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5 Written questions

5 Matching questions

  1. box set
  2. tragic flaw
  3. Tradegy
  4. Slapstick comedy
  5. masks
  1. a the illusion of scenic realsim for interior rooms was achieved in the early nine-teenth century with the develoment of this; consisting of three walls that joined in two corners and a ceiling that tilted as if seen in perspective.
  2. b personae; the source of our word person, "a thing through which sound comes"
  3. c The representation of serious and important actions that lead to a disastrous end for the protagonist.
  4. d An error or weakness on the part of the protagonist that aids in bringing about his or her reversal of fortune.
  5. e A kind of farce, featuring pratfalls, pie throwing, fisticuffs, and other violent action. It takes its name originally from the slapstick carried by the main servant type.

5 Multiple choice questions

  1. direct description, revelation by other characters, self-revelation
  2. nonverbal action that engages the attention of an audience
  3. a dramatic styles developed bet. 1910& 1924 in Germany in reactio against realism's focus on surface details and external reality. To draw an audience into a dreamlike subjective realm, it used episodic plots, distorted lines, exaggerated shapes, abnormally intense coloring, mechanical phyical movement, ad telgraphic speeh. Plays ranged from utopian visions of a fallen, materialistic world redeemed byt the spirituality of "new men" to pessimistic nightmare visions of universal catastrophe.
  4. Developed in the 16th century Italian playhouses, it held the action within an arch, a gateway standing "in front of the scenery". It framed painted scene panels to give the illusion of 3-dimensional perspective although only one seat in the auditorium fully experienced the complete perspective illusion and that seat was reserved for royal patrons. This stage was the norm until the 20th century in Europe.
  5. arena theater with rising tiers around a central open space

5 True/False questions

  1. reversal/peripetyan action that turns out to have the opposite effect from the one its doer had intended

          

  2. unities3 priniples of good drama laid down by Italian literary critics in 16th century in order to give it a cohesive & complete integrity: action, time, place.

          

  3. FarceA type of comedy featuring exaggerated character types in ludricrous and improbable situations, provoking belly laughs with sexual mix-ups, crude verbal jokes, pratfalls, and knockabout horseplay.

          

  4. satyr playtype of Greek comic play that was one of the four parts of the traditional tetralogy; subject matter treated in burlesque, drawn from myth or the epic cycles

          

  5. SkeneA type of comedy featuring exaggerated character types in ludricrous and improbable situations, provoking belly laughs with sexual mix-ups, crude verbal jokes, pratfalls, and knockabout horseplay.

          

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