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5 Written questions

5 Matching questions

  1. moments of force
  2. golden section
  3. tectonic
  4. pattern
  5. design
  1. a The organizing process or underlying plan on which artists base their total work. In a broader sense, it may be considered synonymous with "form" and "composition."
  2. b The direction and degree of energy implied by the art elements in specific compositional situations; amounts of visual thrust produced by such matters as dimension, placement, and accent.
  3. c A traditional proportional system for visual harmony expressed when a line or area is divided into two sections so that the smaller part is to the larger as the larger is to the whole.
  4. d The quality of simple massiveness; 3D work lacking any significant extrusions or intrusions.
  5. e 1.) Any artistic design (sometimes serving as a model for imitation). 2.) A repeating element and/or design that can produce a new set of characteristics or organization.

5 Multiple choice questions

  1. The distillation of the image to the basic essentials for clarity of presentation; one of the principles of organization.
  2. Differences achieved by opposing, contrasting, changing, elaborating, or diversifying elements in a composition to add individualism and interest. It is an important principle of organization; the opposite of harmony.
  3. A visual quality in which a distant image or element can be seen through a nearer one.
  4. Emanating from a center
  5. The positioning of planes, objects, or shapes so that they appear to pass through each other, which locks them together within a specified area of space.

5 True/False questions

  1. atectonicThe quality of simple massiveness; 3D work lacking any significant extrusions or intrusions.

          

  2. closure1.) The total appearance, organization, or inventive arrangement of all the visual elements according to the principles that will develop unity in the artwork; composition. 2.) Sculpture term for the shape of a 3D work.

          

  3. approximate symmetryThe use of similar imagery on either side of a central axis. The visual material on one side may resemble that on the other but is varied to prevent visual monotony.

          

  4. asymmetry"Without symmetry"; having unequal or noncorresponding parts.

          

  5. visual unityDifferences achieved by opposing, contrasting, changing, elaborating, or diversifying elements in a composition to add individualism and interest. It is an important principle of organization; the opposite of harmony.

          

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