Chapter 13,14,15,16,17-Music Appreciation

About this set

Created by:

packersfan80  on November 30, 2011

Subjects:

Music Appreciation

Description:

Middle Ages, Renaissance, Baroque

Log in to favorite or report as inappropriate.
Pop out
No Messages

You must log in to discuss this set.

Chapter 13,14,15,16,17-Music Appreciation

organum
early form of polyphony, melody added a 4th or 5th above orginal chant line moving parallel to it
1/30

Study:

Cards (new!)

Learn

Test

Speller

Scatter

Games:

Scatter

Space Race

Tools:

Export

Copy

Combine

Embed

Order by

Terms

Definitions

organum early form of polyphony, melody added a 4th or 5th above orginal chant line moving parallel to it
scores written notes
nuemes Symbols above text to show melody of music
cantus firmus chant used as basis for polyphonic composition
polyphonic imitation melodic phrases moving between voices in exact repetition
Proper of Mass parts that change day to day: antiphons, readings, alleluia
Ordinary of Mass parts that stay the same: Kyrie, Gloria, Credo, Sanctus, Agnus Dei
motet polyphonic choral composition based on a sacred text that is not part of the ordinary at mass
madrigal secular vocal works in several parts, usually five
word painting music portrays the meaning of the words of the text; converys shades of meaning
movement self-contained section of a larger work that can stand on its own
fugue a polyphonic instrumental composition with a main theme repeated in all 'voices' with three parts; subject(main theme), answer(imitation in different voice), and countersubject(follows subject and answer in same voice)
oratorio large scale choral work based on biblical story with music similar to opera but without staging or costumes
cantata multi-movement work for soloist and orchestra that demonstrates the virtuostic ability of the soloist
continuo an accompaniment found in Baroque music consisting of a chordal instrument playing chords and a low chordal instrument playing base line
terraced dynamics sudden shifts in dynamics rather than gradual changes
ritornello form form of a movement in a concerto in which the orchestra has a recurring theme like a refrain that alternates with the solo sections
Orfeo Monteverdi, Baroque
Fugue No. 16 in G Minor Bach, Baroque
Messiah Handel, Baroque
Wachet Auf Bach, Baroque
Treatise on Harmony Rameau, Baroque
Well-Tempered Clavier Bach, Baroque
Gratias tibi Deus Psallentes, Middle Ages
Alleluia:Nativitas Perotin, Middle Ages
Notre Dame Mass Guillame de Machaut, Middle Ages
Ave Maria Josquin Desprez, Middle Ages
Pope Marcellus Mass Palestrina, Renaissance
As Vesta was Descending Thomas Weelkes, Renaissance
Terpsichore Michael Praetorius

First Time Here?

Welcome to Quizlet, a fun, free place to study. Try these flashcards, find others to study, or make your own.

Set Champions

Scatter Champion

67.8 secs by packersfan80