an ancient Greek wide-mouthed bowl for mixing wine and water
An archaic Greek standing statue of a naked male.
in early Greece, the qualities of excellence that a hero strives to win in a struggle or contest
an Archaic Greek statue of a standing, draped female
a rule or especially body of rules or principles generally established as valid and fundamental in a field or art or philosophy
one hand covering female areas; modest Venus pose
art consisting of a design made of small pieces of colored stone or glass
The use of perspective to represent in art the apparent visual contraction of an object that extends back in space at an angle to the perpendicular plane of sight.
900-700 BCE, a phase in greek art known for its geometric motifs in vase painting
700-600 BCE, During this period, the Greeks began incorporating exotic motifs into their native art, perhaps to cater to the aesthetics to the east.
the period of Greek art from 900 to 500 BC. It was the earliest period of great vase painting and the beginning of monumental stone sculpture
480-320 BC, "middle" period of ancient Greek civilization, began around 480 BCE to 350 BCE; emphasizes rational order, balance, harmony, restraint, art of ancient Greece and Rome for models.
323-31 BCE, time where Greek art and culture merge with influences from the Middle East; culture associated with the spread of Greek influence as a result of Macedonian conquests
The uppermost course of the platform of a Greek temple, which supports the columns.
In Greek architecture, the stepped base on which a temple stands.
(architecture) the structure consisting of the part of a classical temple above the columns between a capital and the roof
was an element of the Doric frieze separating two consecutive metopes and divided into three sections
the bottom element in an entablature, beneath the frieze and the cornice
The carved or painted rectangular panel between the triglyphs of a Doric frieze
The uppermost, projecting portion of an entablature, also the crowning
characterized by unadorned capitals, columns without bases, and a frieze of triglyphs and metopes
characterized by volutes (spiral, scroll-like form), capitals, columns with bases, uninterrupted frieze, base
The last and most ornate of the Greek orders (very similar to the Ionic order)- contains a base, a fluted column shaft, and the capital is elaborate and decorated with leaf carvings (Usually Acanthus)
swelling on vertical columns to counteract optical illusion of concavity.
burial mound; in Etruscan architecture, tumuli cover one or more subterranean multichambered tombs cut out of the local tufa
an ancient marble or stone coffin, often decorated with artwork and inscriptions
An Etruscan cylindrical container made of sheet bronze with cast handles and feet, often with elaborately engraved bodies, used for women's toilet articles.
often used by the Romans in marble sculptures of heads. often described as "warts and all", shows the imperfections of the subject, such as warts, wrinkles and furrows.
a column embedded in a wall and partly projecting from the surface of the wall
public square of an ancient Roman city; public place for open discussion; court of law
The court of a Roman house that is partly open to the sky. Also the open, colonnaded court in front of and attached to a Christian basilica.
Open colonnaded court with a garden and pool found in ancient Roman homes.