| Term | Definition |
|
Audience (difference and similarity to film) |
Theater has actor audience reciprocity |
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Focus (difference and similarity to film) |
must focus in film, in theater you have an intermission |
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Willing suspension of disbelief |
required in both film and theater for enjoyment |
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Theatrical Space is importiant for... |
Actor-Audience relationship |
|
Elements that influence actor-audience realtionship with space |
Formality, Size, Configuration |
|
Proscenium Arch Theater |
called that because it has a frame, a clear division between audience and stage, has raked seating sometimes with a balcony, often has curtain in front, is seen from front only |
|
Benefits of Proscenium Arch Theater |
Has fly-system, wings offstage (for actors to change), monodirectional action leaves lots of space for actors and scenery |
|
Limitations of Proscenium Arch Theater |
Distance and detail, dimension (lighting), formality/conventionality |
|
Thrust Stage |
Seating on three sides (usually raked), closer proximity with actor and audience, stage pictures is viewed from three sides |
|
Thrust Stage restrictions |
no fly system, restricted scenery |
|
Arena Stage (Theater in the round) |
floor level playing, area of seating is all around like sports |
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Limitation of Arena Stage |
No curtains, full visability at all times, limited props |
|
Black Box Theater (flexible) |
seating and playing area can be arranged in anyway, Actor Audience realtionship is permeable and changeble, can make space into other stages, usually used by experimental productions, lacks formality |
|
Limitations of Black box Theater |
same problems that all other stages have, has no technical space |
|
Auxiliary Space |
green room, set or costume shop, lobby, box office |
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Why was Athens So Importiant |
Democracy, Citizenship, religious reverence, first to make drama about man trying to overcome destiny |
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Dionysus |
God of Wine and fertility, plays were presented in his honor. |
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History of Dionysus |
Son of Zeus and semale, was killed by Hera, was dismembered, resurrected and diefied |
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Festivals and Dionysus |
Athens had four festivals, three had plays, the plays were both religious and civic celebrations |
|
City of Dionysia |
Most major festival, exteneded over several days at the end of March, one of the most importiant occassions of the year and a major showcase for Athenian Wealth and power |
|
Choregus |
a wealthy citizen who bore the expense of training and costuming |
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Theater at Dionysis |
took place on the south slope of the acropolis, first stone theater ever built, held 14k-17k people |
|
Order of Seating at Dionysis |
Priests, officials, guests of honor, ordinary citizens |
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Theatron |
Greek meaning seeing place is essentially an auditorium |
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Orchestra |
In greek theater is where the chorus sits |
|
Thymele |
is an Alter placed in the center of the Orchestra for Dionysus |
|
Eccyclema |
The platform rolled out though the central doorway of the ancient greek stage house used typically to display the corpses of charactes slain offstage |
|
Machina |
a cranelike machine used to simulate flying |
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534 B.C. |
first known recording of theater, was a competition for best tragedy won my thespis |
|
Notable 5th century Play writes |
Thespis, Aeschylus, Sophocles, Euripedes |
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The Performers of Greek play |
THe chorus had 15 people, all wore masks, extras were allowed but could not talk |
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Similarities of Roman Theater and Greek Theater |
part of religious festivals, all male actors, wore masks |
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Differerences in Roman theater and Greek Theater |
no reserved seating, focus was on violenc, no chorus, focus on domecisty |
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similatities of Medieval Theater and roman/greek theater |
Were religious festivals whre whole community was involved |
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Differences in Medieval theater |
organizations, how they were finaced and presented |
|
Liturgical Drama |
first and second era of Medieval Drama was called this. was done within churches or monastaries |
|
Morality plays |
A type of drama that treated spiritual of ordinary persons, used alegory about temptation beseting all humans |
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Guilds |
with an increase in ordinary people the church added corpus cristi festival to its activities |
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Pageant Wagon |
plays were mounted on these and driven through the streets and served as a stage going from place to place |
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Three points of Character Aspects |
Purpose, Passion, and Perception |
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Five Points about Techinical dramatic action |
Complete, shaped, has variety, maintians intrest, consitency |
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Aristotles Poetics in order |
Plot needs to be linear in one day, Character should be appropriate, Thought should be logical, Diction, Melody, Spectacle |
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Basic play structure |
PLay begins, Expos, inciting incidint, rising action, climax, falling action, resolution |
|
Creon |
Oedipus's brother in law |
|
Joseca |
Oedipus's mother and wife |
|
Laios |
Oedipus's father |
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Tiresiase |
Blind seer |