Traditional visual arts, such as painting, are inherently static, but artists have always found inventive ways of conveying the elements of ________ and ________.
time . . . motion
When an artist employs visual clues to suggest movement in a work of art that is static and motionless, this is known as ________.
When an artist creates a work that deceives our eyes into believing there is motion as time passes, this is called ________.
the illusion of motion
The kind of motion that is created by showing a series of static images in quick succession is called ________.
This spinning toy gives a sense of motion to a viewer when he or she looks through small slits in its cylindrical drum at a strip of changing pictures.
Disney's Finding Nemo is an example of a series of computer-generated images played in rapid
succession. This medium is called ________.
Performance artists the Blue Man Group rely on bodily movements to communicate ideas without speech.
Alexander Calder invented the ________, a type of suspended, balanced sculpture that uses air currents to power its movement.
If Alexander Calder's Untitled mobile was powered by a small motor, rather than air currents, it would not be an example of actual motion.
Compositional unity strikes an interesting balance between the monotony of too much similarity, and the chaos of too much ________ in a work of art.
What principle of art did Katsushika Hokusai employ in "The Great Wave off Shore at Kanagawa" in order to bring harmony to what could otherwise be a very chaotic scene?
An interior design that uses only straight lines might lack the visual interest of a more varied composition
Disparate visual elements can be linked together with a common idea. This is ________ unity.
The German word that refers to something in which the whole seems greater than the sum of its parts is ________.
This is a kind of visual diversity that can bring many different ideas, media, or elements together in one composition.
An artist creates an artwork made up of many different shapes, all in varying shades of blue. This artwork uses the following principles of art:
unity and variety
Creating visual weight and counterweight is part of an artist's use of the element of ________ in creating a work of art.
. ________ balance is achieved when two halves of a composition are not mirror images of each other.
If an artist painted a street scene with one large building on the left-hand side, and two smaller buildings on the right-hand side, this would be an example of ________ balance.
. ________ balance is achieved when all elements in a work of art are equidistant from a central point and repeat in a symmetrical way from side to side and top to bottom.
The kind of scale used for objects that appear larger than they are in real life is called ___ scale.
When an artist uses scale to indicate the relative importance of elements in a composition, he or she is employing this kind of scale
This type of scale is common in the relief sculpture of ancient Egypt, where it was used to indicate social importance.
This group of artists sometimes used distorted scale to create dreamlike images that subvert our conscious experiences.
An artist would probably use distorted scale if he or she wanted to create a lifelike scene that the viewer could relate to.
It does not matter if a sculptor is creating a human statue on a monumental scale, or a figure much smaller than lifesize: if the sculptor applies the ratio of the Golden Section, the sculpture will have naturalistic proportions.
Rectangles based on the Golden Section can be nested inside each other to create an elegant ________.
Photographers cannot be responsible for principles of scale or proportion in their photographs.
If an artist painted a garden with one red flower in a field of yellow flowers, this would be an example of using color to create contrast. For the viewer, the single red flower would be ________.
a focal point in the artwork
Which two types of line shape our examination of a work of art by directing the movement of our gaze?
This art movement, of which Hans Arp was a member, valued randomness, absurdity, and nonsense over rational or orderly patterns.
In the painting The Third of May, 1808, this Spanish artist used alternating rhythm to contrast "good" and "bad.