Art Terminology
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Created by:
DaniDelRio on April 27, 2010
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36 terms
Terms | Definitions |
|---|---|
Acrylic Paint | Pigments mixed with an acrylic vehicle. Has a plastic base. |
Analogous Colors | Colors that are closely related and similar on the color wheel such as RED, RED ORANGE, ORANGE |
Bas Relief | Low relief or sunken materials in sculpture: raising off the flat surface in a low manner |
Black | All colors on the color wheel mixed equally together |
Canvas | Rough cloth, on which a painted, usually stretched over a wooden frame |
Color | Ann element of art that is derived from reflected light. The sensation of color is aroused in the brain by response of the eyes to difference wavelengths of light. Color has three properties: Hue, Value, and Intensity |
Collage | An art form that involves tearing or cutting pre painted piece of material or magazine shapes which are then applied to a board to create a whole image |
Color Wheel | ![]() The Color spectrum bent into a circle |
Complementary Color | THe colors opposite each other on the color wheel such as BLUE and ORANGE |
Cool Colors | Cool colors suggest coolness and seem to recede from the veiwer |
Dry Brush | Applying paint to a canvas or paper, predominantly watercolor, with little or no water on the brush |
Glazing | Laying a thin layer of watered down painting with a gloss medium to give the painting a finished touch and/or an antiqued look |
Gouche | Opaque watercolor |
Hue | The name of the color in the color spectrum |
Impressionism | Style of art that uses light play and energetic brushstrokes to give an impression of a slice of life |
Intensity | THe brightness or dullness of a color. Pure hue is called a high intensity color. Intensity is one of the three properties of color |
Linseed Oil | A mixture added to oil paint to extend the drying time |
Local Color | An objects actual color in white light |
Maskoid or Friskit | White glue like substance that allows you to white out certain areas on watercolor paper that you wish to remain white |
Maquette | a small preliminary model for a sculpture |
Neutrals | Colos on the color wheel that come from mixing all colors in a variety of degrees (gray, browns, beiges) |
Oil Paints | Pigment mixed with oil. Takes longer to dry, allowing the painter to lay down the color in translucent layers |
Palette (paper) | A thin board with a hole for the thumb used for mixing paints. A waxy paper is also used for mixing colors. |
Primary Colors | RED, YELLOW and BLUE-the colors from which all other colors re derived |
Saturation | The brightness or dullness of a color |
Scumbling | A painting technique that allows you to take a somewhat dry brush with paint and apply it to the canvas leaving textured marks |
Secondary Color | GREEN, ORANGE, and VIOLET. Created by mixing 2 primary colors |
Tempera Paint | Paint made by mixing pigments with egg yoke or another liquid. School poster paint is a type of tempera |
Tint | A light value of hue made by mixing the hue with white. Opposite of shade |
Tertiary Colors | Colors created by mixing one primary color and one secondary color |
Turpenoid | A turpentine substitute that helps to maneuver oil paint on the canvas |
Watercolor | Water soluble paints that have a very fresh and delicate pigment |
Warm Colors | RED, ORANGE and YELLOW. Warm colors suggest warmth and seem to move toward the viewer |
WAsh | A faint and watered down application of watercolor, acrylic or oil paint to begin your painting |
Wet into Wet | A watercolor technique that you use by wetting the paper first, then laying on a juicy plume of color and letting the color fan out into other colors |
White | Absence of color |
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