ch 19 & 20

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Created by:

megafilifunnysaur  on December 8, 2011

Classes:

Art history Corbett

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ch 19 & 20

arriccio
the first layer of rough lime plaster applied to the wall
1/47
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Definitions

arriccio the first layer of rough lime plaster applied to the wall
buon fresco true or wet fresco
cartoon preliminary drawing from which a painting is made
chiaroscuro the use of light and dark shades in painting
florin gold metal currency used in Florence
giornata the section of plaster that a fresco painter plans to complete in one session
gold leaf tissue-thin gold applied to surfaces
grisaille grey monochrome painting meant to emulate sculpture
humanism the emphasis on the exploration of the individual
international style martini - french gothic manner of painting appealed to the aristocracy becuase of its brilliant color and ornamental themes
intonaco the last layer of plaster applied to the wall
machiolated gallery gallery in defensive tower with holes to allow stones to be dumped on enemies below
maniera greca "greek manner"
monastic order organization of monks living according to the same rules
mystery play dramatic enactment of holy mysteries
naturalism painted or sculpted observation of the natural world
ogive diagonal rib of a gothic vault
predella ledge on which an altarpiece rests
pulpit the raised platform on which a priest delivers his sermon
punchwork tooled decorative work in goldleaf
sacra rappresentazione "holy representation" an elaborate mystery play
sarcophagus "consumer of flesh" coffin of stone
sinopia burnt-orange pigment used to transfer cartoon to arriccio before painting
stigmata the wounds of christ
texture the quality of a surface
tramezzo a screen placed across the nave of a church to separate the clergy from the audience
chartreuse carthusian monestary
compline last prayer in book of hours
donor portrait portrait of donor of religious work
drypoint scratched engraving
edition set of impressions taken from a single print surface
engraving etching of a metal with acid
finial crowning ornament
fons vitae "fountain of life"
gesso plaster mixed with binding material
hatching series of closely engraved lines
intaglio incised design is filled with ink
matin drawn prayer in book of hours
mystic marriage spiritual marriage of woman with christ
orthogonal lines receding to a vanishing point
print artwork on paper, usually produced in multiple impression
retable architectural screen above and behind an altar
rotunda circular area under a dome
sfumato "smoky" softens outlines in paintings
sibyl greco-roman mythical prophetess
silverpoint stylus made of silver, used much like a pencil
stretcher bar wooden bars used to stretch a canvas for painting

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