4 Written Questions

1. 
   A palace built for a member of the Savoy house
   Imposing façade on the square
   -- Not covered by plaster, because of lack of money
   -- Curve-linear façade
   -- Double curve
2. 
   Three partid (three levels)
   -- First level has formal treatment (stone/large bricks) - symbolic of stability
   -- Central one has six columns and smaller one has four columns
3. 
   Not just a functional element (from one level to another)
   -- It's a ceremonial process
   The person has to climb the two flights of stairs
   From the stair, the person gets a visual experience
4. 
   Continuity in visuals in France (from Italy)
   The main façade of the Louvre
   -- Perrault was an anatomist, who became an architect
   -- -- Devoted to the idea of classicism
   Characteristics
   -- Double columns (giant order)

3 Multiple Choice Questions

1. 
   Hunting lodge for France
   Comissioned by King Louis XIV
   Designed on the axis
   -- Triangular emphasis
   1. Filippo Juvarra, Superga, Turin 1717-1731, external view and the dome
   2. Filippo Juvarra, Palace of Stupinigi, Stupinigi 1729-1733
   3. Versailles, aerial view and plan
   4. Guarino Guarini, Palazzo Carignano, Turin 1679 (begun)
2. 
   Baroque idea went all over the place, not just in Italy and France
   Germans adopts Baroque
   -- Emphasis on visuals
   -- Remembering classicism
   Vienna -- after the Turkish Ottoman siege, the city becomes important trade city
   Church built in commemoration for one of the monarchs
   -- Built for monarch Charles VI
   Characteristics
   -- Pronaos (portico -- piece of pantheon)
   -- Reflection of Baroque
   -- -- The large dome of the Roman
   -- -- Two large columns
   -- Copies of the Trajan's columns
   -- -- Are put in front of two wings
   -- -- No function, but acts as a screen
   Each characteristic comes from existing classical buildings
   1. Filippo Juvarra, Palace of Stupinigi, Stupinigi 1729-1733
   2. Johann Bernhard Fischer von Erlach, Karlskirche, Vienna 1716-1733
   3. Guarino Guarini, Palazzo Carignano, Turin 1679 (begun)
   4. Versailles, aerial view and plan
3. 
   Guarini was a priest
   -- Philosophy
   -- Geometry, mathematics
   -- Went to Rome--and then Turin
   Holy shroud
   Hard to enter the building
   But once entered, the dome is very complicated
   Based on series of flattened ries bowls
   -- Diminish in size, stacked one over another
   -- Each frame contains opens; creates transparency
   -- Temple-like false windows/niches
   -- Drom is supported by three arches, which supports a dome--with a lantern at the top
   1. Guarino Guarini, Palazzo Carignano, Turin 1679 (begun)
   2. Filippo Juvarra, Palazzo Madama, Turin 1718-1721, the staircase
   3. Guarino Guarini, Chapel of the Santissima Sindone, Turin 1667-1690, view of the dome
   4. Filippo Juvarra, Superga, Turin 1717-1731, external view and the dome

3 True/False Questions

1. Balthasar Neumann, Staircase at the Residenz, Wurzburg 1752-1753, with the
   frescoes by Giambattista Tiepolo (1752-1753) →
   Neumann worked for a small prince; worked at the palace
   He designed the staircase
   -- People enter the palace
   -- Act of climbing the stairs, become the visual
   -- -- Stairs are supported by the colonnades
   -- People can move under the stairs
   Once you climb the stairs, you get a large imposing vault
   -- Windows are blind windows
   -- Vault is designed with Fresco
   Painting is called "Four Continents"

   True        False

2. Filippo Juvarra, Palace of Stupinigi, Stupinigi 1729-1733 →
   Not just a functional element (from one level to another)
   -- It's a ceremonial process
   The person has to climb the two flights of stairs
   From the stair, the person gets a visual experience

   True        False

3. Filippo Juvarra, Superga, Turin 1717-1731, external view and the dome →
   Not just a functional element (from one level to another)
   -- It's a ceremonial process
   The person has to climb the two flights of stairs
   From the stair, the person gets a visual experience

   True        False