| # |
Definition |
Sets |
| 1 |
musicals |
7 sets |
| 2 |
dramas that are told through a series of songs, usually with spoken dialogue between the songs. |
6 sets |
| 3 |
all greek plays were |
5 sets |
| 4 |
musicales |
5 sets |
| 5 |
developed initially for audience merriment |
3 sets |
| 6 |
american development of operetta involving american subjects and music influenced by jazz or rock. |
3 sets |
| 7 |
films that are centered on a combination of song and dance |
3 sets |
| 8 |
die musicals |
3 sets |
| 9 |
las obras musicales |
3 sets |
| 10 |
film genre involved with the use of music to tell the story and generally mix up the songs with spoken words |
3 sets |
| 11 |
a story told through music and songs to further the storyline |
2 sets |
| 12 |
characters who act out and express their emotions and thoughts through song and dance. plots interrupted or moved forward by musical numbers. spectacular sets and settings such as broadway theaters, fairs and dramatic social or grand natural back-grounds or animated environments. |
2 sets |
| 13 |
romantic plots, comic moments, appealing melodies, large ensemble, and dance numbers
early plots were often contrived and silly
composers soon turned to sophisticated literary sources for plots
composer/lyricist teams emerged |
2 sets |
| 14 |
all greek plays were? |
2 sets |
| 15 |
ミュージカル |
2 sets |
| 16 |
音樂劇 |
2 sets |
| 17 |
have social relevance
speaking, singing, dancing, and music |
1 set |
| 18 |
feature romance plots, comic moments, appealing melodies, and large ensembles and dance numbers |
1 set |
| 19 |
plays in which some or all of the story is told using songs and dancing |
1 set |
| 20 |
american dominated, song and dance
formalist = bust out in song
gene kelli, donald o'connor |
1 set |
| 21 |
type of american theater created to entertain through fusion of a dramatic script, acting and spoken dialogue with music, singing and dancing - and scenery, costumes, and spectacle |
1 set |
| 22 |
were very popular and often used lavish set pieces with eloquent costumes |
1 set |
| 23 |
•flourished in the 30's to 60's
•optimistic films - celebration of life, romance
•freed from realism
•broadway films, kids films, high school musical (children), glee, |
1 set |
| 24 |
genre involved with the use of music to tell the story and generally mix up the songs with spoken words. |
1 set |
| 25 |
combinations of song and dance |
1 set |
| 26 |
lavish musicals such as broadway melody of1936 or films featuring the dance team of fred astaire and ginger rogers in flying down to rio and shall we dance proved popular. |
1 set |
| 27 |
muusikalifilmid |
1 set |
| 28 |
machazot zemer |
1 set |
| 29 |
full of color |
1 set |
| 30 |
a performance of or relating to music |
1 set |
| 31 |
early 1940s many _______ were again produced to cheer up the nation |
1 set |
| 32 |
best bet for broadway success |
1 set |
| 33 |
annie get your gun, singin' in the rain, american in paris, oklahoma, south pacific, the king & i. |
1 set |
| 34 |
type of films mgm and wb are known for |
1 set |
| 35 |
מחזות זמר |
1 set |
| 36 |
_____ can start new trends in social dance and vice versa (west side story, mad hot ballroom) |
1 set |
| 37 |
opera+vaudeville |
1 set |
| 38 |
includes music or a musical scene, usually vocal; may be any genre |
1 set |
| 39 |
the partnership between oscar hammerstein ii and richard rodgers, beginning in 1943 with oklahoma!, marks the triumph of conception. |
1 set |
| 40 |
hammerstein and rodgers "oklahoma!" makes a big thing |
1 set |
| 41 |
musicals of the 80s
-les miserables
-phantom of the opera
90s
rent
lion king
2000s
producers
wicked |
1 set |
| 42 |
george bernard shaw was not a fan of what? |
1 set |
| 43 |
developed (initially) purely for audience enjoyment |
1 set |
| 44 |
producer
book writer (scenes)
composer (music)
lyricist (lyrics)
director
orchestra
musical director
choreographer
designers
stars/actors |
1 set |
| 45 |
most collabrotive art |
1 set |
| 46 |
---predassesors-
-operetta (light, singable,spoken dialogue, from europe, ex;gilbert and sullivan)
-minstral shows= blackface
-variety shows=animal acts, juggling,magic tricks, fire tricks, circus acts, ex;saloon shows
-vaudeville=kinda like variety shows specific in how the acts were ordered, included high divers strong men catortionists etc...
florenz zegfeld=impersano producer (best one!) made the fallies, helped with showboat too |
1 set |
| 47 |
hairspray, legally blonde, mary poppins, disney shows, lion king, beauty and the beast, little mermaid, cats, phantom of the opera, sweeny todd, west side story |
1 set |
| 48 |
- thought of as pure entertainment
- ideals imply the wants that capitalism promises to meet
- they work within prevailing norms |
1 set |
| 49 |
мюзикл |
1 set |
| 50 |
american only, normally light and funny like oklahoma! |
1 set |
| 51 |
popular in 1929
almost all movies were musicals back then |
1 set |
| 52 |
once in the u.s., weill moved from zeitoper to this genre |
1 set |
| 53 |
reflected national & international tension |
1 set |
| 54 |
these types of theatrical arts is neither realism or nonrealism |
1 set |
| 55 |
more realistic and dealt with psychological depth of characters |
1 set |
| 56 |
which genre came from technical innovation? |
1 set |
| 57 |
in what genre did fred astaire and busby berkeley have success? |
1 set |
| 58 |
- black minstrels changed to full length musical shows
- black music and musicians performed in broadway for white audiences
- period of unprecedented cultural activity among american urban blacks |
1 set |
| 59 |
musical theatre, songs and dance numbers, flourished in the early 20c |
1 set |
| 60 |
were considered the only cinema style of the 60s to be an old style hollywood success. |
1 set |
| 61 |
音乐剧 |
1 set |
| 62 |
america |
1 set |
| 63 |
another type of play-- integrates music, play, and dance into a performance |
1 set |
| 64 |
a story furthered through songs/ dance. |
1 set |
| 65 |
included songs, dances, staging, and drama. |
1 set |
| 66 |
a pick me up about better times. popular after 1930 because ppl needed a pick me up. |
1 set |
| 67 |
portrayed a vibrant nation with things to celebreate |
1 set |
| 68 |
歌舞 |
1 set |
| 69 |
a story told through song. songs are written to further the story line. |
1 set |
| 70 |
what supplanted drama rennaisance |
1 set |
| 71 |
use music to tell the story and generally mix up the songs with spoken words |
1 set |
| 72 |
characters ability to entertain |
1 set |
| 73 |
musical director and choreographer |
1 set |
| 74 |
what was rko's specialty for films? |
1 set |
| 75 |
huge musical score |
1 set |
| 76 |
musical comedies, closely tied to the outpouring of popular songs in the 20s and 30s |
1 set |
| 77 |
always have music and dancing in a story |
1 set |
| 78 |
theatre piece containing music, spoken dialogue, dance; dramatic plot, characters play out complete story |
1 set |
| 79 |
conceived as a highly integrated whole. on the rise in the 40s. partnership between oscar hammerstein ii and richard rodgers, beginning in 1943 with oklahoma! marks the triumph of this conception |
1 set |
| 80 |
a movie genre that is a spectacle of realistic, shifting to the fantasy, and back again; stylized in color, costuming, song, dance, camera movement, a very active mise-en-scene; genre includes animated musicals |
1 set |
| 81 |
"comedies". up-to-date american stories with smart and catchy american locutions. |
1 set |
| 82 |
underline |
1 set |
| 83 |
american development of operetta, involving american subjects and musical influences by jazz or rock |
1 set |
| 84 |
musical theater which combined song, dialogue and dance. fully defined in the 1920's |
1 set |
| 85 |
-popular
-realistic or formulist
-genre dominated by americans
-used to be dominated by mgm
-actually began with greeks |
1 set |
| 86 |
a story told through music, the songs are written to the story |
1 set |
| 87 |
a story told through music. |
1 set |
| 88 |
le comédies musicales |
1 set |
| 89 |
american development of operetta, involving american subjects and music influenced by jazz or rock |
1 set |
| 90 |
genre starting with arthur freed. used music as a part of the story. ex. singin' in the rain. |
1 set |
| 91 |
all greek plays were: |
1 set |
| 92 |
became popular in the 1930s b/c those were hard time and musicals allowed for emotional relief |
1 set |
| 93 |
a play that uses talking and singing |
1 set |
| 94 |
what did mgm become known for?
hint: run by arthur freid |
1 set |
| 95 |
a play or a film/movie in which part or all of the story is told using songs and often dancing |
1 set |
| 96 |
-american genre
-most popular in 30's-50's
-mgm- specialized in doing movie musicals |
1 set |
| 97 |
$$$$$
80% of broadway income |
1 set |
| 98 |
les pièces musicales |
1 set |
| 99 |
all greek plays were... |
1 set |