Type of OVERTURE, used in TRAGeDIE EN MUSIQUE and other GENRES, that opens with a slow, HOMOPHONIC, and majestic section, followed by a faster second section that begins with IMITATION.
In TRAGeDIE EN MUSIQUE, a long interlude of BALLET, solo AIRS, choral singing, and spectacle, intended as entertainment.
Performing practice in French BAROQUE music in which a dotted NOTE is held longer than written, while the following short note is shortened.
(French, 'little motet') French version of the SMALL SACRED CONCERTO, for one, two, or three voices and CONTINUO.
French version of the large-scale SACRED CONCERTO, for soloists, double CHORUS, and ORCHESTRA.
French term for HARPSICHORD. A person who performs on or composes works for the clavecin is known as a clavecinist.
A French BAROQUE keyboard GENRE, usually the first MOVEMENT in a SUITE, whose nonmetric NOTATION gives a feeling of IMPROVISATION.
(French for 'German') Highly stylized DANCE in BINARY FORM, in moderately fast quadruple METER with almost continuous movement, beginning with an upbeat. Popular during the RENAISSANCE and BAROQUE; appearing often as the first dance in a SUITE.
A DANCE in BINARY FORM, in triple METER at a moderate tempo and with an upbeat, featured as a standard MOVEMENT of the BAROQUE dance SUITE.
(1) Originally a quick dance-song from Latin America. (2) In French BAROQUE music, a slow DANCE in BINARY FORM and in triple METER, often emphasizing the second beat; a standard MOVEMENT of a SUITE.
(French for 'jig') Stylized DANCE movement of a standard BAROQUE SUITE, in BINARY FORM, marked by fast compound METER such as 6/4 or 12/8 with wide MELODIC leaps and continuous triplets. The two sections usually both begin with IMITATION.
Seventeenth-century English entertainment involving poetry, music, DANCE, costumes, CHORUSES, and elaborate sets, akin to the French COURT BALLET.
Spanish GENRE of musical theater, a light, mythological play in a pastoral setting that alternates between sung and spoken dialogue and various types of ENSEMBLE and solo song.