Intro to Music Literature Test 1
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69 terms
Terms | Definitions |
|---|---|
meter | organization of beats according to accents |
simple meter | beats are not grouped into larger pulses |
compound meter | beats are separated into groups of 3; each group of 3 is one pulse |
consonance | harmony that is at rest; no compelling need to move on |
dissonance | harmony that needs resolution |
resolution | movement from dissonance to consonance |
motive | distinctive fragment of a melody |
phrase | shortest melodic unit that ends with a cadence |
theme | basic melody for a longer piece of music |
period | a pair of related phrases |
cadence | a momentary or final resting point in music |
texture | the blend of sounds and melodies in a piece of music |
monophony | consists of only one melody and nothing else |
homophony | one main melody; the other melodies accompany |
polyphony | two or more melodic lines sounding together; counterpoint |
tonality | there is one most important pitch |
modulation | movement from one tonal center to another |
4 choirs of the orchestra | string, woodwind, brass, percussion |
strings | violin, viola, cello, contra bass |
woodwind | flute, clarinet, oboe, bassoon |
brass | french horn, trumpet, trombone, tuba |
percussion | timpani, mallet |
Middle Ages | 400-1400 |
chant | gregorian chant; plainchant; plainsong |
features of chant | monophonic, no definite time signature, dynamics followed contour of music, phrases distinguished by pauses, Latin |
troubadours | poets/composers/performers from southern France |
trouveres | poets/composers/performers from northern France |
music sung by troubadours/trouveres | chanson |
features of chansons | monophonic, metered, rhythm dictated by French text, strophic, courtly love |
organum | medieval polyphonic sacred music; old melody combined with new melody |
organum composers | Leonin; Perotin |
organization of organum | stretched out the chant into very long notes (bottom); new melody moved along very rhythmically (top) |
motet | medieval polyphonic secular music; chant voice on bottom moving in regular rhythm, two french secular voices on top moving faster |
Mauchaut | motet composer |
renaissance | rebirth of classical Greek values and ideas; 1400-1600 |
Guillaume Dufay | established renaissance musical language |
movements of the renaissance mass | kyrie, gloria, credo, sanctus, angus dei |
Josquin des Prez | imitative polyphony |
Palestrina | regulated music with a lot of rules |
baroque | 1600-1750 |
reasons for beginning baroque | reaction to complicated music of renaissance |
opera | staged drama set to music |
mythological plots | opera composers thought that ancient greek plays were sung, so they used greek subject matter in their plots |
recitative | speech-like singing intended to advance the plot |
aria | tuneful music intended to comment on the plot |
basso continuo | bass line with accompanying harmonic notation |
Monteverdi | Italian, one of the first opera composers, "The Coronation of Poppea" |
Henry Purcell | British, "Dido and Aeneas" |
concerto | a work for solo instrument and orchestra |
concerto grosso | a work for a small group of soloists and orchestra |
format of typical concerto/concerto grossos | fast; slow; fast |
composer associated with concerto grossos | Vivaldi |
composer associated with concertos | Bach |
ritornello | ABACADA.... |
fugue | a work of imitative polyphony in which each voice enters separately at the beginning with the main melody |
church cantata | a 30-min work using choir, soloists, and orchestra that was performed on sundays in the lutheran church |
chorale | an early lutheran hymn |
adagio | slow |
andante | on the slow side, but not too slow |
moderato | moderate tempo |
allegretto | on the fast side, but not too fast |
allegro | fast |
presto | very fast |
largo | slow, very slow |
larghetto | somewhat faster than largo |
andantino | somewhat faster than andante |
vivace | lively |
molto allegro | faster than allegro |
prestissimo | very fast indeed |
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