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"There can be no seeing w/out feeling": Claude Monet
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art dealers: monet had art dealer named Paul, does exhibition for grain series
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avant-garde: most contempary in any given point of time
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Bohemian: term used to 1820s subculture made up of the young, cultural bohemian is seen as radical!
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Canova, Pauline Borghese as Venus: reclined portrait, napeolenains sister, acnient-roman furnishing, idealized greco-roman, naturalism
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Cassatt, The Letter: series of color etchings that feature scenes of everyday life for contemporary women, figures have elegant contour lines, plays w/ patternes
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Constable, The Haywain: in picturesque, history paiting scale, capturing affects of particular place, and time, agenda: subject seems realistic but its astalgic
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Courbet, A Burial of Ornans: a machine, to pay close attention to, represent fact that everybody dies, dull, bleak, but feels like your in the grace and uncomfortable, no lesson to be learned, its just the fact courbet has expereinced which is all realism is, scale is rediculous
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Courbet, The Studio of the Artist: shows himself painting landscape in studio, declaring that its all about himself, he can only paint what he has experiences
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Daumier, Rue Transnonain: lithograph, mode of printmaking, shows into one room of murder, only gives enough evidence to show whats going on, unjust marriage, effect is that you have to react to it
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David, Oath of the Horatii: commission from king louis 16th, story comes from ancient hisotry of rome in conlfict with Alba, 3ppl form each side, ones own love is not as important as the state, triangular
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David, The Death of Marat: marat was friend of David, takes work form Michelangelo and modfies pose, great ex. of neo class, further the cause of the revolution, simple arrangement of geometric shapes
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Degas, Ballet Rehearsal: focuses on grunty girls, not the stars, all girls have similar body type, style is radical composition, painting crops to right and top, influence from jap. prints, "all art is a lie"
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Degas, The Tub: series of women bathing, unusual point of view, looking down, strong compostions, repeaded triangles,
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Delacroix, Death of Sardanapalus: exotic subject based on a tragedy by Lord Biron, everything valued destroyed before he is, extreme violent/sexy, dramatic color, inspired by Ruben
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Delacroix, Liberty Leading the People: tribute to those of rev. 1840, pryamid of death to inspirtation, france, liberty, revolt, lady is inspirtation, tell status of ppl by clothing, bohemian dressed man w/ radical art w/ radical politics
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enlightenment era: 18th century
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flaneur: man of means that are strollers(walkers)
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Gericault, The Raft of the Medusa: 15 out of 120 some men survive, dominant diagonal angles, points finger to corrupt gov. and situation, and to abolish the slave trade( 2 blacks on raft show this)
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Goya, Saturn Devouring One of his Children: myth is saturn is ruler and one of his kids is going to overthrow him so he eats them, meant to shock and horrify viewer, sometimes beauty is out of place, brightest light is from eyes and back of child
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Goya, The Sleep of Reason Produces Monsters: series of etching called the Caprices, self-portrait w/ creatures of madness around him, when reason is absent, madness prevales
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Goya, Third of May: 1 of 2 series, other 2nd of May, citizens of Madrid executed, represents people desperate to live, dressed in gold/white colors of church, christ like, expression of figures very detailed, dramatic tension of closeness of people/figures
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impressionionism: 1874-1886 alternate exhibition strategy w/ only 8 shows
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Ingres, Apothesos of Homer: cultural vartiey of homor, roots to western culture are in ancient greece, closes of space to become shallow, triangular and compressed, airborne angel is Fame, holding emblems of creativity
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Ingres, La Grande Odalisque: davids loyal follower, reclined female nude, erotic herom women, turned head to lure you in, visually pleasing textures, and colors, appeals to senses
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japense prints and photography: big influence of impressionists
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Machine: large scale painting, usually historical
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Manet, Dejeuner sur l'herbe(tLuncheon on the Grass): caused huge conflict at salon des rfuses, men dressed nicely, women causes viewer to acknoldge her cold gaze, suggestion of non conncection, abrupt shirfts from dark to light, unfinished background,loose painting
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Manet, Olympia: great pains to show she's real (w/ servant, jewlery, flowers), reclined female nude, black cat in a hidden gaze, head is tilted off of pillow w/ cacualted look
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Modern Sculpture: Rodin/ venice of personl
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modernism: courbet is father of modernism, has assumption that art is produced is counter to the main stream, critical view of main stream ideas
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monet: musical model like theme and variation
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Monet, Blvd des Capucines: upstairs looking down, diff. apporach to creating illusion and space, point of view are influence from photopgrahy and jap. prints, critized for marks of people, loosely defined forms
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Monet, Grainstack Series: series of 25, outdoors/different time of day/weather, nature is inspiration, paintings talk together, has exhibition for all series, monet has a dealer
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Monet, The Railroad Bridge: markign comments on patriosm, smartly arranged, hightlights on water
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Monet, Waterlilies Series: reflective of clouds/trees, not random, orcistrared very carefully, scale merses your vision
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neo-classicism style: idealization-again the high ren., greco-roman model, balance, logic, order, drawling primary/color secondary
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new art academy: sets up neo-classismsm
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not only salons: but press, and coffee shops are where things happened
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odalisque: fascination and disire to control non-european herom women
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pavilion of realism: center was the artist studio work, self-expression is vidal
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prix de rome: david wins
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realism: what the artist is, here and now what they know, worthy for subject of art
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Renoir, Great Bathers: marks maturing his style, timeless subject, firmilly contoured, but background is more loose
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Renoir, Moulin de la Galette: scene of lesuire, captures moment in time, light and atmoshpere on subject, contramentary colors add pop
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rise of neo-classicism: grand tour, pompei
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Rodin, Burghers of Calais: 6 guys willing to lay down lives for town and citizens, scene setting out to English Camp, mediation on how people respond to death
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Rodin, Gates of Hell: brozen sketchbook
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Rodin, The Thinker: trouble and tension in body language, leaves surface of model/clay, uses body in totally expressive way
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romanticism style: departures from neo-classicism and depends on individual artist
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Romantiscism: subjectivity, emotions, fascination w/ dreams/nightmares, insanity, the ecotic sex/violence, often together
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rousseau: feeling "good mother"
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Rude, La Marseillaise: on arc da trione in paris, willing to lay down lives for the state, inspirational muse for patristism, defend country, bottom half as differnet ages of men, suggests presents of a lot of ppl, series of diagonals helps pull bottom and upper together
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salon: annual government exhibition, huge event
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salon des refuses: 1863 half of artists rejected and potioned the emperor to provide alternative to exhibit work
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salons: gather to play cards, dance, places where people had conversations, intellecutal gatherings work to create thinkers
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the picturesque: in reference to nature that is tamed, harmonized, gentle way, usually contains humans
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the sublime: used in reference to nature being awe-inspiring fashion, overwhelming
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Turner, The Slave Ship: addres human nature and moral instruction through elements of painting and nature itself, humanity helpless, nature is instument of god, insurance lost from slaves overboard, landscape is tributed to radical, let the paint talk using the sublime
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voltaire: reason
