| Term | Definition |
|
Miles Davis |
Created the original style of modern trumpet playing. Didn't go to Juliard to play |
|
Miles Davis Nonet |
A nine piece ensemble with a three piece rhythm section. Evens, Mulligan, Lewis, and Davis, played in a tiny 55th st. apt. 1948 West Coast Jazz |
|
John Coltrane |
a innovative sax player who focused his energy on emotion playing, Promoted the spirituality of Jazz "Sheets of Sound". His first intrument was a clairnet, raised in NC |
|
Five Spot |
In Greenwich Villiage where Coltrane was sold out every night for four months |
|
Alabama |
written by John Coltrane after four black girls were killed in a bombing in Alabama |
|
Sheets of Sound |
inspired by harp music. He would try to play the sound that other instruments played. |
|
The coltrane Quartet |
Tyner, Jones and Garrison. There first album was My favorite things from the sound of music. He was the first jazz muscisan to incorporate influences from indian music to the style. |
|
Free Jazz |
characterized by a spirit to willingly operate beyond the rules, whether it is one or several musicians. It is tonal in nature (all the melody or harmony revolve around one note), no form, dissonance, high energy, improvisation, unusual instrumentation, and unorthodox playing |
|
Ornett Coleman |
(free Jazz) Alto sax/trumpet/violin/composer- the pioneer of free jass also known as free bop. Played the plastic sax |
|
Don Cherry |
free jazz trumpeter who played to pocket trumpet |
|
Cecil taylor |
pianist/composer- developed a distinctively individual style that existed outside of traditional jazz styles, he had imaginary concerts in his apartment |
|
Eric Doplhy |
Alto sax/ flute/ bass clarinet- they created unorthodox style utilizing smears, animial like cires and very fast interspersed with bop like phrases |
|
Sun Ra |
keyboards, composer, bandleader- known for collective improvisations and theatrics... the wierd guy |
|
The art ensemble of Chicago |
mostly percussion; free collective imporcisiation, visuals aspects like a live performance. |
|
Jazz-Rock/Fusion |
Has a rock beat and straight rock rythem, simpler harmonic structures, rock perfirming techniques, electronic instruments, electronic effects, wah-wah, and aditional percussion. |
|
Jazz indluenced rock groups |
Blood,Sweat and tears, Chase, Chicago, Transit Authority, and Sly and the Family Stone |
|
The Beatles |
First to concieve the recording studio as a musical instrument |
|
Jimi Hendrix |
set the standard for modern rock guitar playing, one of the first to consider the amplifier as a musical instrument |
|
Jaco Pastorious |
virtusoso electric bass soloust known for his incredible speed and technique |
|
John MCLaughlin |
fist important jazz/rock guitarist |
|
Al DiMeola |
One of the fastest of all electric guitarists |
|
Chick Corea |
one of the most creative and highly respected keyboard players and composers in modern music |
|
Joe Zawinul |
one of the greatest maters of the stnthesizer |
|
Important founders of the first generation of fusion bands |
Wayne Shorter and Joe Zawinule - Weather Report; Herbie Hancock - Head Hunters; Chich Corea- Return to Forever; John McLaughlin- Mahavishnu Orchestra; Tony Williams- Lifetime |
|
Weather Report |
practially defined the fusion genre om the 1970's, Most influential bands of the 70 |
|
Tower of Power |
Oakland based funk/sole band |
|
Woody Herman |
Herman's Herd |
|
Doc Severinson |
Tonight Show Band - west coast |
|
Rob McConnell |
Boss Brass- Toranto based band |
|
Airmen of Note |
Air force band |
|
Toshiko Akiyoshi |
Female big band leader |
|
Stan Kenton |
Progressize Big Band |
|
Henry Mancini |
Known for Hollywood studio bands |
|
Lincoln Center Jazz Orchestra |
Repertory band lead by Wynton Marsalis |
|
Carnegie Hall Band |
Repertory band led by Dizzy Gillespie protege and trumpeter Jon Faddis |
|
Ella Fitzgerald |
First Lady of Jazz |
|
Billie Holiday |
Lady Day |
|
Sarah Vaughan |
Sassy |
|
Nat King Cole |
#1 male Jazz Vocalist |
|
Frank Sinatra |
Associated with the Rat Pack |
|
Mel Torme |
The velvet Fog |
|
Smooth Jazz |
First recording to break into the charts were flugelhornist Chuck Magione's "Feels So Good" and Spiro Gyro's Morning Dance |
|
Ken Gorlick (Kenny G) |
gener's biggest Star |
|
ECM |
Edition of Contemporary Music Records- European Recording lable that has been one of the leading lables for world and jazz fusion |
|
Tito puente |
percussionist, cal tjader- vibranohonist, gonzalo rebalcaba- pianist, and Aarturo Sandoval - Trumpet |
|
Anthony Braxton |
Creative Construction Company |
|
Chick Corea |
Circle |
|
M-Base- |
Macro-Basic array of structured extemporization (Cassandra Wilson - vocalist) |
|
Acid Jazz |
Initially built on the style known as rare groove, in which underground dj's introduced young patrons to the sole jazz records from the 50's and 60's |
|
Greg Osby |
Alto Sax - Urban Jazz Style |
|
Neo-Traditional |
most conservative and controveral new movement in the last 20 years, promotes the idea that blues is the essential ingredient of all jazz, goes back to the basics |
|
Wynton Marsalis |
Trumpet - leader of the Lincoln Center Jazz, Only musician to ever win the pulzer prize |
|
Jon Faddis |
leader of the carnegie hall band |
|
Yamaha Dx7 |
first important flexable all use keyboard |
|
Kevin Mahogony |
Baker U Grad with a really deep voice |
|
Birth of Cool |
1949- market the official begininf of the cool jazz movement |
|
Miles Ahead and Sketches of Spain |
1957-1958 miles in collaboration with arranger/compiser Gil Evans Gelped the Third Stream style |
|
Milestones |
1958- a hard bop recoding with his classic quintet |
|
Kind of Blue |
1959 - best selling jazz album of all time - introduced modality to jazz |
|
Some day my prince will come |
1961- revitalized jazz standards |
|
Sorcerer |
1967 - a mixture of styles (hard bop- bebop) featuring vertical modality |
|
Bitches Brew |
1969- marked the foundation of jazz rock |
|
pangea |
1975- emohasis on free form collective improvisation |
|
Doo-Bop |
1992- released after his death - features techno- jazz and jazz-rap/hiphop |