photo
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58 terms
Terms | Definitions |
|---|---|
 muybridge | horse motion, animal locomotion, male female figure in motion, western landscape photographer Leland stanford hired him |
| Etienne Marey | french physiologist, muybridge inspired, motion studies (chronophotography), camera gun |
| giulio and bragaglia | futurists, reject marey, long exposure motion |
| Duchamp | Dada, nude descending a staircase |
| Edgerton | strobe, MIT, high speed photos |
| whipple | daguerreotype of moon |
| michals | 1960s use sequence to tell story, mysterious inexplicable areas of life |
| roger fenton | british, travel to crimea, war, avoidance of grisly horrors |
| mathew brady | NY, corps of photograpgers , civil war, took credit for all pictures, ppl left |
| O'Sullivan | worked for brady then for gardner |
| Gardner | left brady, made own team, lincoln assasain execution |
| Thomson | British, documentary China, later London (street life) |
| Farm security administration | run by Roy Stryker, rural poor, great depression, how gov't was helping: rothstein lange evans walcot lee shahn |
| rothstein | moved cow's skull |
| lange | migrant mother |
| erich salamon | leica, german politicians, outside room/building usually |
| roman vishnaic | jewish ghetto, poland, nazi era |
| robert capa | combat photographer |
| magnum | group, allowing member photographer to work free of editorial demands, regain control over use of their images |
| Margaret White | pic used for cover of 1st life magazine, photojournalist, also photographed germany after ww2 |
| henri bresson | photojournalist, "the decisive moment", release shutter at perfect time |
| Weegee | news photographer, speed graphic camera/flash, police radio |
| Don McCullin | British photojournalist, famine Biafra and vietnam war "first media war" |
| Susan Meiselas | american photojournalist, nicaragua, rejected objectivity, color film, sequence to suggest story |
| Frances Johnston | Hampton Institutem african american youth school |
| Edward Curtis | native americans, vanishing race |
| Jacob Riis | lower east side of NYC, wanted to promote better living conditions, slums |
| Lewis Hine | sociologist, change child labor laws, empire state building construction |
| The Family of Man | exhibition at MOMA in NYC, curated by Steichen |
| Heartfield | German designer, political photo motage covers for socialist magazine AIZ |
| Carrie Mae Weems | African American, "joke" pieces |
| Kristof Wodiczko | Projects images, political often |
| Jabez Hughes | Mechanical: simple representation of object Art: infuse artist's mind, appropriate/beautiful manner High Art: higher purpose, instruct, purify, enoble |
| Oscar Rejlander | art, combination prints, 2 ways of life 30 separate negatives |
| Julia Cameron | british portrait, allegorical scene/portraits, soft focus, stopped focusing when beautiful |
| Henry Peach Robinson | combination printing, coined pictorialism, distort truth=artform, fading away |
| pictorialists | early 1900s, soft focus, painterly, gum bichromate |
| Peter Emerson | naturalistic photography, selective focus, slightly out of focus, |
| Alfred Stieglitz | published Camera Work magazine, supported modern photography/art in USA |
| Steichen | pictorialist gumbichromate |
| Gertrude Kasebier | NY, portrait, work shown in first issue of camera work |
| Demachy | pictorialist, french, gum print |
| F. Holland Day | pictorialist, self as jesus in Crucifixtion series |
| Frederick Evans | english cathedrals |
| the linked ring | escape power of photo societies, group |
| photo-secession | breakaway of photographers founded by stieglitz |
| alvin coburn | pictorialst to modernist, made vortographs (vortex) |
| paul strand | promoted by stieglitz, last issue of camera work devoted to his images |
| film and photo | exhibition germany 1929, photo= machine, reconstruction, creative activity |
| Bauhaus | Germany,angles and ways of seeing, art school, walter gropius, promoted interdisciplinary thinking and working methods |
| Dada | WW1 Europe, disenchantment of maintream societal values, desire to overthrow established approaches, reveled in nonsense and absurdity, non traditional experminets |
| Laszlo Moholy-Nagy | Hungarian born, instructor at Bauhaus, "the New Vision"(camera's vision is new way to see), photograms=pure, saw photo as pivotal medium |
| Alexander Rodchenko | Russian, extreme angles, photo montage |
| Man Ray | American, in paris 1930s, Rayogram (photogram now) |
| Hanna Hoch | Dada, collages, photo montages |
| Edward Weston | 1920 NY met stieglitz, pictorialist (soft focus) to straight photography, glossy paper, allowed no hand retouching |
| Imogeen Cunningham | West coast, group f64 |
| Harry Callahan | taught at institute of design in chicago, explored many subjects, approach based on principles of seeing |
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