Italian Renaissance
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Created by:
erin19leigh on February 3, 2011
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42 terms
Terms | Definitions |
|---|---|
 The Majesty | Duccio 1310 C.E. Tempera Painting. Cathedral of Siena, Italy Pre Italian Renaissance Style. |
| Arena Chapel | Giotto 1305 C.E. Fresco Painting/ camera picta Depicts 4 sequential narratives:Mother of Christ, Life of Christ, Passion of Christ and at bottom depicts vices and virtues Arena Chapel, Padua, Italy Pre Italian Renaissance Style. |
| Madonna Enthroned | Giotto 1310. Tempera on panel innovative for attempting to conceptualize three dimensionality by shading and separating individual halos.gothic style arches Pre Italian Renaissance Style. |
| The Lamentation | Giotto 1305 C.E. Fresco Painting depicts pain after christ is crucified before he is buried. strong horizontal and diagonal movement Arena Chapel, Padua, Italy Pre Italian Renaissance Style |
| The Allegory of Good and Bad Government | Lorenzetti Brothers 1340 Fresco Painting/ camera picta. good government topographically depiction of Siena with everyone working and happy. Bad government depicts land not cultivated. Public Palace, Siena, Italy Italian Renaissance Style |
| Tribute Money | Masaccio, Thomas 1425 deals with taxes christ with apostles when tax collector comes and asks for money. composition in three parts central scene then left to right. concerned with proportion, color effects, light to create shadows. Each apostle has different facial expression. Bracancci Chapel, Florence, Italy Italian Renaissance Style |
| The Expulsion from Paradise | Masaccio, Thomas 1425 about betrayal and sense of pride. celestial and mortal world combine. Three- dimensionality and no differentiation between skin color of men and women (new innovation) Italian Renaissance Style |
| The Trinity Fresco | Masaccio, Thomas 1427 triumphal arch motif. memento mori (monument death) Italian Renaissance Style |
| Sacrifice of Abraham | Brunelleschi, 1425 depicts story of abraham (father of all religions) in quadrilobes. treatment of Isaac and Abraham classical and medieval style. Bronze doors sculpted for Baptistry of Florence Italian Renaissance Style |
| Gates of Paradise | Brunelleschi, 1425 perspective changes wherever you stand East doors sculpted for Baptistry of Florence Italian Renaissance Style |
| Story of Essau | Ghiberti, 1425 wife tricks husband by sending older son Essau hunting. concept of recession applied. East Doors sculpted for Baptistry of Florence Italian Renaissance Style |
| The Feast of Herod | Donatello, 1425 depicts the dance of seven veils as well as the head of John the Baptist upon a platter. For Baptistry in Florence about John the Baptist guilded bronze Italian Renaissance Style |
| The Depiction of David | Donatello, 1430 freestanding bronze statue, cannon of proportion is 1:6 lifesize statue. naked statue, tuscan hat closes the space. Italian Renaissance style |
| Mary Magdellan | Donatello, 1455 expression of suffering, hair becomes part of the garment. Blue eyes as well asp elements of old age and instability cast in wood and guilded Italian Renaissance Style |
| Equestrian Statue | 1450, Donatello Padua, Italy bronze, face is a dead mask not since Marcus Aurelius the Roman statue had this been remade. crowned with laurel comemorative. Raised leg of horse balanced on canon ball. Sculpture Italian Renaissance Style |
| Dome on Florence Cathedral | 1420 Brunelleschi Florence, Italy studied Pantheon Roman Style, octogonal dome with 2 walls external/internal. Openings to release pressure of stone/ lantern on top added later. Carved conceived as a sculpture. exterior made of brick. cross groin vault. Bell tower done by Giotto Italian Renaissance Style |
| Saint Mary of Novella | 1470 Alberti, new facade added using local materials/ stone element of measurement is important. dealing with humanism/ individualism. creates a cannon of proportion to create a perfect form. uses square as unit of measurement. Monolithic columns. principal of triangle and square with a triumphal arch. Italian Renaissance Style |
| Ruccelai Palace | 1445-50 Alberti. designed in 3 levels. pronounced frieze lintel beam area, horizontal division dec. w/ sail (family seal) code of arms. Vertical division created by pilaster/ each level diff columns doric, ionic, corinthian, facade is flat Italian Renaissance Style |
| Hospital of the Innocent | 1420 Brunelleschi Florence, Italy round arch series, for illegitimate children, round depiction of little child, develops law of correspondence, round arch repeated and applies cannon of proportion. secular. Italian Renaissance Style |
| Pazzi Chapel | 1430-1436 Brunelleschi courtyard for the Church of the Holy Cross, dome lantern, triumphal arch motif, make believe windows, module of the square, brick floor inside design corresponds with exterior. fake windows inside as well. pendentives used to hold up dome. with 12 sides. Italian Renaissance style |
| Medici Palace | 1436- 1440 Brunelleschi Florence, Italy different facade, 1st level projection of stone. 2nd floor code of arms (coins). series of large arches at bottom. 3rd floor completely flat. organic 3 dimensional effect. Italian Renaissance Style |
| Allegory of Spring | 1475 Botticilli commissioned by the Medicinever entitled named later, looked at from right to left, various levels the month of the years rep as women, mercury with september clothing has flames of love, garden with 350 diff. types of flowers all symbolic of love, fertility, venus of the land/ humanity. Fiorenzia (to bloom) spring, florence means spring, to educate children in Medici family as well as turn Florence into new athens (rebirth), halo effect around central women. Italian Renaissance Style |
| Birth of Venus | 1485, Botticilli, done on panel with tempera. then oil glazes with touches of gold leaf. The celestrial venus. naked rep. the truth concept of goodness and beauty, Classical ideals contra postal stance, beautified, roses associated with venus. golden apples associated with coins (code of arms medici), scalloped shell early christian baptisms,christian iconography fused with pagan allegory. Italian Renaissance Style |
| The Codex | Leonardo, |
| Mona Lisa | 1500 Leonardo never finished brought with him from Milan to France where he died. central women finger surrounded by window sill column and landscape, was a Florentine women so there is physical resemblance with Leonardo. 1st type of portrait where viewer connects w/ sitter (she's smiling) breast slightly shown, very down to earth. Contrast of light and dark colors of landscape picked up in colors of garment, small 9X14 Italian Renaissance Style |
| The Last Supper | 1498, Leonardo Milan, Italy for a refectory, fresco painting, watercolor over plaster, problem with application of treatment, table cloths are elaborate, reflection on plates, linear perspective applied. landscape seen in back, musical composition applied to painting. Above code of arms for Duke of Milan. all seated on same side with christ and judas. groups in 3's with 4 cardinal points. each apostle has own characteristics (humanism, individualism) Italian Renaissance Style |
| The Last Supper | 1445, Costagno Interior room with linear perspective, 12 apostles judas opposite to christ, across table Italian Renaissance Style |
| David | Michelangelo sculpture marble, larger than lifesize. no goliath depicted contemplating killing goliath. stones and slingshot contra postal stance but a little off. Nude figure hands larger than normal. Italian Renaissance Style |
| The Lamentation | 1498, Michelangelo expressed with hand and her face cast down, pyramidal composition, veins in hands and feet, the folds of the dress create the weight needed to support the weight of the dead body, Face much smaller. Italian Renaissance Style |
| Sisteen Chapel | 1508- 1512 Michelangelo fresco paintings depicting profits and sybils, the ancestors of christ, 3rd level book of genesis. scene always framed by 4 nude figures Italian Renaissance Style |
| Temptation and Expulsion of Adam and Eve | 1508-1512 Michelangelo, Sisteen Chapel serpent is shaped by human form, colors are different yellows, oranges, purples ect. Italian Renaissance Style |
| Creation of Adam | 1508-1512 Michelangelo, Sisteen Chapel understands complementary colors, turning of the body. holding a book. Italian Renaissance Style |
| Moses | Michelangelo 2 beams of light inspiration 2 horns translated wrong Italian Renaissance Style |
| Equestrian Statue | 1488, Verrocchio teacher of leonardo, leg suspended horse moves into the space, bronze sculpture. helmet. Italian Renaissance style |
| David | 1472- 1475 Verrocchio clothed dressed with joust outfit, no hat enclosure is different not as open more engaged with space. goliath's head is more fully depicted Italian Renaissance Style |
| Baptism of Christ | 1472 Verrocchio 1st painting Leonardo contributed to.. one of the angels capturing of light and dark, natural world pebbles and landscape depicted, Italian Renaissance Style |
| Room of Signature | 1508-1515 Raphael Sisteen Compound camera picta, keys of st. peter elluding to papal code of arms. Italian Renaissance Style |
| Apollo and the Muses | 1508- 1515 Raphael Sisteen Compound mt. parnassus, mountain in greece, adds poets from classical time to current. homer virgil dante. horace, sappho, Allegory of Poetry. Italian Renaissance Style |
| The school of Athens | 1508- 1515 Raphael Sisteen Compound plato pointing to the heavens with the face of Leonardo, aristotle pointing to the earth, famous philosophers depicted. rep. of arches, apollo and minerva rational and intuitive knowledge. Heracleitus believes world is in constant flux shown perplexed in front. drawing viewer in then uses colors to create movement. Italian Renaissance Style |
| Disputation | 1508-1515 Raphael Sisteen Compound about the nature of christ (god or man), all the theologians and church fathers rep. center is the host or body of christ, 2 realms top divine separated. through gestures narrative is expressed. Italian Renaissance Style |
| Galatea | 1515 Raphael skin like milk, tubular and compression of space, her contra postal stance becomes exaggerated. Italian Renaissance Style |
| Judgement of Paris | 1510- 1515 Marc Anthony new technique print making, from Raphael's original, golden apple from venus to paris Italian Renaissance style |
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