| Term | Definition |
|---|
| close-up | a shot showing a detail only |
| cross-cutting | cutting back and forth between two or more events or actions that are taking place at the same time but in different places |
| cut | an abrupt transition from one shot to another |
| cutaways | a cut away from the primary subject to something the filmmaker has decided is equally or more relevant at that time |
| dissolve | an overlapping transition between scenes where one image fades out as another fades in. Editors often use this to indicate a change in time and/or location |
| establishing shot | a shot, taken from a distance, establishing for the viewer where the action is to occur and the spatial relationship of the characters and their setting |
| extreme close-up | a detail of a close-up (eyes or mouth only, etc.) |
| fade in | a shot that starts in darkness and gradually lightens to full exposure |
| fade out | a shot that starts at full exposure and gradually fades to black |
| jump cut | a cut where two spliced shots do not match in terms of time or place. It gives the effects that the camera is literally jumping around |
| long shot | a shot taken at a considerable distance from the subject. It is one in which the entire body is in frame |
| medium shot | a shot framing a subject at mid range, usually a shot from the waste up |
| reverse cutting | a technique alternating over-the-shoulder shots showing different characters speaking. This is generally used in conversation scenes |
| sequence shot | an entire scene or sequence that is one continuous camera shot. There is no editing. |
Combine with other sets
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