| Term | Definition |
|
Inference |
opinion with evidence to support |
|
Archetype |
an original pattern or model from which all other things of the same kind are made |
|
Dynamic character |
(changing character) |
|
Static character |
character stays the same |
|
Epiphany (8) |
sudden realization; the light bulb moment |
|
Flat/round character |
(no depth/depth and complexity) |
|
Foil (9) |
character’s opposite |
|
Motivation |
what drives a character on |
|
Detail |
details included for a purpose |
|
Diction |
Word choice |
|
Connotation |
feeling word gives you |
|
Denotation |
dictionary definition |
|
Dialect |
vocabulary that is characteristic of a specific group of people |
|
Colloquial (10) |
informal spoken language or conversation |
|
Slang (10) |
non-standard use of words |
|
Vernacular (10) |
characteristic language of a particular group |
|
Euphemism (8) |
A mild word of phrase which substitutes for another which would be undesirable because it is too direct, unpleasant, or offensive |
|
Idiom |
a manner of speaking that is natural to native speakers of a language |
|
Invective (12) |
abusive or venomous language used to express blame or censure or bitter deep-seated ill will |
|
Imagery |
words that appeal to the 5 senses |
|
Mood |
the feeling invoked in the reader |
|
Foreshadowing |
hints to what is to come |
|
Rhetorical Shift |
shift in attitude |
|
Theme |
what an author believes to be true on a subject presented in the work. |
|
Tone |
speaker’s attitude towards his subject |
|
Apostrophe (8) |
addressing something as if they were present |
|
Metaphor |
figurative language comparing two unlike things |
|
Metonymy (10) |
type of metaphor in which a word or phrase is substituted for something closely associated with it. |
|
Oxymoron (7) |
a paradox in two side by side words. |
|
Paradox (8) |
a contradictory statement that turns out to be true |
|
Personification |
applying human attributes to something not human |
|
Pun (9) |
play on words |
|
Simile |
figurative language comparing two unlike things using like or as |
|
Symbol |
something representing something else |
|
Synaesthesia (10) |
describing one sense in terms of another. |
|
Synecdoche (10) |
figurative language using the part to represent the whole. |
|
Alliteration |
repetition of the initial consonant sound |
|
Assonance (7) |
repetition of vowel sounds |
|
Consonance (7) |
repetition of consonant sounds within words |
|
Onomatopoeia |
the sound of a word echoes the sound it represents |
|
Allusion |
reference to another lit. work or historic event |
|
Anachronism (10) |
out of place in time |
|
Anecdote (10) |
short account of an incident |
|
Direct characterization (8) |
something about the character is stated directly |
|
Indirect characterization (8) |
personality traits about the character are implied through dialogue or actions. |
|
Dialogue |
when 2 people are speaking to each other |
|
Hyperbole (7) |
exaggeration |
|
Dramatic irony (9) |
when the reader knows things the characters don’t |
|
Situational irony (7) |
when the opposite happens from what you expect |
|
Verbal irony |
saying one thing and meaning another |
|
Motif (10) |
recurring idea |
|
Satire (10) |
a literary technique of writing or art which principally ridicules its subject (individuals, organizations, states) often as an intended means of provoking or preventing change |
|
Litotes (10) |
A figure of speech in which a positive is stated by negating its opposite. Some examples include: no small victory, not a bad idea, not unhappy. It is the opposite of hyperbole. |
|
Aphorism (10) |
a short, witty saying, expressing a truth about life |
|
Diary |
journal or log |
|
Exposition |
Writing intended to explain the nature of an idea, thing, or theme. Expository writing is often combined with description, narration, or argument |
|
Catharsis |
purging of emotions |
|
Hamartia |
In tragedy, the event or act that leads to the hero's or heroine's downfall |
|
Hubris |
Excessive pride |
|
Comedy |
it’s funny; duh |
|
Comic relief |
comic scene amid a tragedy to ease tensions |
|
Dues ex machine |
god from a machine |
|
In medias res |
beginning in the middle of the action (in the middle of things) |
|
Monologue |
an excessive speech by one speaker |
|
Soliloquy |
character speaking his thoughts while on stage alone |
|
Tragedy |
something horrible happens at the end; duh |
|
Tragic Flaw |
the flaw that leads to the hero’s downfall |
|
Essay |
a short work that treats of a topic from an author's personal point of view, often taking into account subjective experiences and personal reflections upon them |
|
Fable |
a short moral story (often with animal characters) |
|
Genre |
A category of literary work |
|
Prologue |
An introductory section of a literary work |
|
Epilogue |
A concluding statement or section of a literary work |
|
Subplot |
minor plot |
|
Novella |
A prose fiction longer than a short story but shorter than a novel |
|
Parable |
A brief story, told or written in order to teach a moral lesson |
|
Prose |
not poetry |
|
Verse |
poetry |
|
Epitaph |
an inscription on a gravestone or a commemorative poem written as if it were for that purpose. |
|
Absolute phrase (10) |
are made of nouns or pronouns followed by a participle and any modifiers of the noun or pronoun (ie: his hair blowing). They phrases contain a subject (unlike participial phrases), and no predicate. They serve to modify an entire sentence. |
|
Appositive phrase (7) |
rename noun phrases and are usually placed beside what they rename . |
|
Gerund phrase (8) |
verbal in which a verb is used as a noun and any of its modifiers. It can be used as a subject, direct object, object of the preposition,, etc. |
|
Infinitive phrase |
will begin with an infinitive [to + simple form of the verb] and include objects and/or modifiers |
|
Participial phrase (8) |
includes the participle (verb used as an adjective) and the object |
|
Prepositional |
includes a preposition and the object of the preposition. It shows relationship, direction, or location. |
|
Independent clause |
clause contains a subject and a verb, AND it can stand alone |
|
Dependent/Subordinate clause |
clause contains a subject and a verb, but it is characterized as beginning with a dependent marker word (ie: although, despite, while, because, etc.) and therefore cannot stand by itself as a complete sentence. |
|
Declarative sentence |
the kind of sentence that makes a statement or “declares” something |
|
Exclamatory sentence |
a more forceful version of a declarative sentence, marked at the end with an exclamation mark |
|
Imperative sentence |
gives a direct command to someone |
|
Interrogative sentence |
asks a direct question |
|
Antithetical sentence |
(10): just another way of saying parallel but opposing. |
|
Balanced sentence (10) |
parallel structure on either side of the conjunction, semi-colon, etc. |
|
Complex sentence |
A sentence with an independent clause and at least one dependent clause |
|
Compound sentence |
A sentence consisting of two or more coordinate independent clauses |
|
Compound-complex sentene |
A sentence consisting of at least two coordinate independent clauses and one or more dependent clauses. |
|
Loose/cumulative sentence (7) |
a complex sentence in which the main clause comes first and the subordinate clause follows |
|
Periodic sentence (7) |
a complex sentence in which the main clause comes last and is preceded by the subordinate clause |
|
Simple |
having no coordinate or subordinate clauses |
|
Antithesis (9) |
placement of direct opposites |
|
Asyndeton (8) |
absence of any conjunctions |
|
Ellipsis (9) |
leaving words out |
|
Polysyndeton (8) |
using unnecessary conjunctions |
|
Repetition |
repeating for effect |
|
Anadiplosis (10) |
repeating the last word of one phrase, clause, or sentence at or very near the beginning of the next |
|
Anaphora (9) |
repeating words at the beginning of a sentence |
|
Epanalepsis (10) |
word or phrase is repeated after intervening matter |
|
Epistrophe (9) |
the counterpart of anaphora, because the repetition of the same word or words comes at the end of successive phrases, clauses or sentences |
|
Antimetabole (10) |
Reversal of the order of repeated words or phrases (a loosely chiastic structure, AB-BA) |
|
Inversion (7) |
changing the normal order of syntax |
|
Chiasmus (10) |
A crossing parallelism, where the second part of a grammatical construction is balanced or paralleled by the first part, only in reverse order. |
|
Rhetorical Fragment (10) |
fragment for a specific purpose |
|
Rhetorical Question (10) |
question with no answer intended |
| Add or remove terms from this set |