Quizlet

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Romantic Era definitions

# Definition Sets
1 1820-1900 18 sets
2 about 1815 to 1848, reaction against rationalism of enlightenment, your interpretations, religious nature, unique individual 18 sets
3 1825-1900 15 sets
4 1820-1910 9 sets
5 a period from about 1820 to 1870 in which ballet was characterized primarily by supernatural subject matter, long white tutus, dancing on the toes, and theatrical innovations that permitted the dimming of the house lights for theatrical illusion 5 sets
6 1820 - 1900 4 sets
7 the period of english literature from 1798 to 1838, characterized by an adoration of nature, the individual, childhood, and the common man. 4 sets
8 1800-1848 4 sets
9 imagination and intuition 3 sets
10 happens because french revolution rise of middle class, railroads come with industrial revolution, colorful, exotic, magic madness, pain between hope and reality, unattainable female 3 sets
11 1800-1860 3 sets
12 emphasized man's aspirations, emotions, individuality, personal experiences, and imaginations 3 sets
13 first half of 19th century -______of american literature 3 sets
14 19th century, emphasized man's aspirations, emotions, individuality, personal experiences and imagination 3 sets
15 1798-1832 3 sets
16 1825-1900; losing form in music/ forms becoming very complex; orchestras become very large; symphonies based on poems and other literary works; music became louder; conductors begin to be used; composers: schubert, chopin, schumann, berlioz, smetana, brahms, verdi, wagner, puccini, tchaikovsky 3 sets
17 1815-1900 3 sets
18 1814-1869 3 sets
19 this musical era lasted for the majority of the 19th century. with what era are the composers schumann, brahms, and liszt associated? 2 sets
20 1820 - 1910 2 sets
21 more instruments used more dynamics used will try to evoke emotion 2 sets
22 from the years 1800-1900 2 sets
23 saw poetry as the highest expression of the imagination 2 sets
24 about 1815 to 1900, reaction against rationalism of enlightenment, your interpretations, religious nature, unique individualism. brought on by the dual revolutions: industrial and french. ultimately this era was backlash against industrialism and a disillusionment with failed enlightenment ideals. a counter-enlightenment 2 sets
25 explored the issues of morality, death, and sin that haunt so many humans 2 sets
26 era characterized by the words "heroic, turbulent, and poetic" 2 sets
27 instrumental music's literary and programmatic associations began to be more important in which era? 2 sets
28 nationalistic sentiments first began to be suggested in music of the european classical tradition during which era? 2 sets
29 industrial revolution; social upheaval, rise of middle class 2 sets
30 full of emotions. 19th century 2 sets
31 1800-1900 2 sets
32 (1800 - 1870) 2 sets
33 a period from about 120 to 1870 in which ballet was characterized primarily by supernatural subject matter, long white tutus, dancing on the toes, and theatrical innovations that permitted the dimming of the house lights for theatrical illusion 2 sets
34 more solo pieces, emergence of the salon, shorter and longer pieces, increasing size of orchestra, increasing chromaticism/ dissonance, recitals 2 sets
35 1814 - 1869 2 sets
36 1815-1910 2 sets
37 characterized by the words "heroic, turbulent, and poetic?" 2 sets
38 1820-1910 uses more dynamics than classical era orchestra doubles in size feels unified in its goal of making you feel emotion no set forms greatest variety of tone color usage 2 sets
39 nationalism 1 set
40 1800-1910 1 set
41 included nature and aesthetic themes 1 set
42 1798-1832, focus on nature and common man, attention to nature was response to industrial revolution, emphasis on emotion and expression, common life, common man, individual, feelings, supernatural, spontaneity, lyrical, naturalistic, let nature be your teacher 1 set
43 the 19th century music. beethoven was the bridge imbetween baroque and romantic periods. 1 set
44 stressed the democracy of the human spirits, inalienable rights, the pursuit of happiness, and emotion/feeling rather than reason 1 set
45 late 18th century to mid 19th century. result of stric neo-classical era 1 set
46 (1800-1860) rebelled against rationalism and valued feelings and intuition over reason; imagination spontinanity, feelings, nature=more important than logic 1 set
47 a little after 1800-1850 ;emotions, freedom, nature, feelings 1 set
48 a little after 1800-1850 1 set
49 (1825-1900) "freedom, movement, and passion"--- orchestra grows in size 1 set
50 1820-1900 -rational thought gives way to imagination -analysis gives way to intuition/instinct -scientific thought gives way to nature and the sublime; inspiring with a sense of awe and wonderment lofty -rules are broken for self expression and passion -greek/roman architecture(urban);nature, pastoral;country 1 set
51 a complex artistic, literary and intellectual movement that originated in the second half of the 18th century in europe; a revolt against aristocratic social and political norms of the age of enlightenment and a reaction against the scientific rationalization of nature. 1 set
52 first half of the 19th century 1 set
53 19th century, emphasized man's aspirations, emotions, individuality, personal experiences and imagination rather than rationale. chamber music, program music. 1 set
54 (1825-1900) music became more expressive, trying to tell a story. 1 set
55 1814-1869 beethoven 1 set
56 1814-1869, nationalism, interest in the occult, individualism, another age of the virtuoso, intense emotional expression, nature 1 set
57 nationalism- incorperate floksongs and rythems interest in occult individualism-know how they felt about things age of virtuoso nature intense emotional expressionn 1 set
58 1814-1869. nationalism (incorporate folk tunes). individualism. love of nature. beethoven 1 set
59 1800-1850; emotions, freedom, nature, feelings 1 set
60 did not except rules or boundaries in literature; one's own guided expression 1 set
61 1814-1869, occult, individualism, age of the virtuoso, emotional expression, nature 1 set
62 (1814-1869) "the age of the virtuoso." time of intense emotional expression, nationalism, individualism, and an interest in the occult. 1 set
63 * 1820--1870, approx. * ballet characterized primarily by: > supernatural subject matter > long white tutus > dancing on the toes > theatrical innovations permitting dimming of house lights for theatrical illusion 1 set
64 1830-1910 1 set
65 1. verdi--italy 2. wagner--germany 1 set
66 music from 1800 - 1900 1 set
67 an era of music from 1800+ characterized by expressive elements reflective of the time's romantic ideas. greater contrasts of dynamics and rhythm illustrate expressive qualities of romantic music along with a move away from "pretty melodies". ludwig van beethoven paved the way for romantic music that stresses expression during a time that emphasized the subjective, unique experience of the individual. 1 set
68 a tie with literature. roman=book. themes of death,love and the super natural 1800-1900 1 set
69 expansive, singing melodies, wide rangin, chromatic inflections, french revolution, passionate and fanciful with exotic settings, technical advances, orchestra grew in size, nationalistic folklore and exotic subjects, strophic and through composed, song cycles, poets 1 set
70 - the whole is more valuable than the parts alone: self is more valuable than individual parts, indescribable, our care, authentic self - defines who we are, difficult to find out exactly what it is. this is why people go on self realization trips, personal development is your true self, obscure views. this view goes against the enlightenment view(industrial revolution, emergence of science), 1 set
71 associated with what literary movement? 1 set
72 1820-1920 1 set
73 a freer narrative. musicians became less dependent and would sell their music for people to play in their homes, there was a new demand for originality. 1 set
74 period in which there was renewed literary interest in language of common people, inspirations coming from the past, imagination, and individualism. greatest flowering came in form of poetry [1798-1832] 1 set
75 following classic, ending 1900. large ensembles, dynamic fluctuations, long compositions, 1 set
76 1780-1840, characterized by an adoration of nature, the individual, childhood, and the common man. 1 set
77 1850-1920 1 set
78 pain between hope and reality, led to yearning of unattainable female, focus on individual, place in society 1 set
79 1827-1900 1 set
80 in your face music 1 set
81 about 1815 to 1848, reaction against rationalism of enlightenment, your interpretations, religious nature, unique individual (romanticism) 1 set
82 touches on deepest emotions, exotic locations, death, supernatural, exagerration, a lot less hummable, piano is part of the orchestra 1 set
83 early 19th century (1800s) to around 1900 1 set
84 the period of english literature from 1798 to 1838 characterized by an adoration of nature, the individual, childhood, and the common man 1 set
85 schumann, wagner, brahms, chopin, schubert 1 set
86 1800's 1 set
87 expression, emotional and individual 1 set
88 nature, fantasy, escapism, light and airy 1 set
89 instrumental music's literary and programmatic associations began to be more important in the baroque era classical era romantic era 1 set
90 nationalistic sentiments first began to be suggested in music of the european classical tradition during the ____________ baroque era classical era romantic era 1 set
91 (1825-1900) berlioz, liszt, tchaikovsky 1 set
92 1825-1900 [schubert; berlioz; robert schumann; clara schumann; brahms; chopin; liszt; wagner; smetana; verdi] 1 set
93 late 19th centure (1825-1900) passionate, meter changes, large gestures like crescendos 1 set
94 1820-1900, highly emotional, non conformity 1 set
95 - expansion of industrial revolution - orchestral expansion 1 set
96 mostly instrumental compositions, focused on melody; expressive performances 1 set
97 focus on extremes. orchestra, bigger, extreme emotions, nationalism, death/fate, mahler, berlioz, beethoven, wagner 1 set
98 center of dance was france 1700s 1 set
99 19th century 1 set
100 frederic chopin, claude debussy, aaron copland, carl orff, gustav holst 1 set