fra Angelico patron- none materials- plaster and paint technique - Fresco style - lynear perspective, classical subject matter - angle visits mary historical context- painted all walls in monks place original context- monastery of san marco iconography none time period- Early Renaissance in italy | Fig 12-26 |
| Birth of Venus c148401486 Sandro Botticelli patron- Medic family materials- tempera and gold technique canvis style atmospheric perspective,classic subject matter - creation of venus historical context - new leader of florence original context private collection iconography-birth of beauty time period-Early Renaissance in italy | 12-27 |
| Battista Sforza and Federico da Montefeltro c1474 Piero della Francesca patron- Rederico da Montefeltro materials- oil on wood panel technique atmosphear become lighter style -atmosphear perspective,herizon line lines up subject matter - two portrates of married couple historical context -paints couple, one of which is dead original context- private iconography-pail of wife means shes dead time period-Early Renaissance in italy atypical-river flimish | 12-28 |
| Camera Picta c 1465,1474 Andrea Mantegna patron- Gonzaga? materials- plaster paint technique Fresco style -trumploi(trick the eye) subject matter -portrates of family, pecocs, cupids historical context -worked there rest of life original context-Ducal palace iconography-peecoke=goddies of marrage, cupids+death and love time period-Early Renaissance in italy | 12-30 |
| Last Supper c1495-1498 Leonardo patron- Duke Lodovico Sforza, materials- Tempera and oil on plaster technique intonaco style stable compossition, trap triangle, horrizontal line, light dark Chiaroscuro subject matter - jesus last supper before betrail historical context first use of new tech which failed original context refectory in monastery iconography none time period-High renaissance Rome | Intro-17 |
| Mona Lisa 1503 Da vinci patron- rich merchint materials- oil on wood panel technique Sfumato-hazy,line style idealized,paramittle, subject matter - portrate historical context painted for rich guy, husband original context- private use? iconography eyes and mouth dont match time period-High renaissance Rome Atypical-rivers flanders | 13-4 |
| The small cawper madonna c1505 Raphael patron-? materials- Oil on wood technique Strong lines, stood out from background style-atospheric clarity,paraittle composition subject matter - virgin and child historical context -brought him to fame original context -? iconography-? time period-High renaissance Rome | 13-5 |
| Philosophy or the school of athens c 1510-11 Raphael patron- Pope Julius II materials- Plaster and oil technique Fresco style-Alliousions with arches,classic subject matter - Many past philers comiing togther to talk, debate. historical context-hired to paint up the vadican, four walls original context- Vatican iconography- time period-High renaissance Rome | 13-6 |
| Preta c1500 Michelangolo patron- French carinal materials- Marble technique -cut away everthing but the statue style - pyramidal, very detailed subject matter - mary holding dead jesus historical context -? original context -tomb of old st peter iconography none time period-High renaissance Rome | 13-8 |
| David c1500 Michelangelo patron- by florance materials- Marble technique-? style- classical subject matter - davide before killing galith historical context- show off for city? original context-principle city square iconography-none time period-Hight renaissane of itily Rome | 13-9 |
| Creation of Adam 1510's Michelangelo patron- Pop juelis II materials- plaster,oil technique-fresco style-Disegno,added extra muscles subject matter - creation of adam historical context - pope asked him to paint whole cap original context-sistine ceiling iconography- none time period- Hight renaissane of itily Rome | 13-12 |
| Last Judgment c1530's-1540's Michelangelo patron- pope julius materials- plaster oil technique fresco style- classical,self portrate, subject matter - rapture historical context- took two years, was old, original context-sistine chapel iconography-none time period-Hight renaissane of itily Rome | 13-13 |
| St Peters Basilica c1540's-1560's Michelangleo patron- pope jusilous II materials- stone? technique-unknown style-blind windowns, hemicycles subject matter - building historical context-Bramante first works was bad original context-vadican iconography-none time period-Hight renaissane of itily Rome | 13-14 |
| Joseph and Potiphar's Wife c1520's Properzia patron- Fabbrica of San Petronio materials- marble technique- carving style-classical,dramatic subject matter - Joseph escaping sadratirce historical context- had trouble becoming famuse because was a woman original context-church monlonia iconography- none time period-Hight renaissane of itily Rome | 13-15 |
| The Tempest c1500's Giorgione patron-none materials- oil on canvis technique- nature and landscape style-Poesie (painted poem) subject matter -women nurcing child, storm in back, soulger to left historical context- solger covers up second nude woman original context-own collection iconography-none time period-High Renaissance in North Italy Venice | 13-16 |
| Pastoral Concert c1510's Titian patron- Gonzaga family, materials- oil on canvis technique- none style - pastoral,posesie subject matter - two nude women, to men, and a sherperd all enjoy the outdoors historical context -painted along with Georgonia original context - unknown iconography - lost golden age time period-High Renaissance in North Italy Venice | 13-17 |
| Pesaro Madonna c1510's-1520's Titian patron-Pesaro Family materials- oil on canvas technique -built up layers of paint with pure colors style - x shape composition subject matter - family surrounding virgin and child historical context- celebrates victory over turks original context-Alterpeice for Venice iconography-Knight and turbin=victory celerbration keys=symbole of st peter time period- High Renaissance in North Italy Venice | 13-19 |
| Venus of Urbino c1530's Titian patron- Duke of Verbino materials- oil on canvas technique- fleshy skin style- not modeled on classical sucpture subject matter - venus laying down historical context- none original context- florance iconography-dog=fertility=sleeping peacful marrage marrage box time period-High Renaissance in North Italy Venice | 13-20 |
| Feast in the House of Levi c1570's Veronese patron- Giovanni Paolo materials- oil on canvas technique- painted a fake city in back style- Colorito paint subject matter - feast with jesus historical context-large size game him abily to paint in detail original context- monastery iconography- none time period-High Renaissance in North Italy Venice | 13-21 |
| Last Supper c1590's Tintoretto patron- none materials- oil on canvas technique-made small models first ,dramatic angle style dynamic, strong colors, bright highlights, intence subject matter - last supper with jesus before telling historical context- original context-Monestary of ss iconography- none time period-High Renaissance in North Italy Venice | 13-22 |
| Villia Rotonda Begun c1560's Andrea Palladio patron- materials- stone? technique -archatecture style steps on all sides subject matter - villas,party house historical context - inspired by the parathion original context-outside of Vicenza iconography-none time period-High Renaissance in North Italy Venice | 13-23 |
First Time Here?
Welcome to Quizlet, a fun, free place to study. Try these flashcards, find others to study, or make your own.