| Term | Definition |
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Aside |
A part of an actor's lines supposedly not heard by others on the stage and intended only for the audience. |
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Soliliquy |
An utterance or discourse by a person who is talking to himself or herself or is disregardful of or oblivious to any hearers present (often used as a device in drama to disclose a character's innermost thoughts): Hamlet's soliloquy begins with “To be or not to be.” |
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Blank Verse |
Unrhymed verse, esp. the unrhymed iambic pentameter most frequently used in English dramatic, epic, and reflective verse. |
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Couplet |
A pair of successive lines of verse, esp. a pair that rhymes and are of the same length |
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Iambic Pentameter |
A common meter in poetry consisting of an unrhymed line with five feet or accents, each foot containing an unaccented syllable and an accented syllable |
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Rhyme |
Identity in sound of some part, esp. the end, of words or lines of verse. |
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Metaphor |
A figure of speech in which two unlike things are explicitly compared, as in “she is like a rose.” |
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Imagrey |
The formation of mental images, figures, or likenesses of things, or of such images collectively: the dim imagery of a dream. |
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Symbolism |
The formation of mental images, figures, or likenesses of things, or of such images collectively: the dim imagery of a dream. |
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Antagonist |
The adversary of the hero or protagonist of a drama or other literary work: Iago is the antagonist of Othello. |
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Protagonist |
The leading character, hero, or heroine of a drama or other literary work. |
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Iorny |
The use of words to convey a meaning that is the opposite of its literal meaning: the irony of her reply, “How nice!” when I said I had to work all weekend. |
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Tragedy |
A dramatic composition, often in verse, dealing with a serious or somber theme, typically that a freat |
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Climax |
The highest or most intense point in the development or resolution of something |
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Denouement/Catastrophe |
The final resolution of the intricacies of a plot, as of a drama or novel |
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Equivocation |
The use of equivocal or ambiguous expressions, esp. in order to mislead or hedge; prevarication. |
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Paradox |
A statement or proposition that seems self contradictory or absurb but in reality expresses a possible truth |
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Tragic Hero |
A literary character to makes an error of judgement or has a fatal flaw that, combined with fate and external forces, brings on a tragedy. |
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Alliteration |
The commencement of two or more stressed syllables of a word group either with the same consonant sound or sound group (consonantal alliteration) as in from stem to stern, or with a vowel sound that may differ from syllable to syllable (vocal alliteration) as in each to all |
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Assonance |
Resemblance of sounds |
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Theme |
The act of a person or thing that sets, time place, ircumstance |
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Setting |
The act of a person or thing that sets, time place, ircumstance |
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Prophesy |
To foretell or predict |
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Meter |
The rhythmic element as measured by division into parts of equal time value |
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Personification |
The attribution of a personal nature or character to inanimate objects or abstract notions. |
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Consonance |
Accord or agreement |
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Foreshadowing |
The act of providing vague advance indications; representing beforehand |
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Simile |
A figure of speech in which two essentially unlike things are compared, as in "she is like a rose." |
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Ambivalence |
Undercainty or indecisiveness as to which course to follow |
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Universal Appeal |
N/A |