Intro to Music Literature Test 1

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danie625  on September 24, 2011

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Intro to Music Literature Test 1

meter
organization of beats according to accents
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Terms

Definitions

meter organization of beats according to accents
simple meter beats are not grouped into larger pulses
compound meter beats are separated into groups of 3; each group of 3 is one pulse
consonance harmony that is at rest; no compelling need to move on
dissonance harmony that needs resolution
resolution movement from dissonance to consonance
motive distinctive fragment of a melody
phrase shortest melodic unit that ends with a cadence
theme basic melody for a longer piece of music
period a pair of related phrases
cadence a momentary or final resting point in music
texture the blend of sounds and melodies in a piece of music
monophony consists of only one melody and nothing else
homophony one main melody; the other melodies accompany
polyphony two or more melodic lines sounding together; counterpoint
tonality there is one most important pitch
modulation movement from one tonal center to another
4 choirs of the orchestra string, woodwind, brass, percussion
strings violin, viola, cello, contra bass
woodwind flute, clarinet, oboe, bassoon
brass french horn, trumpet, trombone, tuba
percussion timpani, mallet
Middle Ages 400-1400
chant gregorian chant; plainchant; plainsong
features of chant monophonic, no definite time signature, dynamics followed contour of music, phrases distinguished by pauses, Latin
troubadours poets/composers/performers from southern France
trouveres poets/composers/performers from northern France
music sung by troubadours/trouveres chanson
features of chansons monophonic, metered, rhythm dictated by French text, strophic, courtly love
organum medieval polyphonic sacred music; old melody combined with new melody
organum composers Leonin; Perotin
organization of organum stretched out the chant into very long notes (bottom); new melody moved along very rhythmically (top)
motet medieval polyphonic secular music; chant voice on bottom moving in regular rhythm, two french secular voices on top moving faster
Mauchaut motet composer
renaissance rebirth of classical Greek values and ideas; 1400-1600
Guillaume Dufay established renaissance musical language
movements of the renaissance mass kyrie, gloria, credo, sanctus, angus dei
Josquin des Prez imitative polyphony
Palestrina regulated music with a lot of rules
baroque 1600-1750
reasons for beginning baroque reaction to complicated music of renaissance
opera staged drama set to music
mythological plots opera composers thought that ancient greek plays were sung, so they used greek subject matter in their plots
recitative speech-like singing intended to advance the plot
aria tuneful music intended to comment on the plot
basso continuo bass line with accompanying harmonic notation
Monteverdi Italian, one of the first opera composers, "The Coronation of Poppea"
Henry Purcell British, "Dido and Aeneas"
concerto a work for solo instrument and orchestra
concerto grosso a work for a small group of soloists and orchestra
format of typical concerto/concerto grossos fast; slow; fast
composer associated with concerto grossos Vivaldi
composer associated with concertos Bach
ritornello ABACADA....
fugue a work of imitative polyphony in which each voice enters separately at the beginning with the main melody
church cantata a 30-min work using choir, soloists, and orchestra that was performed on sundays in the lutheran church
chorale an early lutheran hymn
adagio slow
andante on the slow side, but not too slow
moderato moderate tempo
allegretto on the fast side, but not too fast
allegro fast
presto very fast
largo slow, very slow
larghetto somewhat faster than largo
andantino somewhat faster than andante
vivace lively
molto allegro faster than allegro
prestissimo very fast indeed

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danie625