Music in World Culture take two

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Created by:

lisellama  on October 12, 2011

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Music in World Culture take two

Achimevu
Anlo-Ewe

membranophone

master drummer
1/41

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Definitions

Achimevu Anlo-Ewe

membranophone

master drummer
Axaste Ewe

idiophone

gourd rattle
Gangoki Ewe

idiophone

double bell
Kaganu Anlo-Ewe

membranophone

high drum
Kidi Anlo-Ewe

membranophone

middle drum
Sogo Anlo-Ewe

membranophone

low drum
Poly-rhythm Anlo-Ewe

simultaneous occurrence of two or more conflicting rhythms
Sitar Hindustani(North)

chordophone
Tabla Hindustani(North)

membranophone
Tambura Hindustani (North)
Alap Hindustani(North)

introduction

monophonic
Gat Hindustani(North)

metric composition

homophonic
Raga Hindustani(North)

controls pitch
Tala Hindustani (North)

controls rhythm
Bansuri Karnatak (South)

aerophone
Mridangam Karnatak (South)

membranophone
Tambura Karnatak (South)

chordophone
Alapanam Karnatak (South)

introduction

heterophonic
Kriti Karnatak (South)

metric composition

homophonic
Ragam Karnatak (South)

controls pitch
Talam Karnatak (South)

controls rhythm
Molimo BaMbuti

aerophone (horn)
Molimo Ceremony BaMbuti
Jali Mande

musicians
Sula Mande

upper class
Nyamalo Mande

specialized craft as profession
Kora Mande

chordophone- lute
Bafalon (Bala) Mande

idiophone
Birmintingo Mande

soloist

improvised interludes
Kumbengo Mande

accompanies the voice (kora)- ostinato
Donkilo Mande

basic vocal melody
Sataro Mande

improvised, declamatory singing style
Kudeketera Shona

"text", uses Shona poetry, midrange
Kutsinhira Shona

"to follow"
Kushaura Shona

"to lead"
Hosho Shona

idiophone

rattles
Mbira dza Vadsimu Shona

idiophone

22 keys, fan shape, buzzers, in a gourd
Huro Shona

high pitched vocal yodeling
Bira Ceremony Shona

trance induction ritual "consultation"
music at core
Mahonyera Shona

low pitched moaning, sound not words
Hocket BaMbuti

alternating melodic fragments combined to create a full melody

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