when an actor walks toward the audience from centerstage, he is said to be walking _____________________.
when an actor crosses toward the audience's right, he is said to be walking in this direction.
when an actor moves toward the center of the stage he is said to be walking _______________________.
cyclorama or "cyc"
the large, light-colored fabric stretched tight on a curved track along the back wall is called ______________________.
when an actor walks toward the cyclorama away from the proscenium line he is said to be walking __________________________.
an area of the stage in some theatres which juts out into the audience, extending past the proscenium line.
the hard-wall "flats" or velour curtains that separate parts of the side stage and are meant to serve as a secure entrance area from the backstage.
the area above the stage usually outfitted with lighting instruments and rigging for scenery and other effects.
the task a director undertakes in early rehearsals for a play in which he gives instructions to actors about where on stage they should move at particular points in the dialogue or action.
the ungenerous act of an actor to force the focus onto himself by making his scene partner turn upstage to face him.
the art a knowledgeable actor uses to make sure the director's stage picture does not have any unintended, repetitious patterns.
Full Front (FF)
the body orientation in which the actor is facing downstage with his feet perpendicular to the proscenium line.
Full Back (FB)
the body orientation in which the actor is facing upstage with his back parallel to the proscenium line.
the body orientation in which the actor is facing either stage right or stage left with his feet parallel to the proscenium line.
the body orientation in which the actor's feet are at a 45 degree angle facing either stage right or stage left in relation to the proscenium line.
the repetition of an important unit in a story. Most often found in musical theatre when a song is repeated for thematic reasons.
when an actor makes choices that are noticeably different to those associated with his own persona.
the concept driving an actor's decision-making which deals with the manner in which the audience perceives story.