Renaissance In Italy (Florence and Venice)

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benjiaziza  on December 1, 2009

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Art History

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Renaissance In Italy (Florence and Venice)

Nani di Banco
Niche sculpture; four saints; pridella; Not free standing;
1/38

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Nani di Banco Niche sculpture; four saints; pridella; Not free standing;
Donatello's St Mark Liberated but not free standing; fully expressed individual charachter; contraposso; christian saint formula
Donatello's St. George Predella shows full narration; "On alert" for any invaders; pschological state; fully developed in classical style
Donatello's David Contraposto; free standing; bronze; first free standing nude since greek times; head of goliath show victory; rock in hand that he used to kill goliath; equestrian; emancipated
Donatello's George and The Dragon Predella from St. George; layers of the relief;
Donatello's Zuccone Ripling drapery; emancipated; artistic freedom;
Donatello's The Feast of Herod Bronze relief; usage of mathematical perspective; backdrop; measures space
Donatello's Mary Magdalen Made of wood; naturalistic; free standing; evokes pathos
Brunelleschi's Baptistery in Florence New way to raise dome; Walnut shell construction; pietra verde;
Brunelleschi's Dome of Florence Cathedral Peitra verde; latern and cupola;
Ghilberti's Gates of Paradise Doors from the Baptesry in Florence; made out of bronze; mathematical perspective;
Ghilberti's The Story of Jacob and Esau from The Gates of Paradise raises lines
Fra Angelico's Annunciation spacial depth, elongated,
Veneziano's Madonna and Child super perfection, modeling of the niches, sacra conversatzione, play of light, logia
Brunelleschi's San Lorenzo Vitruvius, Old sacristry (privite praying place for priest), Michelangelo built new Sacistry, roman influence in sacistry - blind arch, ionic columns,
Brunelleschi's Foundling Hospital Loggia, medallions, painted terracotta, bays,
Santa Croce Star of david, gables, early christian influence through nave leading to apse and stained glass windows, gables, giotto is buried in the church
Brunelleschi's Pazzi Chapel in Santa Croce Pediment, lintel, crowned with dome, raised by pendentivem, oculous,
St. Peters Rome, greek cross,
Michelozzi's Palazzo Medici-Riccardi texture is lighter as the building rises, shows how foundation is strong, keystone arch and pediment, cornice
Pollaiuolo's Martyrdom of St. Sebastian International style, male figure
Andrea Del Verrocchio's Baptism of Chirst Teacher of Michelangelo, male figure, slightly elongated,
Pollaiuolo's Hercules and Antaeus Pinwheel stance similar to gorgon (pediment sculpture)
Rossellino's Tomb tomb of leonardo bruni, bier,
Alberti's Church of St. Francesco in Rimine Triumphant arches, pediments, perfect ratio, sarcophogas inside
Alberti's Facade Church of Sant' Andrea in Mantua Corintheum pillisters, collosal order, blind arches, campanile (bell tower), triumphant arches, collosal order, coffers
Botticelli`s Birth Of Venus Composition, elengation,
Botticelli`s Mystic Nativity International style, cluttered compostition
Botticelli`s Adoration of the Magi Nativity, stable, organized, arrogance in facial expressions,
Botticelli`s Moses at the Well Sistine Chapel Gestures similar to Giotto, elongation, continuous narration,
Ghirlandaio`s Old Man and His Grandson Bottiga, International style, northen influence, humanism, tempera
Perugino`s The Delivery of the Keys Located in the sisteen chapel, perspective, calm order and stability,
Signorelli`s The Damned Cast into Hell Bodies are intertwined, angels are in pergatry,
Mantegna's St. James Led to His Execution Fresco, dynamics of composition, worms eye view, triumphant arch with coffers, turbulant flagpolewa
Mantegna's St. James Led to His Execution Sketch Sinopia
Bellini's St. Francis in Ecstasy depth, holy light/spirt, landscape,
Bellini's The Procession of The Relic of The Relic of the True Cross before the Church of Saint Mark Oil on Canvas, true cross Della Francesca,
Bellini's Madonna and Saints Sacra Conversation, opened niche to let in light, oil painting, Sfumato (haze/mist)

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