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deford

15th century motets

Du Fay:
Nuper rosarum flores 1425-50
ave regina caelorum 1450-75

Mass

Josquin
miss l'homme arme' super voces musicales (kyrie, gloria, agnus dei) 1475-1500

Order of mass

5 parts of ordinary
kyrie (have mercy)
gloria (praise to god)
credo (statement of faith)
sanctus (holy holy holy)
agnus die (lamb of god marcy)

Italian Madrigal

Arcadelt:
Il bianco e dolce cigno 1525-1550
Cipriano de rore da la belle contrade 1550 1575

16th Century motet

Brumel:
Sicut lilium 1500-1525
Lassus Tristis est anima mea 1550-1575
Byrd Miserere mihi 1550-1575

Brumel

Sicut lilium 1500-1525

Lassus

Tristis est anima mea 1550-1575
Night before jesus crucified 11x you will take flight

Byrd

Miserere mihi 1550-1575

9/8

circle with dot inside

3/4

empty circle

6/8

half circle with dot

2/4

half circle

1:2

cut time sig

circle

division of three

half circle

division of two

council of trent

(1545-1563) Wanted changes in church to draw people back to church. Example, no polyphonic music so text could be understood

a meeting of Roman Catholic leaders, called by Pope Paul III to rule on doctrines criticized by the Protestant reformers

italian madrigal

the original genre, principle secular genre.
represents particpatory entertainment in court. short, lyric/reflective poem with loaded words (double meaning) text, 4-6 voices, through composed, part books

arcadelt

madrigal composer, Il bianco e dolce cigno (The white and sweet swan) Among the most famous of the early madrigals (ca. 1538)

rore

The madrigal matured under him, Flemish composer, he spent most of his career in Italy, He succeeded Adrain Willaert as music director at St. Mark's in Venice.

enjambment

In poetry, the use of successive lines with no punctuation or pause between them

15th century motet

motet with polyphonic texture, a single Latin text (no longer polytextual), sacred genre, generally for four voice, imitative counterpoint, often contrasted with homorhythmic sections, demonstrates new harmonic language (use of 3rds and 6ths)

16th century motet

a reletively short composistion to latin words made up of short sections in the homophonic and imitative polyphony that were staples of high renaissance style. the words were nearly always religious

mass ordinary order

Kyrie, Gloria, Credo, Sanctus, Agnus Dei

odhecaton

an anthology of secular songs published by Petrucci in 1501.
The first music collection to be printed using movable type. Very important
in the spread of the Franco-Flemish style and music publishing in general.

zarlino

(1515-1590 wrote rules of dissonance that were necessary in order to appreciate appreciate the consonance (stile antico)) "Art of Counterpoint"
"Le Institutionai Harmoniche"
DALFS
declamation
affects
literal
form
syntax

circulatto

musical sin wave

Mensurstriche

quasi-barlines

clama ne cesses

ignore the rests

verte cito

turn fast, retrograde

kyrie

lord have mercy (eleison, only one in greek)

gloria

glory to god in the highest

credo

I believe in one god

sanctus

holy holy holy

agnus dei

lamb of god

josquin kyrie manipulation

circle breves
circle w dot semi breves
mensuration canon

josquin gloria manipulation

et in terra (same as kyrie manipulation)
cut time breves
c w/ dot semi breves
vertr cito (turn fast)

josquin Agnus manipulation

1. same as kyrie
2. cut3 3 breves
cut 2 breves
common one breve
3. cut 6 longs
c w dot 6 semi breves

form of rore's piece

sonnet

petrarca

an Italian poet famous for love lyrics (1304-1374)

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