A reference to another event, person, place, or work of literature - usually implied rather than explicit and often provides another layer of meaning to what is being said
Use of language where the meaning is unclear or has two or more possible interpretations or meanings
Indicates more than one possible attitude is being displayed by the writer towards a character, theme, or idea, etc
A character described through the exaggeration of a small number of features that he or she possesses
A phrase, idea, or image that has been used so much that it has lost much of its original meaning, impact, and freshness
The repetition of the same consonant sounds in two or more words in which the vowel sounds are different
The ending of a play, novel, or drama where 'all is revealed' and the plot is unraveled
A feeling on the part of the reader of sharing the particular experience being described by the character or writer
A comparison of one thing to another in order to make description more vivid; it actually states that one thing is the other
A statement that appears contradictory, but when considered more closely is seen to contain a good deal of truth
A comparison of one thing to another in order to make description more vivid; uses the words 'like' or 'as' in this comparison
A word, place, character, or object that means something beyond what it is on a literal level.
This is the perspective or attitude that the author adopts with regards to a specific character, place, or development. It can portray a variety of emotions ranging from solemn, grave, and critical to witty, wry and humorous. It helps the reader ascertain the writer's feelings towards a particular topic and this in turn influences the reader's understanding of the story.
Widely used and accepted devices or techniques, as in drama, literature, or painting: the theatrical convention of the aside
Connotation vs. Denotation
Connotation is the emotional and imaginative association surrounding a word. Denotation is the strict dictionary meaning of a word
A split into two parts which are considered to be either contradictory or mutually exclusive. For example, the colors black and white.
Refers to the writer's or the speaker's distinctive vocabulary choices in a poem or story
Figurative vs. Literal language
Literal language refers to words that do not deviate from their defined meaning. Figurative language refers to words, and groups of words, that exaggerate or alter the usual meanings of the component words e.g. idiom, metaphor, simile, hyperbole, or personification
A character who contrasts with another character (usually the protagonist) in order to highlight particular qualities of the other character
The content of a book, play, musical work, film, video game, or television series which is not announced explicitly by the characters (or author) but is implicit or becomes something understood by the observer of the work
The author's style, the quality that makes his or her writing unique, and which conveys the author's attitude, personality, and character. It is a combination of the use of syntax, diction, punctuation, character development, dialogue, etc., within a given body of text (or across several works)
The arrangement of two opposing ideas, characters, objects, etc. side-by-side or in similar narratives for effect e.g. it serves to contrast opposing emotions, abstract concepts, character traits/values, or images
The point at which the action of the plot turns in an unexpected direction for the protagonist.
A. direct- the author tells the reader directly about the character: B. indirect-the author shows the character in action and lets the reader draw his/her own conclusion
A dramatic scene that is presented out of chronological plot sequence. It takes the reader back to an earlier time
A writing technique that gives the reader clues about events that will happen later in the story
The speaker who tells the story. Be careful not to confuse the author with the narrator. Reliable or unrealiable?
The main message or deeper meaning about life or human nature the author intends to communicate to the reader
Point of View
A literary device that depicts the manner in which a story is narrated/ depicted and who it is that tells the story. Simply put, it determines the angle and perception of the story unfolding, and thus influences the tone in which the story takes place.
Minor characters in a work of fiction who do not undergo substantial change or growth in the course of a story
Major characters in a work of fiction who encounter conflict and are changed by it
Characters that are stereotyped, shallow, often symbolic. They have one or two personality traits
A narrative that shows the fall of a heroic, high-born character from prominence to misery and often death
A character of noble stature. He is not an ordinary man, but a man with outstanding quality and greatness about him. ***It should be noted that the hero's downfall is his own fault as a result of his own free choice, but his misfortune is not wholly deserved. Usually his death is seen as a waste of human potential.
An inherent defect or shortcoming in the hero of a tragedy, who is in other respects a superior being favored by fortune. Usually "HUBRIS," which means extreme pride or arrogance. Hubris often indicates a loss of contact with reality and an overestimation of one's own competence or capabilities, especially when the person exhibiting it is in a position of power.
Cultural material and tradition transmitted orally from one generation to another in speech or song and may take the form, for example, of folktales, sayings, ballads, songs, or chants.
Refers to individual interpretations of experiences consisting of emotional, intellectual, and spiritual perceptions and misperceptions
Fate vs. Destiny
Fate: the preordained course of your life that will occur because of or in spite of your actions.
Destiny: a set of predetermined events within your life that you take an active course in shaping.
A central character in a work of literature who lacks traditional heroic qualities such as courage, physical prowess, and fortitude. They typically distrust conventional values and are unable to commit themselves to any ideals. They generally feel helpless in a world over which they have no control. They usually accept, and often celebrate, their positions as social outcasts.
Any widely accepted literary device, style, or form. A soliloquy, in which a character reveals to the audience his or her private thoughts, is an example of this drama.
A device used in literature to present action that occurred before the beginning of the story. Flashbacks are often introduced as the dreams or recollections of one or more characters.
A character in a work of literature whose physical or psychological qualities contrast strongly with, and therefore highlight, the corresponding qualities of another character.
Traditions and myths preserved in a culture or group of people. Typically, these are passed on by word of mouth in various forms — such as legends, songs, and proverbs — or preserved in customs and ceremonies.
Modern literary practices. Also, the principles of a literary school that lasted from roughly the beginning of the twentieth century until the end of World War II. It is defined by its rejection of the literary conventions of the nineteenth century and by its opposition to conventional morality, taste, traditions, and economic values.
A quality in writing characterized by the absence of the author's opinion or feeling about the subject matter. It is an important factor in criticism.