Bradley Greek Drama Terminology

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equinelike94  on November 4, 2010

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english

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Bradley Greek Drama Terminology

Agon
the debate in a drama; 'contest'; a formal debate, highly rhetorical in nature and often somewhat artificial
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Agon the debate in a drama; 'contest'; a formal debate, highly rhetorical in nature and often somewhat artificial
Antagonist the hero's opposite and foil
Antistrophe see Strophe
Blank Verse unrhymed iambic pentameter verse
Catharsis quality in a tragedy that provides emotional release; helps the audience to lose themselves in the play
Chorus singing and dancing groups in Greek tragedy - derives from Dionysiac rituals
Classical characterized by consciousness of perfection of form; opposed to "formlessness" of the romantic
Deus ex machina "The god from the machine," an unconvincing method of supernaturally or easily solving a problem in a play or literature
Dithyramb hymn of praise (paean) to the god Dionysus; originally the songs of the chorus
Epiphany a usually sudden manifestation or perception of the essential nature or meaning of something
Episode any unit of action in a play; comparable to a scene
Epode point at which the choric ode stops between the strophe and antistrophe
Exodos conclusion of the play (similar to epilogue)
Golden Mean Doctrine of moderation in all things; taking nothing to excess
Hamartia tragic, fatal flaw
Hubris excessive pride
Iambic an unaccented syllable followed by an accented one
Ode any strain of exalted verse
Parados the processional of the chorus at the play's beginning
Pathos literally, "suffering," quality that evokes compassion
Prologue opening of a tragedy: sets the scene and tempo
Satyr-play a farce or comic-relief play appended to the tragic trilogy in honor of Dionysus
Sophoclean Irony dramatic irony: a situation in which the audience knows something that a character in the play does not; used to convey the contradictory nature of human existence
Stasimon choral odes following each scene or episode in a Greek tragedy
Strophe part of a stasimon; the singers move up one side in the orchestra in the strophe, and reversed their movements in the antistrophe; the lines in the strophe and antistrophe are equivalent
Tragedy form of drama in which the protagonist undergoes a morally significant struggle

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