5 Written Questions
5 Matching Questions
- Oil Painting
- a (Plassed opposite) Way of representing standing full-length figuers in equilibrium, with a 'free leg' and a 'standing leg' Developed in classical Greek sculpture. A more relaxed form of standing.
- b glorifies and praises God
- c Representation of grieving Mary with the body of christ. Northern: Across Lap. Southern: Held up right.
- d The three divine personai in the Christian religions: Father, Son, and Holy Ghost.
- e Painting technique in which paint pigments are bound with oil. Oil paint is workable, it dries slowly and bends easily. Since 1st apearance in 15th century, oil paint has been crucial in painting technique.
5 Multiple Choice Questions
- "egg tempera" The usual medium for paint in the Middle Ages and the Renaissance, until the arival of oil. Binders of tempera are dilluted in water, but not water soluble after applying.
- the appearance of things relative to one another as determined by their distance from the viewer.Parallel lines running into the depth of the painting connect at the vanishing point.
- Taking Christ from the cross
- The action of putting things together; formation or construction. ex. Diagonal/radial. The different physical traits. Color and form, symmetry/asymmetry, movement ect.
- Painting in three parts, particularly applied to winged altars.
5 True/False Questions
Intermediate Color → a color, as orange, green, or violet, produced by mixing two primary colors.
Annunciation → expression of grief or sorrow for christ.
Fresco → Representation of grieving Mary with the body of christ. Northern: Across Lap. Southern: Held up right.
Secondary Color → a color, as orange, green, or violet, produced by mixing two primary colors.
Complementary color → A color directly opposite another on a color wheel and providing the greatest chromatic contrast to it.