Hamlet: to be or not to be
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Created by:
esquared939 on February 5, 2011
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35 terms
Terms | Definitions |
|---|---|
To be | or not to be -- that is the question: |
Whether 'tis | nobler in the mind to suffer |
The slings | and arrows of outrageous fortune, |
Or to take | arms against a sea of troubles |
And, by opposing | end them. To die, to sleep -- |
No more -- | and by a sleep to say we end |
The heartache | and the thousand natural shocks |
That flesh | is heir to -- 'tis a consummation |
Devoutly | to be wished. To die, to sleep -- |
To sleep, | perchance to dream. Ay, there's the rub, |
For in that | sleep of death what dreams may come, |
When we | have shuffled off this mortal coil, |
Must give | us pause. There's the respect |
That makes | calamity of so long life. |
For who would | bear the whips and scorns of time, |
Th' oppressor's | wrong, the proud man's contumely, |
The pangs | of despised love, the law's delay, |
The insolence | of office, and the spurns |
That patient | merit of th' unworthy takes, |
When he himself | might his quietus make |
With a bare | bodkin? Who would fardels bear, |
To grunt | and sweat under a weary life, |
But that the dread | of something after death, |
The undiscovered | country from whose bourn |
No traveler | returns, puzzles the will |
And makes us | rather bear those ills we have |
Than fly | to others that we know not of? |
Thus conscience | does make cowards of us all, |
And thus the native | hue of resolution |
Is sicklied | o'er with the pale cast of thought, |
And enterprises | of great pitch and moment |
With this regard | their currents turn awry |
And lose | the name of action. -- Soft you now, |
The fair | Ophelia. Nymph, in thy orisons |
Be all my | sins remembered. |
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