art history II final
About this set
Created by:
alcohen125 on May 7, 2011
Subjects:
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47 terms
English | Photos |
|---|---|
 Painting of Virgen de Guadalupe from Basilica of Guadalupe in Tepeyac, early 16th century, Tempera painted on linen-cactus hemp cloth, possibly an acheiropoeita with human additions.Story of Juan Diego and Bishop Zumarraga. Author: Jeanette Rodriguez |  |
| Kyoto, Katsura Imperial Villa, 17th C. Ranch built for Prince Toshihito and added to by Prince Noritada. Reading: Naito |  |
| Katsura Garden Shows emphasis of irregularity and of the use of nature as ornamentation. |  |
| Katsura Interiors Screens that divided the room allow a little bit of light to pass through. Can be moved to partition space. |  |
| David, Death of Marat, 1793. Neo-classical revolution against Rococco style. French Revolution 1789 |  |
| Cannova, Perseus, 1790-1801. meant to mimic statue of Apollo de Belvedre after it was taken by Napoleon. relates to Greenfield's elgin marbles debate. |  |
| Thorvaldsen, Night with her Children Sleep and Death, 1815. Made to be highly reproduced for consumption. |  |
| Schinkel, Altes Museum, 1822-30, facade. Example of neoclassical museum. Also the Met. |  |
| Daguerre, 1839, Paris Boulevard. Baudelaire reading, Barthes Camera Lucida reading. |  |
| Negre, 1851, Henri Le Secq on Notre Dame Cathedral |  |
| Le secq, Harbor at Dieppe, 1885 |  |
| Cameron, Mrs. Herbert Duckworth, (Julia Jackson)1867. Depicts Virginia Woolf's mother. |  |
| Gericault, Raft of the Medusa, 1818-19. |  |
| Courbet, Burial at Ornans, 1849 |  |
| Manet, Olympia, 1863 (exhibited 1865). Clark, Olypmia's Choice reading explains why this painting was so threatening and radical. |  |
| Monet, Boulevard des Capucines, 1873. Herbert Impressionism reading. |  |
| Caillebotte, Paris, Rainy Day,1877, 7x10 ft. |  |
| Cassat, At the Opera, 1879-80 |  |
| Degas, Star Dancer, 1878 |  |
| Carved Loango Tusk, 1870s |  |
| Nkisi N'kondi, Kongo, Late 19th century. Thomson. |  |
| Tumba (or ntadi), Late 19th century. |  |
| Samba. "When there was nothing else left.... Africa remained a daydream." 1997 |  |
| Matisse, Le Bonheur de Vivre,1905-06 |  |
| Picasso, Still Life with Chair Caning, 1912. Schapiro: Nature of Abstract Art, and Bois, Painting as Model, Kahnweiler's lesson. |  |
| Picasso, Guitar, Sheet Music, and Wine Glass, 1912 |  |
| Duchamp, Bicycle Wheel, 1913 |  |
| Domon Ken, Ogochi Village, Children Twirling Umbrellas, 1935. Domon Ken's essay Photographic Realism and the Salon. |  |
| Hamaya Hiroshi, Scaring Birds, Singing as They Go, 1940 |  |
| Tomatsu, Kataoka Tsuyo, Nagasaki, 1961. Rubinfien, skin of a nation, |  |
| Shomei Tomatsu, The Pencil of the Sun, 1975. |  |
| Van Der Zee, Couple with Raccoon Coats, photograph, 1932 |  |
| Douglas, "Aspects" panel 3: From Slavery to Reconstruction, 1934. Readings: Alain Locke and Richard Powell, Aaron Douglas. |  |
| Rivera, "Man At the Crossroads," 1932-33 (destroyed) mural for Rockefeller Center |  |
| Lawrence, Toussaint L'Ouverture, 1938 |  |
| de Chirico, Song of Love, 1914. Crow, Modernism. |  |
| Magritte, The Treason of Images, 1928-29. Inscription says "this is not a pipe" |  |
| Hanson, Tourists II, 1998. Kelly, The Uncanny. |  |
| Beecroft, VB35, 1998 |  |
| Sutemi, Wakasa House, Tokyo, 1939 |  |
| Kenzo, Olympic Gymnasia, Tokyo, 1964 |  |
| Isozaki, Tsukuba Center, 1979-83 |  |
| Isozaki, Tsukuba Center, 1979-83. Example of mannerist architecture where he cites and distorts older forms of architecture. Critique of failure of govt. by making it a negative version of Capitoline Plaza. |  |
| Yoshio Museum of Modern Art, New York, 2004 |  |
| Powers, Bible Quilt, 1895-98. Combination of Native American piecework quilt tradition and African Applique quilting technique with the inclusion of African symbols. |  |
| Martinez, gunmetal water jar with fluted rim, c1956-65 |  |
| Lin, Vietnam Veterans Memorial, 1981-82: memorial and site |  |
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