 | Term | Definition |
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Romance |
The mythos of literature concerned primarily with an idealized world. A form of prose fiction practised by Scott, Hawthorne, William Morris, etc., distinguishable from the novel. |
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Romanticism |
Romanticism, which was a reaction to the classicism of the early 18th century, favored feeling over reason and placed great emphasis on the subjective, or personal, experience of the individual. Nature was also a major theme. |
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Satire |
A literary work which exposes and ridicules human vices or folly. Historically perceived as tending toward didacticism, it is usually intended as a moral criticism directed against the injustice of social wrongs. |
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Scansion |
The analysis of a poem’s meter. This is usually done by marking the stressed and unstressed syllables in each line and then, based on the pattern of the stresses, dividing the line into feet. |
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Semantics |
The study of the meaning of language, as opposed to its form. |
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Semiotics |
theories regarding symbolism and how people glean meaning from words, sounds, and pictures. |
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Stock character |
a fictional character that relies heavily on cultural types or stereotypes for its personality, manner of speech, and other characteristics. Stock characters are instantly recognizable to members of a given culture. |
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Polemic |
A controversial argument, especially one refuting or attacking a specific opinion or doctrine. |
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Protagonist |
the central character of a literary work |
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Realism |
Broadly defined as “the faithful representation of reality” or “verisimilitude,” realism is a literary technique practiced by many schools of writing. Although strictly speaking, realism is a technique, it also denotes a particular kind of subject matter, especially the representation of middle-class life. |
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Rhetoric |
The art of persuasive argument through writing or speech--the art of eloquence and charismatic language. |
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Roman a clef |
a novel in which actual persons and events are disguised as fictional characters. |
