the principal character in a work of fiction
the character who works against the protagonist in the story
a character that does not change from the beginning of the story to the end
A character who changes in some important way as a result of what happens in the story. Change may involve some new knowledge or a different way of behaving or feeling.
A character who is well developed by the author and who many characteristics
Acharacter who is not very well developed; has few identifiable characteristics
The time, place, and environment in which action takes place
The main idea or meaning of a text. Often, this is an insight about human life revealed in a literary work
The emotional atmosphere of a work
The problem or problems characters face in a literary work
The introductory material which gives the setting, creates the tone, presents the characters, and presents other facts necessary to understanding the story.
Most exciting moment of the story; turning point
The ending to the story that states the final outcome of the conflict and/or what might lie ahead for the characters in the story.
A series of events that build towards the highest point of interest and add complications to the plot's problems
Events that occur between the climax and the conclusion
The sequence of events in a story
A struggle between opposing needs, desires, or emotions within a single character.
A problem or struggle between a character and someone or something outside of the character
Point of View
The perspective from which a story is told
First person point of view
This is where the story is told through a main character's eyes. The story is told using 1st person personal pronouns such as I, me, we, or us.
Third person omniscient point of view
The narrator is not a character in the story and is "all knowing" able to reveal the thoughts and feelings of any character and to describe events from the viewpoint of any character
Third person limited point of view
The narrator outside the story sees the world through one character's eyes and reveals only that character's thoughts.
The writer's or speaker's attitude toward the subject of a story, toward a character, or toward the audience (the readers).