AP Psych chp.
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97 terms
Terms | Definitions |
|---|---|
Sensation | experience of sensory stimulation |
Perception | process of creating meaningful patterns from raw sensory information |
receptor Cell | A specialized cell that responds to a particular type of energy |
Absolute Threshold | te least amount of energy that can be detected as a stimulation 50 perecent of the time |
Adaptation | Adjustment of the senses to stimulation |
Difference Threshold | The smallest change in stimulation that can be detected 50 percent of the time |
Weber's Law | the principle that the just noticeable difference for any given sense is a constant proportion of the stimulation being judged |
cornea | The transparent protective coating over the front part of the eye |
Pupil | small opening in the iris through which light enters the eye |
Iris | Colored part of the eye |
lens | transparent part of the eye inside the pupil that focuses light on the retina |
Retina | Lining of the eye containing receptor cells that are sensitive to light |
Fovea | Area of the retina that is the center of the visual field |
Light | The small segment of the electromagnetic spectrum to which our eyes are sensitive |
Wavelengths | The difference energies represented in the electromagnetic spectrum |
Rods | REceptor cells in the retina responsible for night vision and perception of brightness |
Cones | Receptor cells in the retina responsible for color vision |
Bipolar Cells | Neurons that have only one axon and one dendrite; in the eye, these neurons connect the receptors on the retina to the ganglion cells |
Visual acuity | the ability to distinguish fine details |
Dark adaptation | Increased sensitivity of rods and cones in darkness |
Light adaptation | Decreased sensitivity of rods and cones in bright light |
Afterimage | Sense experience that occurs after a visual stimulus has been remoed |
ganglion cells | Neurons that connect the bipolar cells in the eyes to the brain |
Optic nerve | The bundle of axons of ganglion cells that carries neural messages from each eye to the brain |
Blind spot | Place on the retina where the axons of all ganglion cells leave the eye and where there are no receptors |
Optic chiasm | Point near the base of the brain where some fibers in the optic nerve from each eye cross to the other side of the brain |
hue | the aspect of color that corresponds to the names such as red, green, blue |
Saturation | the vividness or richness of a hue |
Brightness | The nearness of a color to white as opposed to black |
Additive color mixing | The process of mixing lights of different wavelengths to create new hues |
Subtractive color mixing | The process of mixing pigments, each of which absorbs some wavelengths of light and reflects others |
trichromatic theory | Theory of color vision that all color perception derives from three different color receptors in the retina (usually red, green, and blue receptors) |
Colorblindness | Partial or total inablilty to perceive hues |
Trichromats | People who have normal color vision |
Monochromats | people who are totally colorblind |
Dichromats | People who are blind to either red-green or yellow-blue |
Opponent-process theory | Theory of color vision that three sets of color receptors (yello-blue, red-green, black-white) respond in either/or fashion to determine the color you experience |
Sound | A psychological experience created by the brain in response to changes i air pressure that are received by the auditory system |
Sound waves | Changes in pressure caused when molecules of air or fluid collide with one another and then move apart again |
Frequency | The number of cycles per second in a wave; in sound, the primary determinant of pitch |
Hertz | Cycles per second; unit of measurement for the frequency of waves |
Pitch | Auditory experience corresponding primarily to frequency of sound vibrations, resulting in a high or lower tone |
Amplitude | The magnitude of a wave; in sound, the primary determinant of loudness |
Decibel | Unit of measurement for the loudness of sounds |
Overtones | Tones that result from sound waves that are multiple of the basic tone: primary determinant of timbre |
Timbre | The quantity or texture of sound; caused by overtones |
Hammer, anvil, stirrup | The three small bones in the middle ear that relay vbrations of the eardrum to the inner ear |
Oval window | Membrane across the opening between the middle ear and inner ear that conducts vibrations to the cochlea |
Round window | Membrane between the middle ear and inner ear that equalizes pressure in the inner ear |
Cochlea | Part of the inner ear containing fluid that ibrates which turn causes the basilar membrane to vibrate |
Basilar membrane | Vibrating membrane in the cochlea of the inner ear; it contains sense receptors for sound |
Organ of Corti | Structure on the surface of the basilar membrane that contains the receptors cells for hearing |
Auditory nerve | The bundle of neurons that carries signals from each ear tothe brain |
Place theory | Theory that pitch is determined by the location of gretest vibration of teh basilar membrane |
Frequency theory | Theory that pitch is determined by the frequency with which hair cells in the cochlea fire |
Volley principle | Refinement of frequency theory; receptors in ear fire in sequence, one group, then another, etc., firing corresponds to the frequence of sound |
Olfactory epithelium | Nasal membranes containing receptor cells sensitive to odors |
Olfactory bulb | The smell center in teh brain |
Pheromone | Chemical that communicates information to other organisims through smell |
Ohermone vomeronasal organ (VNO) | Location of receptors for phermones in the roof of the nnasal cavity |
Taste buds | Structures on the tongue that contain the recptor cells for taste |
Papillae | Small bumps on the tongue that contain taste buds |
Kinesthetic senses | senses of forces and movement of muscles |
Stretch receptors | Receptors that sense muscle stretch and contraction |
Gogli tendon organs | Receptors that sense movement of the tendons, which connect muscle to bone |
Vestibular sense | Senses of equilibrium and body position in space |
SEmicircular canals | Structures in the inner ear particularly sensitive to body rotation |
Vestibular sacs | Sacs in the inner ear that are responsible for sensing gravitation and forward, backward and verticle movement |
Gate control theory | Theory that a "neurological gate" in the spinal cord controls the transmission of pain messages to the brain |
Placebo effect | Pain releif occurs when a person believes a pill or procedure will reduce pain; caused by endorphins |
Figure | Object perceived to stand apart from the background |
Ground | BAckground against which the figure appears |
Feature detectors | Specialized brain cells that only respond to particular elements of the visual field such as movement or lines of specific orientation |
Perceptual constancy | Tendency to perceive objects as stable and unchanging despite changes in sensory stimulation |
Size constancy | Perception of an object as the same size regardles of the distane from which it is viewed |
Shape Constancy | Tendency to see an object as the sae shape no matter what angle it is viewed from |
Brightness constancy | Perception of brightness as the same, eve though the amount of light reaching the retina changes |
Color constancy | Inclination to perceive familiar objects as retaining their color despite changes in sensory information |
Monocular cues | Visual cues requiring the use of one eye |
Binocular cues | Visual cues requiring the use of both eyes |
Superposition | Monocular distance cue in which one object, by artly blocking a second object, is perceived as being closer |
Linear perspective | Monocular cue to distance and depth based on the fact that two lines seem to come together at the horizon |
Aerial perspective | Monocular cue to distance and depth based on the fact that more distant objects are likely to appear hazy and blurred |
Elevation | Monocular cue to distance and depth based on the fact that the higher on the horizontal pane an object is, the farther away it appears |
Texture gradient | Monocular cue to distance and depth based on the fact that objects seem at greater distances appear to be smoother and less textured |
Shadowing | Monoculr cue to distance adn depth based on the fact that shadows often appear on the parts of objects that are more distant |
Motion parallax | Monocular distance cue: objects closer thatn point of visual focus seem to move opposite viewer's moving head, and objets beyond the focus point seem to move same direction |
Steroscopic vision | Combination of two retinal images to give a three-dimensional perceptual experience |
Retinal disparity | Binocular distance cue based on the difference between the images cast on the two retinas when both eyes are focused on the same object |
Convergence | A visual depth cue that comes from muscles controlling eye movement as the eyes turn inward to view a nearby stimulus |
Monaural cue | Cue to sound location that requires just one ear |
Binaural cue | Cue to sound location that involves both earrs working together |
Autokinetic illusion | The perception that a stationary object is actually moving |
Stroboscopic motion | Apparent movement that results from flashing a series of still pictures in rapid succession, as in a motion picture |
Phi phenomenon | Apparent movement caused by flahsing lights in sequence, as on theater marguees |
Physical illusion | Illusion due to distortion of information reaching receptor cells |
Perceptual illusion | Illusion due to misleading cues in stimuli that give inaccuraate perceptions |
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