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5 Written questions

5 Matching questions

  1. Harmony
  2. contour
  3. subordinate
  4. dominance
  5. movement
  1. a In art, the line that defines the outermost limits of an object or a drawn or painted shape, It is sometimes considered to be synonymous with "outline"; as such, it indicates an edge that also may be defined by the extremities of darks, lights, textures or colors.
  2. b the dominant structure or organization of a composition in which all the elements conform to.
  3. c State of order, visual unity, agreement or asthetically pleasing relationships among the elements of a whole
  4. d eye travel directed by visual pathways in a work of art
  5. e the subdominant structures or organization of a composition that help to create subtlety and variety.

5 Multiple choice questions

  1. A method for producing areas of value by clustering small dots or points
  2. a three-dimensional form of collage with bulky 3D objects added to the painted surface
  3. A formless and indistinct shape without obvious edges, like, for example, a cloud.
  4. An arrangement of elements and systems on a 2d surface; intentional organization plane. A complete world within the frame
  5. where the artist fools you into thinking that all or part of a painting is the real thing, from the French for "decieves the eye". Objects are often in sharp focus and depicted in meticulous detail

5 True/False questions

  1. figureThe recognizable object we are depicting; the human figure, vase, or flower for example. Traditionally, it is described as a postive shape, the ground as a negative shape.

          

  2. expression1. The manifestation through artistic form of a thought, emotion, or a quality of meaning. 2. In art, expression is synonymous with the term content.

          

  3. designThe path of a moving point that is made by a tool, instrument, or medium as it moves across an area. A line is usually made visible because it contrasts in value with its surroundings

          

  4. time/motiona departure from the accepted perception of a from or object, often manipulating conventional proportions

          

  5. negative spaceThe unoccupied area of a composition. Often areas of negative space or shapes are just as active or more active than the positive space in works of design and art.

          

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