5 Written Questions

1. everything visible in the frame of a shot: the subject, actions, objects, setting, lighting and graphic qualities. Provides us with information of what we see in the shot and how it is presented
2. Aspect ratio of a full frame of 35mm film, 16mm film, and broadcast standard video is 1:33:1
3. Made up of a series of scenes that create a larger dramatic unit
4. composition in which one part of an object appears large because it is very close to the viewer, while another part of the same object appears small because it is further away, creating a dynamic sense of depth.
5. Size of your subject in the frame.

5 Matching Questions

1. Frontal shots
2. Frame
3. Open frame
4. Diminishing perspective
5. Motivated

1. a The frame is your canvas, the rectangular space in which you determine the parameters of the viewer's perspective
   phyical frame - each individual still image captured on film or on video, which creates the illusion of motion.
   compositional frame - two dimensional space defined by x/y dimensions.
2. b Camera moves should be motivated: conceptually - must have a narrative function, serves as an important storytelling technique. secondly, the moment the camera move begins needs to be motivated within the scene.
3. c Perceptual understanding that objects will appear to be smaller the further they are from the viewer, and objects will appear larger the closer they are to the viewer.
4. d Most common, in which the camera looks directly at the face of your subject, but your subject's eyeline glances just off the edge of the frame. 3/4 frontal, profile shot, 3/4 back and from behing
5. e Composition leads the audience to be aware of the area beyond the edges of the visible shot.

5 Multiple Choice Questions

1. Framing remains steady on the subject, without moving or shifting perspective.
   1. Frame within a frame
   2. Static shot (Fixed frame)
   3. Flat frame
   4. Closed frame
2. Dramatic unit which action ostensibly happens in continuous time and within a single location
   1. Frame
   2. Sequence
   3. Scene
   4. Shot
3. Frame that accentuates the compositional element of depth.
   1. Open frame
   2. Frame
   3. Deep frame
   4. Flat frame
4. Accumulation of information of the various shots in an edited sequencee. By arranging shots into a sequence, you can create meaning that is greater than the sum of its parts.
   1. Motivated
   2. Booming
   3. Frame
   4. Montage
5. Lifting the camera up and down
   1. Scene
   2. Booming
   3. Frame
   4. Shot

5 True/False Questions

1. Object overlapping → Understanding that objects nearer the foreground will cover or overlap objects further in the background.

   True        False

2. Shooting for the edit → Size of your subject in the frame.

   True        False

3. Direct Address → Shot in which the subject looks directly at the camera

   True        False

4. Flat frame → Exaggerates the two-dimensionality of the image as a flat frame

   True        False

5. Sequence → Dramatic unit which action ostensibly happens in continuous time and within a single location

   True        False