| alliteration | the repetition of similar sounds (usually consonants) at the beginning of words.-EX.- "sweet, scented stuff". |
| Aposiopesis | a breaking off of speech, usually because of rising emotion.-EX.-"touch me one more time, and I swear...". |
| Apostrophe | a direct address to an absent or dead person, or to an object, quality, or idea.-EX.- Walt Whitman's poem "O Captain, My Captain" was written upon the death of Abraham Lincoln. |
| Assonance | the repetition of similar vowel sounds in a sequence of nearby words.-EX.- "All day the winds breathes low with mellower tone." |
| Cacophony | the clash of discordant or harsh sounds within a sentence or phrase. Cacophony is a familiar feature of tongue twisters but can also be used to poetic effect.-EX.-"anfractious rocks" |
| Chiasmus | two phrases in which the syntax is the same but the placement of words is reversed.-EX.-"To be beloved is all I need/And whom I love, I love indeed."Pleasure's a sin, and sometimes sin's a pleasure." |
| Cliche | an expression that has been used so frequently it has lost its expressive power.-EX.-"Turn over a new leaf." |
| Colloquialism | an informal expression or slang, especially in the context of formal writing.-EX.-"All the other lads there/ Were itching to have a bash." |
| Conceit | and elaborate parallel between two seemingly dissimilar objects or ideas. It is similar to an extended metaphor.-EX.- John Donne's poem "The Flea" |
| Epithet | an objective or phrase that describes a prominent feature of a person or thing.-EX.-"Richard the Lionheart""Shoeless Joe Jackson" |
| Euphemism | the use of decorous language to express vulgar or unpleasant ideas, events, or actions.-EX.-"passed away" instead or "died" or "ethnic cleansing" instead of "genocide" |
| Hyperbole | an excessive overstatement or conscious exaggeration of fact.-EX.-"I've told you about it a million times already." |
| Idiom | a common expression that has acquired a meaning that differs from its literal meaning.-EX.- It's raining cats and dogs. |
| Litotes | a form of understatement in which a statement is affirmed by negating its opposite.-EX.- He is not unfriendly. |
| Meiosis | intentional understatement; meiosis is a form of hyperbole and often implores litotes to ironic effect.-EX.- In Romeo and Juliet, when Mercutio is mortally wounded, he says it is only "a scratch". |
| Personification | the use of human characteristics to describe animals, things or ideas.-EX.-"Stormy, husky, brawling/ City of the big shoulders." |
| Pun | a play on words that exploits the similarity between two words with distinctly different meanings.-EX.-the title "The Importance of Being Ernest" |
| Rhetorical Question | a question thats asked not to elicit a response, but to make an impact or call attention to something.-EX.-"Isn't she great?" |
| Sarcasm | a simple form of verbal irony in which it's obvious from context and tone that the speaker means the opposite of what he/she says. Sarcasm usually, but not always, expresses scorn-EX.-"That was graceful" when somebody trips and falls. |
| Simile | a comparison of two things through the use of "like" or "as".-EX.-"My Love is Like a Red, Red Rose." |
| Synaesthesia | the use of one kind of sensory experience to describe another.-EX.-"Heard melodies are sweet." |
| Synecdoche | a form of metonymy in which a part of an entity is used to represent the whole.-EX-"my wheels" for "my car" |
| Trope | a category of figures of speech that extend the literal meanings of words by inviting a comparison to other words, things or ideas.-EX-metaphor, metonymy, and simile |
| Zeugma | the use of one word in a sentence to modify two other words in the sentence, typically in different ways.-EX-"Mr.Pickwick took his hat and his leave." |
| Allusion | an implicit reference within a work to a historical, literary, biblical, or mythological person, place, or event. Authors use allusion to add symbolic weight because it makes subtle or implicit connections with other works.-EX.- In "Moby Dick", Captain Ahab's name alludes to the wicked and adulterous biblical King Ahab. |
| Anagnorisis | a moment of recognition or discovery, primarily used in reference to Greek Tragedy |
| Bathos | a sudden and unexpected drop from the lofty to the trivial or excessively sentimental. It's sometimes used intentionally to create humor.-Ex.-"Ye Gods! Annihilate but Space and Time/ And make two lovers happy." |
| Caricature | a description or characterization that exaggerates or distorts a character's prominent features usually to elict mockery |
| Deus Ex Machina | Greek for "god from a machine",the phrase originally referred to a technique in ancient tragedy in which a mechanical god was lowered onto the stage to intervene and solve the play's problems or bring the play to a satisfactory conclusion, now the term describes more generally "a sudden or improbable plot twist that brings about the play's resolution." |
| Epiphany | a sudden, powerful, and often spiritual or life changing realization that a character reaches in an otherwise ordinary or everyday moment. |
| Aphorism | a brief saying, embodying a moral, a concise statement of principle or precept given in pointed words.-EX.-"Life is short, art is long, opportunity is fleeting, experimenting dangerous, reasoning difficult"; that which does not destroy us makes us stronger |
| Foreshadowing | an author's deliberate use of hints or suggestions to give a preview of events or themes that do not develop until later in the narrative. |
| In Media Res | Latin for "in the middle of things", the term refers to the technique of starting a narrative in the middle of the action.-EX.-John Milton's "Paradise Lost" concerns the war among the angel in heaven, however, it opens after the fallen angels already are in Hell. |
| Interior Monologue | a record of a character's thoughts, unmediated by a narrator, interior monologue sometimes takes the form of stream of consciousness, but is often more structured and logical than stream of consciousness. |
| Invocation | a prayer for inspiration to a god or muse, usually placed at the beginning of an epic.-EX.-"Sing o' goddess the anger of Achilles" |
| Stream of Consciousness | the narrator conveys a character's thoughts, impressions, and perceptions exactly as they occur, often in a disjointed fashion and without the logic and grammar of typical speech and writing. |
| Irony | a wide ranging technique of detachment that draws awareness to the discrepancy between words and their meanings, between expectation and fulfillment, or, most generally, between what is and what seems to be. |
| Verbal Irony | the use of a statement that, by its context, implies the opposite. Sarcasm is a particularly blunt form of verbal irony. EX: In Julius Caesar, Anthony repeats, "Brutus is an honorable man," while clearly implying that Brutus is dishonorable |
| Situational Irony | a technique in which one understanding of a situation stands in sharp contrast to another, usually more prevalent, understanding of the same situation. |
| Romantic Irony | an author's persistent reminding of hir/her presence in the work. By drawing attention to the artifice of the work, the author ensures that the reader or audience will maintain critcal development and not simply accept the writing at face value. EX: Laurence Stern employs this technique in "Tristram Shandy" by discussing the writing of the novel in the novel itself/ |
| Dramatic Irony | a technique in which the author lets the audience or reader in on a character's situation while the character himself remains in the dark. EX: In "Oedipus Rex" Oedipus vows to discover his father's murderer, not knowing, as the audience does, that he himself is the murderer. |
| Cosmic Irony | the perception of fate or the universe as malicious or indifferent to human suffering, which creates a painful contrast between our purposeful activity and its ultimate meaninglessness. |
| Melodrama | the use of sentimentality, a gushing emotion, or sensational action or plot twists to provoke audience or reader response. |
| Parallelism | similarities between elements in a narrative (such as two characters or two plot lines) EX: In "King Lear", both Lear and Gloucester suffer at the hands of their own children because of their blindness to whether their children are goodhearted or evil. |
| Pathos | from the Greek word for "feeling", the quality in a work of literature that evoked high emotion, most commonly sorrow, pity, or compassion. |
| Poetic diction | the use of specific types of words, phrases, or literary structures that are not common in contemporary speech or prose |
| Poetic license | the liberty that authors sometimes take with ordinary rules of syntax and grammar, employing unusual vocabulary, metrical devices, or figures of speech, or committing factual errors in order to strengthen a passage of writing EX: E.E. Cummings uses poetic in violating rules of capitalization |
| Archetype | theme, motif, symbol, or stock character that holds a familiar and fixed place in a cultures consciousness EX: In western culture, the Fisher King, Jesus Christ, and Persephone are archetypes of the resurrected god to herald the coming of Spring |
| Wit | a form of wordplay that displays cleverness or ingenuity with language; it often, but not always, displays humor. |
| Emblem | a concrete object that represents something abstract; unlike a symbol, usually fixed |
