Theatre I 9 week review
About this set
Created by:
smscott on October 11, 2011
Subjects:
Classes:
Mrs. Scott Drama, OC, and Theatre
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70 terms
Terms | Definitions |
|---|---|
Mantle | a sleeveless garment like a cloak but shorter |
Book of Job | The most challenging portions of the Old Testament. It's main subject is the problem of righteous suffering, also studies the questions of goodness, evil, justice, and how they relate to human life. Divided into 2 major sections. |
Skene | small hut like building behind the stage used as a dressing room and later as a backdrop for painted settings |
Thespian | actor |
Hieroglyphics | an ancient Egyptian writing system in which pictures were used to represent ideas and sounds |
Claque | a group of followers hired to applaud at a performance |
Pacify | to make peaceful or calm; to soothe |
Closet Drama | a play that is written to be read rather than performed onstage. |
Interpetive Dance | Dance that tells a story |
Greenroom | a room where actors relax before and after performances |
Kabuki | ![]() a form of Japanese drama developed in A.D. 1600s, featuring melodramatic singing and dancing, heavy makeup, and elaborates costumes. |
Bunraku | ![]() Japanese drama that features wooden, elaborately costumed marionettes that are about four feet tall; also called Doll Theater |
Morality Plays | Dramas—originally under church control—didactic allegories in which characters had names of virtues, vices, or other qualities |
Passion Play | a genre of medieval drama based on the events surrounding the crucifixion of Jesus |
Groundlings | those who purchased the standing room only tickets to an Elizabethan play; unruly section of a Shakespearean audience |
Miracle Play | a type of religious drama in the Middle Ages based on stories about saints |
Soliloquies | speeches in which one actor speaks aloud revealing his or her inner thoughts |
Commedia Dell Arte | ![]() A form of theatrical improvisation developed in the 1500s which includes stock characters and farcical situations |
Legitimate theater | When the restoration period ended the Licensing Act only permitted the play house to two. All other theaters were illegal thus creating the term. |
Tiring House | dressing room, provided actors a variety of entries to the stage: windows, balconies, and two or more large doors. |
Mystery Plays | plays based on stories from the Bible |
Realism | literature that attempts to represent life as it really is |
Romanticism | a literary movement with an emphasis on the imagination and emotions |
Minstrel Shows | white actors wearing black face mimicked and ridiculed African American culture, became increasingly popular. |
Vaudeville | A type of inexpensive variety show that first appeared in the 1870s, often consisting of comic sketches, song-and-dance routines, and magic acts |
Absurdism | the idea that the universe is without meaning or rational order that human beings, in attempting to find a sense of order, conflict with it |
Epic Theater | A type of theater, invented by Brecht, in which major social issues are dramatized with outlandish props and jarring dialogue and effects, all designed to alienate middle-class audiences and force them to think seriously about the problems raised in the plays. |
Impressionistic | Settings that used color and line to evoke the mood of a place rather than realistic painting |
Regional Theatres | theaters in major American cities other than NY |
Rehearsal | a practice session in preparation for a public performance |
Posture | the way one holds one's body; a pose or position |
Warm-ups | are light exercises that send warm blood flowing to your muscles,raising the temperaturee of the muscles that are are used |
Stage Fright | the nervousness felt by a speaker or performer in front of an audience |
Vocalizing | singing without words, a vocal warm up |
Ensemble | a group, esp. of performers, working as a unified whole |
Improvise | to compose or perform without preparation; to construct from available materials |
Collaboration | the act of working together |
Plot | the sequence of events in a story |
Character | a person or animal who takes part in the action of a literary work |
Visualize | to form a mental image of; imagine. |
Subconscious | not fully aware; occurring below your level of thinking and awareness |
Observation | use of one or more of the senses—sight, hearing, touch, smell, and sometimes taste—to gather information |
Memory | the persistence of learning over time through the storage and retrieval of information |
Sense Memory | tapping into memories in order to recapture an experience |
Project | to increase voice or actions so they will carry to the audience |
Inflection | variety of vocal pitch |
Audible | able to be heard |
Larynx | the part of the throat that contains the vocal chords |
Diaphragm | the muscle below the rib cage |
Pitch | the relative highness or lowness of a voice |
Articulation | clearly announcing words |
Pronunciation | knowing how to say each word you speak |
Aristophanes | Wrote biting, bawdy satires |
Menander | Wrote about lampooned domestice or private life |
Aeschylus | invented the trilogy and the use of a second actor |
Sophocles | added a third actor and had a sense of the dramatic |
Euripides | He questioned orthodox ideas and could combine the tragic and comic |
Stanislavski's System | 1. To make the external behavior movement and voice natural and convincing 2. To know and carry out the objectives or inner needs of the character 3. To make the life of the character onstage continuous, with a past, and a future and a life between the scenes onstage 4. To commit to he action and reaction |
"The Method" | Lee Strasberg invented as a new technique from the Stanislavski's System |
body language | communicating thoughts and feelings through body movements |
clown white | white makeup often used by mimes and clowns |
mime | an actor who communicates entirely by gesture and facial expression |
pancake makeup | a powder makeup foundation that is water-soluble. |
pantomime | body movements and expression without dialouge |
Marcel Marceau | French mime famous for his sad-faced clown (born in 1923) |
collaboration | working with others toward a common goal |
dialogue | conversation amoung characters |
ensemble | a group of actors working together to create an artistic whole |
etiquette | appropriate conduct |
set | established definite movements and lines |
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