SCTD Art History I -Exam I
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Created by:
historygeekchic Plus on July 21, 2010
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study guide for SCTD's art history I class, exam I.
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44 terms
Terms | Definitions |
|---|---|
Prehistory | eras prior to evidence of the written word. |
Greek term "Palaios" | Old or Ancient |
Greek term "Lithos" | Stone |
characteristics of the Paleolithic | ice age in Europe, portable deer skin tents, small family groups, stone tools, hunter-gatherer society, nomadic life style, cave art, few human images. |
Bulls: rotunda. Lascaux Cave, France | ![]() |
describe quality of cave art images/animals | life sized, realistic, anatomically correct, detailed, some in outline, some painted realistically in colors, overlapping images from different eras. |
are human images common in Paleolithic cave art? | no, only one image, a stick figure, likely dates from this time. |
tools for making cave art | hands, fingers, hollow reeds, animal-hair brushes, freyed sticks, charcoal chunks... |
pigments/materials used in cave art | terra-cotta clay (red), white clay, ochre, charcoal-mixed with animal fats/water/saliva. |
Statuette of a Woman: Willendorf, Austria | ![]() |
why were the titles for statuettes of women changed from "Venus of..."? | To prevent possible misconceptions about the figures being goddesses, representing ideal beauty, being sexualized objects, etc. |
What are some accepted interpretations for the statuettes of women like the Willendorf figurine? | "Clan mother" figure, amulet for protection of women, child's doll, symbol of well-being, representations of women's life cycle from puberty to old age. |
Why might Paleolithic female statuettes have no facial features? | It may not be an important focus of the work. They may not represent specific individuals. It may represent the concept of womanhood in general. |
What might the textured pattern on the top of the Willendorf statuette of a woman represent? | A woven cap, braided hair, a repeated decorative motif. |
Characteristics of the Neolithic | Warming climate, more complex stone tools, improved spear-thrower, invention of the wheel, invention of pottery, larger groups of people in clans, semi-permanent shelters of mud brick, more human figures appear in art, megalithic structures, etc... |
Head. Nok region, Africa | ![]() |
What were the Nok Heads used for? | Ancestor veneration, communication with the spirit world, finials on posts of ceremonial structures. |
What might the triangular patterns on the cheeks of the Nok Heads represent? | body art: tattoo, scarification, paint, etc.. |
Stonehenge complex. Salisbury Plain, England | ![]() |
Post and Lintel or Trilithon | ![]() |
Henge | A circle of posts or stones surrounded by a low ditch. |
accepted purpose of Stonehenge complex | An astronomical observatory/planting calender/spiritual and ceremonial structure. |
city-state | A walled settlement with job specialization, a trade economy and a population of 20,000-50,000 people. |
"Firsts" of the Ancient Sumerians | love song, epic poem (Gilgamesh), library, historian, written laws, organized government, common use of the wheel, pharmacopia, etc... |
name of sections in relief carvings that divide the action. | registers |
What is being celebrated in the carvings on the surface of the Sumerian ceremonial vessel? | Harvest and the fertility goddess. |
Low relief carving | ![]() |
Sumerian Worshipper figures | ![]() |
Why were Egyptian grave statues made to be so square and rigid-like the seated image of Khafre from his tomb? | To be stable, to last forever, to be formal and serious showing the importance of the individual depicted. |
Are Egyptian statutes of royalty typically accurate portraits? | No, they are idealized and 'perfected', all using the same basic faces and bodies. |
The Cannon of Proportions | An Egyptian grid system for enlarging snd reducing images in 2D or 3D while maintaining correct proportions. |
How did the Cannon of Proportions make the production of sculpture faster? | It enabled quarry workers to follow the grid plans and remove excess stone, therby creating the basic shape for the statue which would be finished by the more skilled sculptors. |
How did the Nile make Egypt a good place for agriculture? | It provided water for irrigation, easy travel for trade, and its flooding left behind silt/fertilizer/topsoil. |
Votive Palette of King Narmer | ![]() |
What event does the Palette of Narmer commemorate? | The uniting of Upper and Lower Egypt. |
What practical purpose did palettes serve in ancient Egypt? | They were for the grinding and mixing of eye makeup. |
Characteristics of Egyptian Art. | Formal, side view of heads, frontal views of eye, frontal view chests, side view legs, both feet on a ground line, realistic style, size equals status, meant to be read like text. |
The god Horus presides over the capture of 6,000 lower Egyptians. | ![]() |
Symbolizes the uniting of upper and lower Egypt | ![]() |
Pond in a garden. Tomb of Nebamun | ![]() |
Why does the artist of Pond in a Garden combine multiple view points to make the image? | To show the maximum amount of specific detail, it is meant to be more of a list of goods that a painting for decorative purposes. |
Fresco | Painting into wet plaster. |
Why would removing the cartouche and other symbols from an Egyptian statue be problematic? | It would make it nearly impossible to identify who it represents, since the images of royalty were standardized and idealized. |
How might the Egyptian custom of wearing eye makeup have begun? | As a means to darker around the eye, reducing the sun's glare in the desert. |
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