Rhetorical Analysis Terms and Definitions
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41 terms
Terms | Definitions |
|---|---|
allegory | a story with two (or more) levels of meaning--one literal and the other(s) symbolic; often in allegories, characters are given names that make thier symbolic meaning clear. |
alliteration | the repetition of the initial consonant sounds in two or more neightboring words. |
allusion | a brief referance to literature, geographical locations, historical events, legends, myths, traditions and/or elements of popular culture. |
analogy | a comparison of two things, which are alike in several aspects, for clarification and explination; sometimes analogies establish a pattern of reasoning by using a less abstract and more familiar argument. |
apostrophe | a figure of speech that directly addresses an absent or imaginary person or thing or a personified abstraction, such as love or liberty; the effect may add familiarity or emotional intensity. in older poetry, often indicated by "O! So-and-so" |
colloquial | using slang or informalities in speech or writing; (noun= colloquialism) |
connotation | the implied or suggested meaning of a word; association |
denotation | the strict, literal, dictionary definition of a word. |
dialect | the use of words, phrases, grammatical constructions and sounds that capture everyday (or colloquial) language; dialect shows the actual way people speak, which often differs markedly from standard English. |
diction | word choice; diction must be "named" ie. described as apecifically as possible. an author's choice of diction contributes to the tone and mood of the place. |
dysphemism | a degenerative or less agreeable substitute for words or concepts; can often create a insult. |
euphemism | a more agreeable or less offensive substitute for an unpleasant word or concept. |
facetious language | joking or jesting often inappropriately; meant to be humorous or funny: not serious. |
homily | a sermon or serioustalk, speech or lecture invovling moral or spiritual advice-consider MLK's "I have a dream" speech. - consider parental and religious homilies. |
hyperbole | exaggeration for emphasis or humor. |
imagery | the use of language to describe and/or evoke sensory experience; imagery must, like diction, be "named". pay attention to a writer's diction and use of detail for hints about how to name the imagery. |
irony | the contrast between what is expected and reality |
metaphor | one thing is spoken of as though it were something else; through this identification of dissimilar things, a comparison is suggested or implied. |
extended metaphor | a metaphorwhich is drawn-out beyond the usual word or phrase to extend throughout a stanza, an entire poem, through or across paragraphs, usually by using multiple comparisons between the unlike objects or ideas. |
metonomy | a figure of speech in which the name of one object is substituted for that of another object closely associated with it. |
oxymoron | a combination of contradictory words and meanings |
onomatopoeia | words that imitate the natural sounds they name. |
paradox | a statement that appears to be self-contradictory or opposed to common sense but upon closer examination contains some degree of truth or validity. |
parody | a work (literature, music, film) that closely imitates the style or content of another work with the specific aim of comic effect and/or ridicule. |
personification | presenting or describing concepts, animals or inanimate objects by giving them human qualities. |
point of view | the perspective from which a story is told (or an essay is written) : first person (i, we), second person (you), or third person (he, she, it, they). also can meanthe author's position about the subject. |
pun | a play on words that are either identical in sound (homonyms) or similar in sound, but that are sharply different in meaning. |
repetition | words, phrases, actions, and ideas that appear over and over again; usually, repetition in good literature highlights a pattern or makes a point. |
rhetoric | the art of writing and speaking effectively and persuasively; refers to the choices an author or speaker makes in order to do so. |
sarcasm | biting, caustic language that is meant to hurt or ridicule someone or something. |
satire | a work (literature, music, film) that uses irony, wit, parody, caricature, hyperbole, undderstatement and sarcasm to target human vices and follies or social institutions and conventions for reform or ridicule. |
shift | a change in verb tense, location, speaker, narrative, method, setting or tone. |
simile | a comparison between two things which are not alike, but which share at least one common element; similes explain an unfamiliar thing by comparing it to something familiar; similes use like, as, or similar explicit words to make the comparison. |
style | the sum of choices an author makes in blending diction, syntax, figurative language, and other literary and rhetorical devices. |
symbolism | objects and actions that stand for or represent something beyond their literal meaning. |
syntax | sentence construction. some authors heavily use prepositional phrases, for example. hemmingway uses prepositional phrases liberally in order to describe. perhaps some sentences are written with a short and choppy cadence to parallel an intense action in the text. the sentence structure in this case would contribute to the text's intensity. schemes are also examples of syntax. |
text | something written, performed or spoken considered as an object to be examined: movies, boooks, poetry, etc. are considered texts. |
theme | the central idea or message of a text; the insight it offers; theme is not typically stated directly. |
thesis | (also thesis statement) the sentence or group of sentences that directly express a writer's opinion, purpose, idea or meaning. |
tone | the author's attitude toward his or her subject and/or toward the audience. |
litotes, aka understatement | the minimalization of fact or presentation of something as less significant that it is; the opposite of hyperbole. |
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