| Term | Definition |
| AE and pop art occurred... | 15 years after WWII |
| triumph of... over... | individual freedom over fascism |
| 2 characteristics | nontraditional brushwork, nonrepresentational subject matter. |
| pollock famous for... | drip and splatter paint. |
| pollock was drawn to... | automatic writing, although he said there was no chance in his work |
| action painting is... | images emerge through the process of painting rather than through pre-conceived planning |
| artist associated with action painting | pollock |
| de kooning used... | big gushy brush strokes. |
| rothko represents .... | the more controlled version of the movement. |
| color field painting | "color clouds" |
| artist associated with color field painting | rothko |
| frankenhaler used... | staining technique, controlled pouring and unprimed canvas |
| abstract expressionist artist | pollock, de kooning, rothko, frankenthaler |
| pop art was around the time of.. | the cold war |
| pop art is associated with... | uncertainty, disenchantment with material culture. |
| artist associated with combines | rauschenberg |
| transitional figure from AE to pop | rauschenberg |
| lichtenstein wanted to create... | "reverse snobbery", commonplace becomes elegant |
| warhol's famous line | everyone will be famous for 15 min. |
| warhol is famous for using... | silkscreen process with photo emulsion. |
| oldenburg is a... | sculptor. |
| oldenburg wanted to create art that... | no one could possess. |
| Indiana uses.. | words, numbers, letters, signs we use everyday. |