Barron's AP Music Theory Chapter 6 - Harmonic Organization II: Chords in Diatonic Context
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Created by:
myrtlemumby1000 on August 22, 2011
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18 terms
Terms | Definitions |
|---|---|
 harmonic function is associated with... | the scale degree on which it is built |
| major triads are identified with ___ | uppercase roman numerals |
| minor triads are identified with ___ | lowercase roman numerals |
| the diminished triad is identified with ___ | a superscript circle |
| an augmented triad is identified with ___ and you only see it when | a +, you're in the harmonic or melodic minor |
| diatonic triads | use pitches found in the key |
| subtonic triad | the chord built on the 7th scale degree in natural minor |
| chords that are different from natural minor in the harmonic minor | those that contain scale degree 7 |
| when you compare the major and harmonic minor, the triads on what two scale degrees are the same? | dominant, leading-tone (5, 7) |
| qualities of triads on major scale degrees | M, m, m, M, M, m, dim |
| qualities of triads on natural minor scale degrees | m, dim, M, m, m, M, M |
| qualities of triads on harmonic minor scale degrees | m, dim, A, m, M, M, dim |
| qualities of triads on melodic minor scale degrees | m, m, A, M, M, dim, dim |
| qualities of seventh chords in major scale degrees | MM7, mm7, mm7, MM7, Mm7, mm7, dimm7 |
| how is a half-diminished chord recognized in roman numeral form? | a superscript circle with a slash |
| qualities of seventh chords in harmonic minor scale degrees | mM7, dimm7, AM7, mm7, Mm7, MM7, dimdim7 |
| which chords are the same in major and minor? | V, V7, vii(dim) |
| figured bass | shorthand of the bass line and figures |
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