NCEA Level 3 Music
Order by
51 terms
Terms | Definitions |
|---|---|
V - I | Perfect |
IV - I | Plagal |
I - V / IV-V | Imperfect |
V - VI | Interrupted |
Chord I | Tonic |
Chord IV | Subdominant |
Chord V | Dominant |
Relative Key | major/minor key with same key signature as tonic |
Dominant | sharper than original key |
Dominant relative | major/minor key with same key signature as dominant |
Subdominant | flatter than original key |
Subdominant relative | major/minor key with same key signature as subdominant |
Tonic | original key |
Relative Key - placing | bottom centre |
Dominant - placing | top right |
Dominant relative - placing | bottom right |
Subdominant - placing | top left |
Subdominant relative - placing | bottom left |
Tonic | top centre |
Passing Note (P) | note between 2 harmony notes |
Upper Auxiliary (UA) | occurs above 2 harmony notes which are the same |
Lower Auxiliary (LA) | occurs below 2 harmony notes which are the same |
Appoggiatora (App) | on the beat against the harmony - approached by LEAP - resolves by STEP to harmony note |
Suspension (S) | when harmony note is delayed by the carrying over of a note from the last chord - on STRONG part of beat |
Changing Note (C) | decoration where non-harmony notes play around harmony notes |
Subsidary Harmony Note (H) | notes of chord and sound on unaccented part of beat of bar |
Anticipation (An) | anticipates next note |
I | Tonic |
II | Supertonic |
III | Mediant |
IV | Subdominant |
V | Dominant |
VI | Submediant |
VII | Leading Note |
VIII (I) | (Upper) Tonic |
C7 | C major + minor 7 |
Cmaj7 | C major + major 7 |
Cmin7 | C minor + minor 7 |
C6 | C major + major 6 |
Cmin6 | C minor + major 6 |
C9 | C7 + major 9 |
Cmaj9 | C major7 + major 9 |
Cmin9 | C minor7 + major 9 |
C11 | C9 + perfect 11 |
Caug/C+ | C major with raised 5 |
Cdim/Co | C minor with lowered 5 + dim7 |
Csus | notes 1, 4, 5 of scale |
C7sus | notes 1, 4, 5 of scale + minor 7 |
C (no5) | take out note 5 |
C(add9)/C(addD) | add note 9 |
NC/Tacet | no chord |
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